Bladmusiek $6.00

Oorspronklik

Espionage 2.0. Brian Rhodes. Advanced.

Vertaling

Spioenasie 2.0. Brian Rhodes. Gevorderde.

Oorspronklik

Espionage 2.0 composed by Brian Rhodes. For Jazz Band. Conductor's score only. Full set. conductor's score and parts. available separately. see item J1027. Advanced. Conductor's score. Published by Twin Towers Music Publications. TW.J1027S. "Espionage 2.0" is the second part in a three part jazz suite of spy jazz. rock tunes. This chart can be performed alone, but the original intention is for all three charts to be performed together. The initial influence for this tune is the great "Harlem Nocturne," featuring the alto sax in a slow latin groove. Then suddenly, at m. 41, the chart shifts to a fast spy rock feel,. depicting a car chase. eventually featuring the tenor sax. After the tenor solo, the accents shift and the meter begins to change, showing that the car chase is getting pretty nasty. At m. 139-142, there are 4 notes per measure that each performer in the ensemble is to improvise over. Someone must cue the beginning of each measure to help keep things together. At m. 143, everyone improvises really fast and loud. After the stick clicks in m. 144, m. 145-146 are notated chord clusters, then at m. 147 is another all out aural assault, with everyone playing loud and fast, depicting a car crash. Then the original feel is reinstated with the alto sax, with a restatement of the first theme, followed by a series of weird chords, with the idea that the criminal got away. This chart is very exciting and could be just the thing for your next jazz band concert.

Vertaling

Spioenasie 2.0 saamgestel deur Brian Rhodes. Vir Jazz Band. Dirigent se telling net. Volledige stel. dirigent se telling en dele. afsonderlik beskikbaar. see item J1027. Gevorderde. Dirigent se telling. Gepubliseer deur Twin Towers Musiek Publications. TW.J1027S. "Spioenasie 2.0" is die tweede deel in 'n drie deel jazz suite van spioen jazz. rock tunes. Dit grafiek kan alleen gedoen word, maar die oorspronklike bedoeling is vir al drie kaarte saam uitgevoer word. Die aanvanklike invloed vir hierdie tune is die groot "Harlem Nocturne," met die alto sax in 'n stadige latin groef. Toe skielik, op m. 41, die grafiek skofte na 'n vinnige spioen rock gevoel,. uitbeelding van 'n jaagtog. uiteindelik met die tenoor sax. Na afloop van die tenoor solo, die aksent verskuif en die meter begin te verander, wat toon dat die jaagtog is steeds redelik nare. Op m. 139-142, daar is 4 notas per maatreël wat elke speler in die ensemble is om te improviseer oor. Iemand moet die begin van elke maatreël cue om te help om dinge saam. Op m. 143, almal improviseer regtig vinnig en hard. Na afloop van die stok kliek in m. 144 m. 145-146 word genoteer koord trosse, dan ten m. 147 is 'n ander almal uit gehoor aanranding, met almal speel hard en vinnig, uitbeelding van 'n motorongeluk. Toe het die oorspronklike gevoel herstel word met die alto sax, met 'n herhaling van die eerste tema, gevolg deur 'n reeks van vreemde akkoorde, met die idee dat die kriminele weggekom. Dit grafiek is baie opwindend en kon net die ding vir jou volgende jazz-orkes konsert.