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Oorspronklik

Melodic Studies and Compositions for Guitar. Sheet Music. Guitar. GTR.

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Melodies Studies en Komposisies vir Guitar. Sheet Music. Guitar. GTR.

Oorspronklik

A collection of studies and compositions written to provide a creative approach to a common problem. Most guitar students have not worked through a methodical approach to reading music notation, which limits their personal progress and sometimes their career development. The author has approached the studies from two directions. horizontal, or up the fingerboard on individual strings, and positional. The first two parts of the book are extensively fingered and designed to make intervals and melodic patterns more visually apparent by repetition of similar ideas in different locations on the neck. The third part contains five extended compositions, which draw from the author’s jazz background. The first four include chord changes for duo practice, as well as challenging melodic lines in a variety of meters that may be used for the study of improvisation. The fifth piece is written in the Indian Raga style. Basic music theory and rhythmic studies are included in the appendices.

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'N versameling van studies en komposisies geskryf om 'n kreatiewe benadering tot 'n algemene probleem te verskaf. Die meeste kitaar studente nie gewerk het deur 'n metodiese benadering tot die lees van musieknotasie, wat hul persoonlike vordering en soms hul loopbaan ontwikkeling beperk. Die skrywer het die studie van twee rigtings genader. horisontale, of op die vingerbord op individuele stringe, en posisionele. Die eerste twee dele van die boek is omvattend vinger en ontwerp intervalle en melodiese patrone meer visueel duidelik deur die herhaling van soortgelyke idees in verskillende plekke op die nek te maak. The third part contains five extended compositions, which draw from the author’s jazz background. Die eerste vier sluit koord veranderinge vir duo praktyk, sowel as 'n uitdaging melodiese lyne in 'n verskeidenheid van meters wat gebruik kan word vir die studie van improvisasie. Die vyfde stuk is in die Indiese raga styl geskryf. Basiese musiek teorie en ritmiese studies is ingesluit in die bylaes.