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Oorspronklik

Felix Mendelssohn-Bartholdy. Octet Opus 20. Sheet Music. Saxophone. SAX. Felix Mendelssohn.

Vertaling

Felix Mendelssohn Bartholdy-. Octet Opus 20. Sheet Music. Saksofoon. SAX. Felix Mendelssohn.

Oorspronklik

Saxophone Octet SSAATTBB. A complete arrangement of Mendelssohns String Octet for eight saxophones. double quartet. This is an early work by Mendelssohn, but displays all the features for which he is best known. Delightful melodies, playful counterpoint and wide ranging use of keys all keep the interest of both the listener and player through this large scale piece. In four movements, the first is by far the longest lasting about 15 minutes. Syncopated rhythms and a wide ranging tune give this a sense of urgency and excitement. The second movement is slower, but features intricate rhythms in all parts. The third movement is a Scherzo reminiscent of the music Mendelssohn was to write for The Midsummer Nights Dream, requiring agility from all players. The fourth movement is marked Presto, and is based upon contrapuntal entries which work their way up from second baritone sax to first soprano interspersed with unison sections. An exciting end, and a great way for two saxophone quartets to combine and end a concert. Not an easy play by any means, but well worth the work.

Vertaling

Saxophone Octet SSAATTBB. A complete arrangement of Mendelssohns String Octet for eight saxophones. dubbel kwartet. Dit is 'n vroeƫ werk deur Mendelssohn, maar vertoon al die funksies waarvoor hy is die beste bekend. Pragtige melodieƫ, speelse kontrapunt en wydlopende gebruik van sleutels al hou die belang van beide die luisteraar en speler deur middel van hierdie groot skaal stukkie. In vier bewegings, die eerste is verreweg die langste blywende ongeveer 15 minute. Gesinkopeerde ritmes en 'n groot verskeidenheid van deuntjie gee dit 'n gevoel van dringendheid en opwinding. Die tweede beweging is stadiger, maar dit bevat ingewikkelde ritmes in alle dele. Die derde beweging is 'n Scherzo herinner aan die musiek Mendelssohn was om te skryf vir Die Midsummer Nights Dream, wat behendigheid van alle spelers. Die vierde beweging word gekenmerk Presto, en is gebaseer op kontrapuntale inskrywings wat werk hul pad uit die tweede bariton saxofoon eerste sopraan afgewissel met harmonie artikels. 'N opwindende einde, en 'n goeie manier om vir twee saksofoon kwartette te kombineer en eindig 'n konsert. Nie 'n maklike spel op enige wyse, maar die moeite werd om die werk.