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Oorspronklik

Richard Reed Parry. Duet For Heart And Breath. Bass Clef Version. Sheet Music. Cello. Piano Accompaniment. VLC. PFA. Richard Reed Parry.

Vertaling

Richard Reed Parry. Duet vir die hart en asem. Bassleutel Weergawe. Sheet Music. Tjello. Klavierbegeleiding. VLC. PFA. Richard Reed Parry.

Oorspronklik

Richard Reed Parry 's Duet For Heart And Breath Bass Clef version for Cello. or other instrument of suitable range. and Piano. or other polyphonic instrument. The performers wear stethoscopes positioned over their hearts so that each can follow his or her own heart rate. Two eighth notes. quavers. correspond to the two sounds of a normal heartbeat, and performers should match as closely as possible the staccato and irregular rhythm they hear. When instructed to ‘play to breath’, the natural cycle of one inhalation and one exhalation, or vice versa, will determine the length of the bar. two quarter notes. crotchets. without any attempt to make it metronomic. ' This piece is based around the idea of using the widely varying internal rhythms of the performers’ bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing rates of the players are used in alternation with the individual performers’ heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately, with little or no vibrato, so as to be able to hear their heartbeats adequately. This, in combination with thenatural variance between the different heart rates, results in a kind of delicate musical “pointillism”. starts and stops which are somewhat staggered, parts which repeatedly line up and fall out of synch with each other, different individuals’ pulses rising and falling. The piece is never performed exactly the same way twice. ' - Richard Reed Parry.

Vertaling

Richard Reed Parry 's Duet For Heart And Breath Bass Clef version for Cello. of ander instrument van geskikte reeks. en Klavier. of ander polifonies instrument. Die kunstenaars dra stetoskope geposisioneer oor hulle harte sodat elkeen kan sy of haar eie hartklop volg. Twee agtste notas. agstenote. ooreenstem met die twee klanke van 'n normale hartklop, en kunstenaars moet so na as moontlik ooreenstem die staccato en onreëlmatige ritme hulle hoor. Wanneer opdrag gegee om 'speel asem', die natuurlike siklus van een inaseming en uitaseming een, of andersom, sal die lengte van die staaf te bepaal. twee kwartnote. kwartnote. sonder enige poging om dit metronomic te maak. 'Hierdie stuk is gebaseer rondom die idee van die gebruik van die wyd uiteenlopende interne ritmes van die kunstenaars se liggame as prestasie parameters. Daar is geen werklike tempo of metrum gebou in die stuk. Die asemhaling pryse van die spelers is wat in afwisseling met die individuele kunstenaars se hart tariewe die tempo waarteen al die musikale materiaal gespeel om te bepaal. Dit vereis dat die performers algemeen rustig en fyn speel, met min of geen vibrato, so as om in staat wees om hul hartklop voldoende hoor. Dit, in kombinasie met thenatural afwyking tussen die verskillende hart pryse, lei tot 'n soort van delikate musikale "pointillisme". begin en stop wat ietwat steier, dele wat herhaaldelik line-up en val uit synch met mekaar, verskillende individue se polse stygende en dalende. Die stuk is nooit presies dieselfde manier twee keer opgevoer. '- Richard Reed Parry.