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Oorspronklik

The Renaissance Vihuela & Guitar in Sixtenth-Century Spain. Sheet Music. Guitar, Guitar Tab. GTR. TAB.

Vertaling

Die Renaissance vihuela. Sheet Music. Kitaar, Guitar Tab. GTR. TAB.

Oorspronklik

Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription. This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World. MB21122. It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World. MB21122. Intended to help bridge the gap between scholarly editions and performance editions An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.

Vertaling

Wetenskaplike uitgawes, wat dien verskillende doeleindes as prestasie uitgawes, is dikwels nie ontwerp met die moderne kitaarspeler in gedagte. Byvoorbeeld, Renaissance vihuela tabula tuur word gewoonlik oorgeskryf met die oop eerste string as G, is nie E. meeste in dubbel-balknotasie, 'n medium wat beter is vir die verwesenliking van kontrapunt maar onkonvensionele as kitaar notasie aangebied. Verder, hierdie uitgawes gee soms geïdealiseerde, maar nie realisties, oplossings vir die uitspreek, noot duur, en ander sake wat binne die beperkinge van ons instrument oorweeg moet word. Kitaarspelers wat probeer om te speel van die uitgawes in wese gekonfronteer word met die taak van die oordra van die transkripsie. Hierdie 188-bladsy bundel is ontwerp as 'n metgesel volume Die Baroque Guitar in Spanje en die Nuwe Wêreld. MB21122. Dit sluit verteenwoordigende keuse, geredigeer vir moderne kitaar, van die sewe boeke vir vihuela wat in Spanje tussen 1536 en 1576 gepubliseer is. Sowel as pret en vermaak musiek vir almal om te geniet, is hierdie versameling bedoel om te help oorbrug die gaping tussen wetenskaplike uitgawes en prestasie uitgawes deur die verskaffing van 'n hands-on inleiding tot Tablature transkripsie en aan kwessies rakende histories ingeligte prestasie van vroeë musiek op die kitaar. A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World. MB21122. Intended to help bridge the gap between scholarly editions and performance editions An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.