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Oorspronklik

Richard Reed Parry. Heart And Breath Sextet. Sheet Music. Piano Six Hands. Violin. Viola. Cello. PF6HANDS. VLN. VLA. VLC. Richard Reed Parry.

Vertaling

Richard Reed Parry. Hart en asem Sextet. Sheet Music. Piano Six Hands. Viool. Violet. Tjello. PF6HANDS. VLN. VLA. VLC. Richard Reed Parry.

Oorspronklik

Richard Reed Parry 's Heart And Breath Sextet for Piano Six-hands, Violin, Viola and Violoncello. Heart And Breath Sextet was commissioned by the 2011 MusicNOW Festival for yMusic. ' This piece is based around the idea of using the widely varying internal rhythms of the performers’ bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing rates of the players are used in alternation with the individualperformers’ heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately, so as to be able to hear their heartbeats adequately. This, in combination with the natural variance between the different heart rates, results in a kind of delicate musical “pointillism”. starts and stops which are somewhat staggered, parts which repeatedly line up and fall out of synch with each other, different individuals’ pulses rising and falling. The piece is never performed exactly the same way twice. In this piece, the pianists wear stethoscopes positioned over their hearts so that each can follow his or her own heart rate. Two eighth notes. quavers. correspond to the two sounds of a single normal heartbeat, and performers should match as closely as possible the staccato and irregular rhythm they hear. The strings are instructed to ‘play to breath’. the natural cycle of one inhalation and one exhalation, or vice versa, will determine the length of the bar. two quarter notes. crotchets. without any attempt to make it metronomic. When one instrument is designated the leader, their breath will determine the starts of phrases and the procession from one bar to the next, cuing other parts if necessary. ' - Richard Reed Parry.

Vertaling

Richard Reed Parry 's Heart And Breath Sextet for Piano Six-hands, Violin, Viola and Violoncello. Heart And Breath Sextet was commissioned by the 2011 MusicNOW Festival for yMusic. 'Hierdie stuk is gebaseer rondom die idee van die gebruik van die wyd uiteenlopende interne ritmes van die kunstenaars se liggame as prestasie parameters. Daar is geen werklike tempo of metrum gebou in die stuk. The breathing rates of the players are used in alternation with the individualperformers’ heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately, so as to be able to hear their heartbeats adequately. This, in combination with the natural variance between the different heart rates, results in a kind of delicate musical “pointillism”. begin en stop wat ietwat steier, dele wat herhaaldelik line-up en val uit synch met mekaar, verskillende individue se polse stygende en dalende. Die stuk is nooit presies dieselfde manier twee keer opgevoer. In this piece, the pianists wear stethoscopes positioned over their hearts so that each can follow his or her own heart rate. Twee agtste notas. agstenote. correspond to the two sounds of a single normal heartbeat, and performers should match as closely as possible the staccato and irregular rhythm they hear. The strings are instructed to ‘play to breath’. the natural cycle of one inhalation and one exhalation, or vice versa, will determine the length of the bar. twee kwartnote. kwartnote. sonder enige poging om dit metronomic te maak. Wanneer een instrument is aangewys as die leier, sal hulle asem van die begin van sinne en die optog van die een bar na die volgende te bepaal, sny ander dele, indien nodig. '- Richard Reed Parry.