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Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

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Le Nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

Oorspronklik

Le nozze di Figaro KV 492. Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Kurt Pahlen. This edition. SEM 8007. 6th edition, 2005. Books. Librettos. Operas of the world. Text. libretto. Text language. Italian - German. 345 pages. Duration 180 minutes. Published by Schott Music. SD.49041675. ISBN 9783254080073. With Text language. Italian - German. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

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Le Nozze di Figaro KV 492. Die huwelik van Figaro. Saamgestel deur Wolfgang Amadeus Mozart. 1756-1791. Geredigeer deur Kurt Pahlen. Hierdie uitgawe. SEM 8007. 6th edition, 2005. Boeke. Libretto. Operas van die wêreld. Teks. boekie. Teks taal. Italiaanse - Duitse. 345 bladsye. Duur 180 minute. Gepubliseer deur Schott Musiek. SD.49041675. ISBN 9783254080073. Met teks taal. Italiaanse - Duitse. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Afgesien van die libretto, hierdie uitgawe bevat inleidende kommentaar van Kurt Pahlen wat ook voeg inligting oor die komposisionele struktuur en konteks van die musiekblyspel sowel as eksterne en interne dramatiese optrede van die opera. 'N Kort samevatting en 'n kort oorsig van die ontstaan ​​bring die werk in verband met die komponis se hele oeuvre en die lewe, dus bied 'n omvattende, ryklik geïllustreer bekendstelling.