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Oorspronklik

Century Variants. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 4.

Vertaling

Century Variante. David Gillingham. B-Flat Trumpet bladmusiek. Horn bladmusiek. Graad 4.

Oorspronklik

Century Variants composed by David Gillingham. Arranged by Michael Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2 , Bassoon 1. 2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1. 2, Horn in F 3. Band Music. Grade 4. Score and parts. Duration 8. 00. Published by C. Alan Publications. CN.15710. Based on the primary melody of Gillingham's work, New Century Dawn, this composition is designed to be quite versatile. It is a set of variations which can introduce the symphonic band to the layman or to young children contemplating playing a band instrument. For example, the high school band director could play this piece with the added optional narration. see notes. for the local grade school children for the purpose of recruitment. Or, the piece could be used at a concert to introduce the band to parents and people of the community. If choosing not to use the narration, the piece will stand as a concert work to be featured on any high school or university program. Century Variants was commissioned by David Knox of banddirector. com. The project was very unique in that band directors and musicians could have sneak peaks of the composition as it developed via this website. Actual FINALE files and videos explaining the composition as it developed. The composition is dedicated to Dr. Peter Boonshaft, Director of Bands at Hofstra University, for it was Peter who urged me to write a set of variations based on the primary melody of my work, New Century Dawn, written in 2000. The composition is designed to be quite versatile, in that it is a set of variations which can introduce the symphonic band to the layman or to young children contemplating playing a band instrument. For example, the high school band director could play this piece with the added optional narration. see below. for the local grade school children for the purpose of recruitment. Or, the piece could be used at a concert to introduce the band to parents and people of the community. If choosing not to use the narration, the piece will stand as a concert work to be featured on any high school or university program. The details of the structure of the piece are revealed in the Optional Narration below. Measure 14. Welcome to the world of the Symphonic Band, a large ensemble comprised of woodwind, brass and percussion instruments. To help you hear the various components and colors of this ensemble, you are going to hear a theme followed by six variations. First, we will hear the theme played by the combined forces of the entire ensemble. Measure 40. Variation I features the backbone of the band, the percussion section. The percussion section features plethora of pitched and indefinite pitched instruments that are used to support the rhythmic, harmonic, and melodic parameters of the music as well as provide their own color. In order of appearance, we will hear the timpani, xylophone, vibraphone, tubular bells, orchestra bells, marimba, snare drum and hi-hat. Measure 69. Variations II and III feature the versatile woodwinds comprised of piccolo, flutes, oboes, bassoons, Bb Clarinets, Bass Clarinet and the saxophones. Variation II begins with the fluttery piccolo and flutes over all clarinets playing the theme, followed by a variants by the oboes and bassoons, then saxophones and culminating with all woodwinds. Variation III is another variant beginning with all woodwinds followed by flutes accompanying the saxophones and again ending with all woodwinds. Measure 159. In true form, the brass have interrupted the end of Variation III, announcing the coming of Variations IV, V, and VI that showcase the brass section. Variation IV has the distinction of having the slowest tempo of the entire composition and features the warm and lyrical quality of the horn section. This is followed by Variation V which quickly changes to a faster tempo and touts the dramatic and aggressive sound of the low brass comprised of trombones, euphoniums and tubas. Topping off the brass section are the trumpets that play joyfully and fanfare-like in Variation VI. The variation ends with a full band rendition. Measure 242. In conclusion, all sections will be recapped in a sort of parade of instruments. Over a continuous ostinato by the hi-hat we will hear timpani, temple blocks, tubular bells, orchestra bells, vibraphone, oboes, bassoons, clarinets, saxophones, flutes, piccolo, horns, trombones, euphoniums, tubas, and trumpets, all leading to a grand finale.

Vertaling

Century Variante saamgestel deur David Gillingham. Gereël deur Michael Brand. Vir konsert orkes. Piccolo, Fluit 1, 2 fluit, hobo 1. 2, fagot 1. 2, klarinet in Bb 1, klarinet in Bb 2, klarinet in Bb 3, basklarinet, saxofoon 1. 2, saxofoon, bariton saxofoon, trompet in Bb 1, trompet in Bb 2, trompet in Bb 3, Horn in F 1. 2, Horn in F 3. Band Musiek. Graad 4. Telling en dele. Duur 8. 00. Gepubliseer deur C. Alan Publications. CN.15710. Gebaseer op die primêre melodie van Gillingham se werk, New Century Dawn, is hierdie samestelling ontwerp om baie veelsydig. Dit is 'n stel variasies wat die simfoniese orkes kan stel aan die leek of jong kinders oorweeg speel 'n band instrument. Byvoorbeeld, kan die hoërskool-band direkteur hierdie stuk speel met die bykomende opsionele vertelling. sien notas. vir die plaaslike laerskool kinders vir die doel van die werwing. Of, kan die stuk by 'n konsert wat gebruik word om die band te stel aan ouers en mense van die gemeenskap. Indien die keuse nie die vertelling te gebruik, sal die stuk as 'n konsert om werk te verskyn op 'n hoë skool of universiteit program staan. Century Variante is in opdrag van David Knox van banddirector. com. Die projek was baie uniek in wat die band direkteure en musikante kan sluip het pieke van die samestelling soos dit ontwikkel het deur middel van hierdie webwerf. Werklike FINALE lêers en video's verduidelik die samestelling soos dit ontwikkel. Die samestelling is toegewy aan Dr Peter Boonshaft, Direkteur van Bands op Hofstra Universiteit, want dit was Petrus wat my aangeraai om 'n stel variasies op grond van die primêre melodie van my werk, New Century Dawn, geskryf in 2000 te skryf. Die samestelling is ontwerp om baie veelsydig, in dat dit 'n stel variasies wat die simfoniese orkes kan stel aan die leek of jong kinders oorweeg speel 'n band instrument. Byvoorbeeld, kan die hoërskool-band direkteur hierdie stuk speel met die bykomende opsionele vertelling. sien hieronder. vir die plaaslike laerskool kinders vir die doel van die werwing. Of, kan die stuk by 'n konsert wat gebruik word om die band te stel aan ouers en mense van die gemeenskap. Indien die keuse nie die vertelling te gebruik, sal die stuk as 'n konsert om werk te verskyn op 'n hoë skool of universiteit program staan. Die besonderhede van die struktuur van die stuk is geopenbaar in die opsionele Narration hieronder. Meet 14. Welkom by die wêreld van die Simfoniese Orkes, 'n groot ensemble bestaan ​​uit houtblaasinstrumente, koper en perkussie-instrumente. Om te help jy hoor die verskillende komponente en kleure van hierdie ensemble, gaan jy 'n tema, gevolg deur ses variasies te hoor. Eerstens, sal ons die tema gespeel deur die gekombineerde magte van die hele ensemble hoor. Meet 40. Variasie Ek funksies van die ruggraat van die band, die perkussie artikel. Die perkussie artikel beskik oorvloed van opgeslaan en onbepaalde opgeslaan instrumente wat gebruik word om die ritmiese, harmoniese en melodiese parameters van die musiek te ondersteun, sowel as hul eie kleur. In volgorde van voorkoms, sal ons die timpani, xilofoon, vibrafoon, buisklokke, orkes klokke, marimba, snaartrom en hi-hoed hoor. Meet 69. Variasies II en III funksie die veelsydige houtblasers bestaan ​​uit piccolo, fluit, hobo, fagotte, BB Clarinets, basklarinet en die saxofoon. Variasie II begin met die fluttery piccolo en fluit oor al klarinette die tema speel, gevolg deur 'n variante deur die hobo en fagotte, dan saxofoon en hoogtepunt bereik met al houtblasers. Variasie III is 'n ander variant wat begin met al houtblasers gevolg deur fluite begeleiding van die saxofoon en weer eindig met al houtblasers. Meet 159. In ware vorm, het die koper onderbreek die einde van variasie III, die aankondiging van die komende variasies IV, V, VI en dat showcase die koper artikel. Variasie IV het die onderskeid van die stadigste tempo van die hele samestelling en funksies van die warm en liriese kwaliteit van die horing artikel. Dit word gevolg deur Variasie V wat vinnig verander na 'n vinniger tempo en touts die dramatiese en aggressiewe klank van die lae koper bestaan ​​uit trombone, euphoniums en tubas. Bolaag van die koper afdeling is die horings, wat met blydskap en fanfare-agtige speel in variasie VI. Die variasie eindig met 'n volle orkes weergawe. Meet 242. Ten slotte, sal alle afdelings in 'n soort van parade van instrumente recapped word. Oor 'n deurlopende ostinato deur die hi-hoed ons sal timpani, tempel blokke, buisklokke, orkes klokke, vibrafoon, hobo's, fagotte, klarinette, saxofoon, fluit, piccolo, horings, trombone, euphoniums, tubas, en trompette, alle toonaangewende hoor na 'n grand finale.