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Oorspronklik

Niels Rosing-Schow. Alliage III. Score. Sheet Music. Violin. Cello. Accordion. VLN. VLC. ACDN. Niels Rosing-Schow.

Vertaling

Niels Rosing-Schow. Alloy III. Telling. Sheet Music. Viool. Tjello. Trekklavier. VLN. VLC. ACDN. Niels Rosing-Schow.

Oorspronklik

Programme note. Alloy III for Violin, Cello, Classical Accordion, and two Kokles. The instruments of this quintet are very different in appearance and in the way of playing as well as tone. production. strings to be bowed, strings to be plucked confronted with the airborne tone of the Accordion. The.origins and the traditions of the instruments are also very diversified reaching from traditional folkmusic. the. Kokle. and popular music. the Accordion. to art music of the classical tradition. the Violin and Cello. Acknoledging these references and connotations I refrain nevertheless from an obvious ‘casting’ of the. instruments, since I have always been fascinated by the less evident, by transitions and gradual displacement,. by the intangible places between one and the other. I search for this ‘terrain vague’ of fruitfull incertainty and. permanent genesis. To arrive there, I have in this piece created a musical expression, which makes hidden relations and unexplored. sonorous paths come forward between the different sound worlds of the instruments. Bringing together these. musical substances, I look for something deeper than just common sounds. a fresh musical place. And the lively. and bright sound world that emerges form this instrumental and textural ’in-between’ I associate to alloys, in. particular the silvery amalgamations of mercury. The work was composed to musicians from the Latvian ensmble Altera Veritas and of Ensemble Aleph. France. as a part of the project European Instrumental Laboratory. Niels Rosing-Schow.

Vertaling

Nota Program. Alloy III vir Viool, Tjello, Klassieke trekklavier, en twee Kokles. Die instrumente van hierdie kwintet is baie verskillende in voorkoms en in die manier van speel, asook toon. produksie. snare te buig nie, snare te word uitgeruk gekonfronteer word met die lug toon van die trekklavier. The.origins en die tradisies van die instrumente is ook baie uiteenlopend bereik van die tradisionele volksmuziek. die. Kokle. en populêre musiek. die trekklavier. kuns musiek van die klassieke tradisie. die viool en tjello. Acknoledging hierdie verwysings en konnotasies Ek onthou tog van 'n voor die hand liggend 'n beslissende 'van die. instrumente, want ek was nog altyd gefassineer deur die minder duidelik, deur oorgange en geleidelike verplasing,. deur die ontasbare plekke tussen een en die ander. Ek soek vir hierdie 'terrein vae' van fruitfull incertainty en. permanente ontstaan. Om daar te kom, het ek in hierdie stuk het 'n musikale uitdrukking, wat verborge betrekkinge en onverkende. klankvol paaie na vore te kom tussen die verskillende klank wêrelde van die instrumente. Saam te bring hierdie. musikale stowwe, ek kyk vir iets dieper as net gesonde klanke. 'n vars musikale plek. En die lewendige. en helder klank wêreld wat na vore vorm hierdie instrumentele en tekstuur 'in-tussen "Ek assosieer allooie, in. veral die silwerige amalgamasies van kwik. Die werk is gekomponeer om musikante uit die Lets ensmble Altera Veritas en Ensemble Aleph. Frankryk. as 'n deel van die projek Europese Instrumentaal Laboratory. Niels Rosing-Schow.