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Oorspronklik

Extreme Make-Over. Johan De Meij.

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Extreme make-over. Johan De Meij.

Oorspronklik

Extreme Make-Over. Metamorphoses on a Theme by Tchaikovsky for Brass Band. Composed by Johan De Meij. For Brass Band. Score. Amstel Music. Grade 4-5. 90 pages. Amstel Music #AM78. Published by Amstel Music. HL.4000196. This new work by Johan de Meij consists of a set of metamorphoses on a theme from Tchaikovsky's well-known Andante cantabile. from String Quartet No.1 in D. Tchaikovsky stated, “Never have I been so proud of my creative powers as when Leo Tolstoy sat in the chair next to mine listening to my Andante , and the tears ran down his cheeks. ” De Meij states the theme, followed by the first metamorphosis, which emanates from a single tone. There is a transition to Alla Marcia , which is in a neo-classical style. The following movement features the playing of tuned bottles, leading into an extensive marimba solo. This joins seamlessly to the finale, a canonic treatment of the theme, leading to a festive conclusion.

Vertaling

Extreme make-over. Metamorphoses on a Theme by Tchaikovsky for Brass Band. Saamgestel deur Johan De Meij. Vir Brass Band. Telling. Amstel Musiek. Graad 4-5. 90 bladsye. Amstel Music #AM78. Published by Amstel Music. HL.4000196. Hierdie nuwe werk deur Johan de Meij bestaan ​​uit 'n stel van metamorfosen op 'n tema van Tchaikovsky se bekende Andante cantabile. from String Quartet No.1 in D. Tchaikovsky gesê, "Nooit het ek is so trots op my kreatiewe magte as wanneer Leo Tolstoy Saterdag in die stoel langs my luister na my Andante, en die trane loop oor sy wange. ” De Meij states the theme, followed by the first metamorphosis, which emanates from a single tone. There is a transition to Alla Marcia , which is in a neo-classical style. Die volgende beweging funksies van die speel van die hoogte bottels, wat lei na 'n uitgebreide solo marimba. Dit sluit aan by moeiteloos na die finale, 'n kanonieke behandeling van die tema, wat lei tot 'n feestelike gevolgtrekking.