The initial score is written for a sopranino recorder .
LEN ANDERSON did a very beautiful version with a
Baritone sax, so I decided to make a transcription for
that instrument . ThereforeYou can play it as LEN ,
who used the score in C, or read my transcription,
which keeps the original notes . Tempi are for flaut,
of course .
that score should sound very well with a transversal
flaut, or an alto sax, etc ..
There are not much accentuations, the notes ...(+)
Opus registered by SACEM.
The initial score is written for a sopranino recorder .
LEN ANDERSON did a very beautiful version with a
Baritone sax, so I decided to make a transcription for
that instrument . ThereforeYou can play it as LEN ,
who used the score in C, or read my transcription,
which keeps the original notes . Tempi are for flaut,
of course .
that score should sound very well with a transversal
flaut, or an alto sax, etc ..
There are not much accentuations, the notes being
grouped following the musical sentence .
The main difficulty, for my viewpoint, is rythmical,
obliging to count the eights , even the 16ths .
Have a good time to play it, and don't hesitate to
comment !