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Bladmusiek $45.00

Oorspronklik

Concerto for Horn & Symphonic Band. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 5.

Vertaling

Concerto vir Horn. David Gillingham. B-Flat Trumpet bladmusiek. Horn bladmusiek. Tromboon bladmusiek. Graad 5.

Oorspronklik

Concerto for Horn & Symphonic Band. Horn Feature. Composed by David Gillingham. For Soloist. with Concert Band. Piccolo, Flute 1. 2, Oboe 1. 2 , Bassoon 1. 2, Clarinet in Bb 1. 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1. 2, Trumpet in Bb 3, SOLO HORN IN F, Horn in F 1. 3, Horn in F 2. 4, Trombone 1. 2, Bass. Band Music. Grade 5. Score only. Duration 20. 00. Published by C. Alan Publications. CN.14541. The first movement, Fanfares, starts slowly and mysteriously, using motives from the main thematic material of the movement. A brass fanfare ensues followed by an entrance by the solo horn hinting at the main thematic material to follow. The second movement, Supplication, is a fantasy based on a beautiful hymn tune. The third movement, Dance Refrains, is a lively and spirited romp cast mostly in 6. 8 meter and Bb minor, featuring a cadenza by the solo horn. The Gower Community Band of St. John's, NL, CANADA, Edsel Bonnell, Director, commissioned the Concerto for Horn and Symphonic Band. The concerto is cast in the usual three-movement format with the first and last movements structured in sonata-rondo design. The work is not intended to be programmatic, but titles have been given to each of the movements which allude to a musical style or mood. The first movement, Fanfares, starts slowly and mysteriously, using motives from the main thematic material of the movement answered by haunting falling minor thirds in the oboes and later in the low brass. A brass fanfare ensues followed by an entrance by the solo horn hinting at the main thematic material to follow. This section grows to a fanfare-like conclusion and leads to the allegro section and the first theme group. The first theme group is a spirited melodic line saturated with intervals of the perfect fourth that are commonly found in traditional fanfares. The low brass follow with the second theme group that contrasts the first with a flowing and lyrical line. The solo horn then brings back the first theme group and closes the exposition. The development seeks to extensively exploit motives from both theme groups in various guises and leads to the recapitulation. In the recapitulation, the solo horn carries both the first and second theme groups. This is followed by a partial return of the first theme group played in augmentation by low brass and woodwinds against fanfare riffs by the solo horn. The slow tempo of the introduction returns and the horn plays a sort of quasi-cadenza that is followed by a fast and rousing coda. The second movement, Supplication, is a fantasy based on a beautiful hymn tune composed by Gower Community Band Director, Edsel Bonnell. The hymn, A Prayer from Youth, was written for the Gower Youth Band for a special performance on May 30, 1975. The first verse and chorus are as follows. We ask not for gold or fame When we pray in Thy Great Name. Not for self or worldly gain Lord, we come to Thee. The earth, the sky, the flower, the tree, All creatures of the land and sea, Let us live at peace in Thee. Lord, this is our prayer. The third movement, Dance Refrains, is a lively and spirited romp cast mostly in 6. 8 meter and Bb minor. The sonata-rondo design of the movement is unique in that the second theme group in the exposition is based on the first theme group of the first movement and the second theme group of the recapitulation features the return of the verse of the hymn tune from the second movement accompanied by fanfare motives in the solo horn. The development section primarily features first theme group material. A cadenza by the solo horn is featured after a partial return of the first theme group in the recapitulation. The cadenza reworks first theme material and the hymn tune from the second movement. The dance-like first theme material returns and leads to a joyous climax in D major.

Vertaling

Concerto vir Horn. Horn Kenmerk. Saamgestel deur David Gillingham. Vir solis. Concert Band. Piccolo, Fluit 1. 2, Oboe 1. 2, fagot 1. 2, klarinet in Bb 1. 2, klarinet in Bb 3, basklarinet, saxofoon 1. 2, saxofoon, bariton saxofoon, trompet in Bb 1. 2, trompet in Bb 3, solo basuin in F, Horn in F 1. 3, Horn in F 2. 4, tromboon 1. 2, Bass. Band Musiek. Graad 5. Telling net. Duur 20. 00. Gepubliseer deur C. Alan Publications. CN.14541. Die eerste beweging, Fanfares, begin stadig en geheimsinnig, met behulp van motiewe uit die belangrikste tematiese materiaal van die beweging. 'N koper fanfare breek gevolg deur 'n ingang deur die solo horing sinspeel op die belangrikste tematiese materiaal te volg. Die tweede beweging, smeking, is 'n fantasie gebaseer op 'n pragtige lied deuntjie. Die derde beweging, Dans weerhou, is 'n lewendige en begeesterde romp meestal in 6 gooi. 8 meter en Bb klein, met 'n cadenza deur die solo horing. Die Gower Community Band van St John's, NL, Kanada, Edsel Bonnell, Direkteur, wat in opdrag van die Concerto vir Horn en Simfoniese Band. Die concerto is in die gewone drie-beweging formaat gegooi met die eerste en laaste bewegings gestruktureer in sonata-rondo ontwerp. Die werk is nie bedoel om programmatiese wees nie, maar titels is aan elk van die bewegings wat verwys na 'n musikale styl of stemming gegee. Die eerste beweging, Fanfares, begin stadig en geheimsinnig, met behulp van motiewe uit die belangrikste tematiese materiaal van die beweging beantwoord deur spook val minderjarige derdes in die hobo en later in die lae koper. 'N koper fanfare breek gevolg deur 'n ingang deur die solo horing sinspeel op die belangrikste tematiese materiaal te volg. Hierdie afdeling groei tot 'n fanfare-agtige gevolgtrekking en lei tot die allegro afdeling en die eerste tema groep. Die eerste tema groep is 'n begeesterde melodielyn versadig met tussenposes van die perfekte vierde wat algemeen in tradisionele fanfares. Die lae koper te volg met die tweede tema groep wat kontraste die eerste met 'n vloeiende en liriese lyn. Die solo horing bring dan weer die eerste tema groep en sluit die uiteensetting. Die ontwikkeling poog om motiewe van beide tema groepe in verskillende gedaantes omvattend ontgin en lei tot die samevatting. In die samevatting, die solo horing dra beide die eerste en tweede tema groepe. Dit word gevolg deur 'n gedeeltelike terugkeer van die eerste tema groep gespeel het in aanvulling deur lae koper en houtblasers teen fanfare riffs deur die solo horing. Die stadige tempo van die bekendstelling opbrengste en die horing speel 'n soort van semi-cadenza wat gevolg word deur 'n vinnige en opruiende koda. Die tweede beweging, smeking, is 'n fantasie gebaseer op 'n pragtige lied deuntjie saamgestel deur Gower Community Band Direkteur, Edsel Bonnell. Die lied, 'n gebed van Jeug, is geskryf vir die Gower Youth Band vir 'n spesiale vertoning op 30 Mei 1975. Die eerste vers en koor is soos volg. Ons vra nie vir die goud, of roem Wanneer ons in u grote Naam bid. Nie vir self of wêreldse gewin Here, ons kom na U. Die aarde, die lug, die blom, die boom, Alle wesens van die land en die see, Kom ons leef in vrede in U. Here, dit is ons gebed. Die derde beweging, Dans weerhou, is 'n lewendige en begeesterde romp meestal in 6 gooi. 8 meter en Bb minderjarige. Die sonate-rondo ontwerp van die beweging is uniek in die sin dat die tweede tema groep in die uiteensetting is gebaseer op die eerste tema groep van die eerste beweging en die tweede tema groep van die samevatting funksies van die terugkeer van die vers van die lied melodie van die tweede beweging vergesel deur fanfare motiewe in die solo horing. Die ontwikkeling afdeling bevat hoofsaaklik eerste tema groep materiaal. 'N cadenza deur die solo horing featured na 'n gedeeltelike terugkeer van die eerste tema groep in die samevatting. Die cadenza vuurwerke eerste tema materiaal en die lied deuntjie van die tweede beweging. Die dans-agtige eerste tema materiaal opbrengste en lei tot 'n vreugdevolle hoogtepunt in D majeur.