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Peter Maxwell Davies. Job. Study Score. Sheet Music. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. BARITONE. SATB. ORCH. Peter Maxwell Davies.

Vertaling

Peter Maxwell Davies. Job. Zakpartituur. Sheet Music. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TIEN. BARITON. SATB. Orch. Peter Maxwell Davies.

Oorspronklik

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprano. , Linda Maguire. mezzo soprano. , Paul Moore. tenor. and Kevin McMillan. baritone. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Like Vaughan Williams in his Job. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages. there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job..

Vertaling

As bestel meer as 10 kopieë, bel ons op 44. 1284 725725 beskikbaarheid na te gaan. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. sopraan. Linda Maguire. mezzo-sopraan. Paulus Moore. tenoor. en Kevin McMillan. bariton. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Soos Vaughan Williams in sy werk. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. Die bariton het die leeue-aandeel van die omgewing, maar die ander soliste soms versterk sy pleit en koraal-agtige episodes universalize sy penarie. Davies rame met werk met twee invloedryke plainsong-agtige gange. daar is ook baie van dramatiese kontras beide binne Job se monoloë en in die helder orkestrale skryf vir die vleiend vertroosters, die aanvanklik skril God wat uiteindelik blyk uit 'n skitterende orkestrale warrelwind en die dierelewe gebruik hy die wonders van die skepping van 'n nederig te illustreer Job..