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Oorspronklik

Antonio Salieri. Prima La Musica E Poi Le Parole. Full Score. Sheet Music. Opera. OPERA. Antonio Salieri.

Vertaling

Antonio Salieri. Voor die musiek en dan die woorde. Volle telling. Sheet Music. Opera. OPERA. Antonio Salieri.

Oorspronklik

Hardback edition of the full score for Antonio Salieri 's Prima La Musica E Poi Le Parole. A memorable musical competition commissioned by the Emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s Schauspieldirektor whilst Antonio Salieri ’s Prima La Musica E Poi Le Parole was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of 'metamelodramma' in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s Giulio Sabino in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether the word or the music should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss' Capriccio.

Vertaling

Hardback edition of the full score for Antonio Salieri 's Prima La Musica E Poi Le Parole. A onvergeetlike musikale kompetisie in opdrag van die Keiser Josef II het op 7 Februarie 1786 as deel van 'n fees in die wintertuin van die Schönbrunn paleis. 'N Duitse ensemble Mozart se Singspiel Schauspieldirektor Terwyl Antonio Salieri se Eerste musiek en dan die woorde is wat uitgevoer word deur die Italiaanse hof sangers en musikante. Hierdie pragtige opera satire behoort tot die genre van 'metamelodramma' waarin die opera self word die onderwerp van die aksie. Die mense wat deel is van 'n opera produksie, byvoorbeeld die librettis, komponis en prima donna, verskyn as karakters op die verhoog en is in 'n humoristiese selfbesinning aangebied. In hierdie "teater oor teater Salieri parodieë die musiek van Giuseppe Sarti se Giulio Sabino in sy insetsel arias, dus speel op die musiek wat was heeltemal vertroud is met die gehoor van die tyd. Deur oor die musikale-dramatiese styl van daardie tydperk en bespreek of die woord of die musiek prioriteit moet neem, is hierdie meesterstuk beskou as 'n vroeë voorloper Richard Strauss se Capriccio te wees.