Bladmusiek $23.60

Oorspronklik

Edward Gregson. Tributes. Clarinet And Piano. Sheet Music. Clarinet. Piano Accompaniment. CLT. PFA. Edward Gregson.

Vertaling

Edward Gregson. Huldeblyke. Klarinet en klavier. Sheet Music. Klarinet. Klavierbegeleiding. CLT. PFA. Edward Gregson.

Oorspronklik

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist. with whom Gregson had long musical associations. Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows. To Francis Poulenc. for Emma Johnson. – a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi. for John Bradbury. – slow and lyrical with long melodic arches. To Igor Stravinsky. for Linda Merrick. – asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen. for Nicholas Cox. – based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók. for Michael Collins. – the most virtuoso of the set. after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok’s penchant for simple modal shapes and ostinati rhythms.

Vertaling

Edward Gregson voltooi Huldeblyke in die somer van 2010. Blywende sowat 16 minute, is daar vyf stukke in die versameling, elk op 'n ander komponis en 'n ander klarinetspeler. met wie Gregson het lang musikale assosiasies. Elk van die dedicatee komponiste geskryf wonderlik vir die klarinet en, as 'n huldeblyk aan hulle Gregson probeer verower, inderdaad boots, hul stilistiese wêrelde in hierdie stukke. Hulle is soos volg. Francis Poulenc. vir Emma Johnson. - 'N taamlik dromerige toccata, liriese in voel nie, maar onderbreek deur tipies prettige en ontwrigtende ritmiese episodes. Gerald Finzi. vir John Bradbury. - Stadig en liriese met lang melodiese boë. Igor Stravinsky. vir Linda Merrick. - Asimmetriese ritmes oorheers, met 'n wye spronge in die solo-lyn en bitonal harmonie op die klavier. Olivier Messiaen. vir Nicholas Cox. - Gebaseer op die oorweldigende stadige beweging vir tjello in sy Quartet vir die einde van die tyd, is 'n naatlose melodie rondom ewig-veranderende herhaal akkoorde geweef op die klavier. Bela Bartók. vir Michael Collins. - Die mees virtuose van die stel. Na 'n stadige inleiding, 'n kolk folk-agtige dans ontvou, mirroring Bartok se voorliefde vir eenvoudige modale vorms en ostinati ritmes.