Bladmusiek $40.00

Oorspronklik

Cuico. Gregory Danner. B-Flat Trumpet sheet music. Horn sheet music. Grade 4.

Vertaling

Cuico. Gregory Danner. B-Flat Trumpet bladmusiek. Horn bladmusiek. Graad 4.

Oorspronklik

Cuico. Percussion Trio Feature. Composed by Gregory Danner. For Soloist. with Concert Band. Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1. 2, F Horn 3. Band Music. Grade 4. Score only. Duration 14. 50. Published by C. Alan Publications. CN.15791. Depicting an Aztec myth, the music at the opening is fairly abstract and fragmented, with a mixture of tonal and atonal ideas exchanged between soloists and ensemble. Next is a furious dance, featuring each individual percussionist. timpani, congas, toms. in an extended solo. They are joined in a hard-driving rhythmic ostinato, while the winds present two powerful themes in counterpoint. The final section is a joyous conclusion, beginning with a simple melody in the solo xylophone and developing to full ensemble statements in an exciting and jubilant ending. Cuico - Concerto for Three Percussion & Wind Ensemble was written for the Caixa Trio. Julie Davila, Julie Hill, and Amy Smith. and the Tullahoma. TN. High School band, Stephen and Marion Coleman, directors. The composition dramatically portrays an Aztec creation myth on the origin of music. As a practical concern, it should be noted that the standard concert band percussion instruments have been divided between the percussion soloists and ensemble, so no additional equipment will normally be required. In the Aztec Nahuatl language the word 'Cuico' means 'to sing. ' A 16th century Nahua poem describes the myth in great detail. Below is a summary of that poem, taken from Irene Nicholson's book 'Mexican and Central American Mythology. ' Tezcatlipoca--god of heaven and of the four quarters of the heavens came to earth and was sad. He cried from the uttermost depths of the four quarters. 'Come, O wind. ' The wind rose higher than all things made, whipping the waters of the oceans and the manes of the trees, and arrived at the feet of the god of heaven. Then spoke Tezcatlipoca. 'Wind, the earth is sick from silence. Though we possess light and color and fruit, yet we have no music. We must bestow music on all creation. Go then through the boundless sadness to the high House of the Sun. There the father Sun is surrounded by makers of music. Go, bring back to earth a cluster--the most flowering--of those musicians. ' Wind traveled the silent earth until he reached the sun, where all melodies lived in a nest of light. When the Sun saw the wind approaching he told his musicians. 'Here comes that bothersome wind of earth. Stay your music. Cease your singing. Answer him not. ' Wind with his dark voice shouted. 'Come, O musicians. ' None replied. The clawing wind raised his voice and cried. 'Musicians, singers. The supreme Lord of the World is calling you. ' Now the musicians were silent colors. they were a circling dance held fast in the blinding flame of the Sun. Then the wind waxed his wrath. Flocks of cloud, stabbed and torn by lightning assembled to besiege the House of the Sun. His bottomless throat let loose the thunder's roar. A great battle ensued. Spurred on by fear, the musicians ran for shelter to the wind's lap. Bearing them gently, the wind set out on his downward journey. Below, Earth raised its wide dark eyes to heaven and its great face shone, and it smiled. When all that flutter of happiness landed on earth, the Suns musicians spread to the four quarters. Thus did all things learn to sing. the awakening dawn, the dreaming man, the waiting mother, the passing water and the flying bird. Life was all music from that time on. The music interprets this story in five sections. Part 1. - and Tezcatlipoca saw the earth was void of song. The music for this section is fairly abstract and fragmented, with a mixture of tonal and atonal ideas exchanged between soloists and ensemble. Part 2. Wind traveled the silent earth in search of music until he reached the Sun. Here the solo percussion. marimbas and vibraphone. present a layered ostinato, increasing in complexity in counterpoint to a simple melodic theme developing in the ensemble. Part 3. The Suns' musicians were a circling dance, held fast in his blinding flame. This section is a furious dance, featuring each individual percussionist. timpani, congas, toms. in an extended solo. Part 4. The Sun refuses the Wind-a great battle ensues. Here the solo percussion and the ensemble percussion join in a hard-driving rhythmic ostinato, while the winds present two powerful themes in counterpoint. Part 5. Wind prevails and music spreads to the four quarters of the earth. Thus did all things learn to sing. the awakening dawn, the dreaming man, the waiting mother, the passing water and the flying bird. This final section is a joyous conclusion, beginning with a simple melody in the solo xylophone and developing throughout with solo percussion and full ensemble statements to an exciting and jubilant ending.

Vertaling

Cuico. Perkussie Trio Kenmerk. Saamgestel deur Gregory Danner. Vir solis. Concert Band. Piccolo, fluit 1, fluit 2, hobo 1, Bb Klarinet 1, Bb Klarinet 2, Bb Klarinet 3, Bb basklarinet, fagot, Eb altsaxofoon 1, Eb altsaxofoon 2, Bb saxofoon, Eb bariton saxofoon, Bb trompet 1 BB trompet 2, Bb trompet 3, F Horn 1. 2, F Horn 3. Band Musiek. Graad 4. Telling net. Duur 14. 50. Gepubliseer deur C. Alan Publications. CN.15791. Uitbeeld 'n Aztec mite, die musiek by die opening is redelik abstrakte en gefragmenteerde, met 'n mengsel van tonale en atonaal idees uitgeruil tussen soliste en ensemble. Volgende is 'n woedende dans, met elke individuele perkussiespeler. timpani, congas, toms. in 'n uitgebreide solo. Hulle word verbind in 'n harde ry ritmiese ostinato, terwyl die winde huidige twee kragtige temas in kontrapunt. Die laaste gedeelte is 'n vreugdevolle gevolgtrekking, wat begin met 'n eenvoudige melodie in die solo xilofoon en ontwikkeling tot volle ensemble state in 'n opwindende en jubelende einde. Cuico - Concerto vir drie perkussie. Julie Davila, Julie Hill, en Amy Smith. en die Tullahoma. TN. Hoërskool-band, Stephen en Marion Coleman, direkteure. Die samestelling dramaties uitbeeld 'n Aztec mite oor die oorsprong van musiek. As 'n praktiese saak, moet dit in ag geneem word dat die standaard konsert orkes perkussie instrumente is verdeel tussen die perkussie soliste en ensemble, sodat daar geen bykomende toerusting sal normaalweg vereis word. In die Aztec Nahuatl taal die woord 'Cuico "beteken" om te sing. 'N 16de eeu Nahua gedig beskryf die mite in groot detail. Hier is 'n opsomming van die gedig, geneem uit Irene Nicholson se boek "Mexikaanse en Sentraal-Amerikaanse mitologie. 'Tezcatlipoca - God van die hemel en van die vier hoeke van die hemel na die aarde gekom en was hartseer. Hy het gehuil van die einde dieptes van die vier kwartale. "Kom, o wind. Die wind het opgestaan ​​hoër as alle dinge gemaak is, lyfstraf die waters van die oseane en die maanhare van die bome, en aangekom by die voete van die God van die hemel. Toe het Tezcatlipoca. 'Wind, die aarde is siek van stilte. Hoewel ons besit lig en kleur en vrugte, maar ons het geen musiek. Ons moet musiek skenk die hele skepping. Gaan dan deur die oneindige hartseer tot die hoë Huis van die Son Daar die vader Sun is omring deur makers van musiek. Gaan terug te bring na die aarde 'n groep - die mees blom - van daardie musikante. 'Wind die stille aarde gereis totdat hy in die son, waar al melodieë het in 'n nes van lig bereik. Wanneer die son gesien het die wind nader hy aan sy musikante. "Hier kom daardie lastige wind van die aarde. Bly jou musiek. Hou op met jou sang. Hom nie antwoord nie. 'Wind met sy donker stem geskree. "Kom, o musikante. 'Geen antwoord. Die clawing wind sy stem verhef en uitgeroep. 'Musikante, sangers. Die hoogste Here van die Wêreld is roep jou. "Nou die musikante was stil kleure. Hulle was 'n sirkel dans vasgehou in die verblindende vlam van die Son Toe het die wind sy woede geword. Troppe wolk gesteek en verskeur deur weerlig vergader die Huis van die Son in te sluit Sy afgrond keel laat los die donderweer se brul. 'N groot geveg het uitgebreek. Aangespoor deur vrees, die musikante gehardloop vir skuiling teen die wind se skoot. Dra dit liggies, die wind wat op sy afwaartse reis. Hier, Aarde wat sy wye donker oë na die hemel en sy groot gesig blink, en dit het geglimlag. Wanneer alles wat fladder van geluk op aarde geland het, die Suns musikante versprei na die vier kwartale. So het al die dinge te leer om te sing. die ontwaking dagbreek, die droom man, die wag ma, die verbygaande water en die vlieënde voël. Die lewe was vir alle musiek van daardie tyd af. Die musiek interpreteer hierdie storie in vyf afdelings. Deel 1. - En Tezcatlipoca sien die aarde was woes van die lied. Die musiek vir hierdie artikel is redelik abstrakte en gefragmenteerde, met 'n mengsel van tonale en atonaal idees uitgeruil tussen soliste en ensemble. Deel 2. Wind die stille aarde gereis op soek na musiek, totdat hy by die Son Hier is die solo perkussie. marimbas en vibrafoon. bied 'n lae ostinato, die verhoging in kompleksiteit in kontrapunt tot 'n eenvoudige melodiese tema ontwikkeling in die ensemble. Deel 3. Die Suns 'musikante was 'n sirkel dans, vasgehou in sy verblindende vlam. Hierdie afdeling is 'n woedende dans, met elke individuele perkussiespeler. timpani, congas, toms. in 'n uitgebreide solo. Deel 4. Die Sun weier om die Wind-'n groot geveg breek. Hier is die solo perkussie en die ensemble perkussie sluit in 'n harde ry ritmiese ostinato, terwyl die winde huidige twee kragtige temas in kontrapunt. Deel 5. Wind heers en musiek versprei na die vier hoeke van die aarde. So het al die dinge te leer om te sing. die ontwaking dagbreek, die droom man, die wag ma, die verbygaande water en die vlieënde voël. Hierdie finale afdeling is 'n vreugdevolle gevolgtrekking, wat begin met 'n eenvoudige melodie in die solo xilofoon en die ontwikkeling van die hele met solo perkussie en vol ensemble state na 'n opwindende en jubelende einde.