Bladmusiek $12.55

Oorspronklik

Per Nørgård. Tribute To Bali. player's score. Sheet Music. Marimba. Percussion. MAR. PERC. Per Norgard.

Vertaling

Per Norgard. Tribute To Bali. speler se telling. Sheet Music. Marimba. Perkussie. MAR. Slagw. Per Norgard.

Oorspronklik

Programme Note. TRIBUTE TO BALI is a 5-6 minutes piece for 3 percussionists, but also the original version for piano solo under the title “Many returns to Bali” might be called a percussion piece. the piano being a percussive instrument too, at least since Bartok’s “Allegro Barbaro”. – referring in sound and attack to Balinese gamelan music. In gamelan orchestras the fastest layers of music are played by high pitched instruments, the slowest layers by instruments with deep octaves. The same idea is present in my piece, and gives the music a Balinese touch, although no Balinese themes or motifs are used. The motives and rhythms are my own brew, especially the snake-like rhythm called “Pischop”, which – played in many layers at the same time – avoids the strong beats in a bar. The music might be described as a “Tribute to Pischop”. It also refers to my piece “Returns” for guitar. 1976. , composed after my first visit to Bali in 1975. The piece was composed as a hommage to the cultural rich civilization of Hindu Bali, after the bombings on the island in 2002. Percussionist Jacob Weber has, with my accept, arranged the original piano piece for percussion trio – for his debut in 2005 at the Queens Hall at the Royal Library, Copenhagen. Per Nørgård. 2005.

Vertaling

Program Nota. HULDEBLYK AAN BALI is 'n 5-6 minute stuk vir 3 perkussiespelers, maar ook die oorspronklike weergawe vir klavier solo onder die titel Baie keer terug na Bali kan 'n perkussie stuk genaamd. die klavier 'n perkussie instrument ook ten minste sedert Bartok se Allegro Barbaro. - Verwys in klank en aanval gamelan musiek Balinese. In gamelan orkeste die vinnigste lae musiek word gespeel deur 'n hoë opgeslaan instrumente, die stadigste lae deur instrumente met diep oktawe. Dieselfde idee is teenwoordig in my stuk, en gee die musiek 'n Balinese touch, hoewel geen Balinese temas of motiewe gebruik. Die motiewe en ritmes is my eie brousel, veral die slang-agtige ritme genoem Pischop, wat - gespeel het in baie lae op dieselfde tyd - vermy die sterk slae in 'n bar. Die musiek kan beskryf word as 'n Tribute to Pischop. Dit verwys ook na my stuk Returns vir kitaar. 1976. , Saamgestel ná my eerste besoek aan Bali in 1975. Die stuk is saamgestel as 'n hommage aan die kulturele ryk beskawing van Hindu Bali, na die bomme op die eiland in 2002. Perkussiespeler Jacob Weber het, met my te aanvaar, gereël die oorspronklike klavierstuk vir perkussie trio - vir sy debuut in 2005 by die Queens Hall by die Royal Library, Kopenhagen. Per Norgard. 2005.