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Oorspronklik

Sunrise, Sunset. Jere Hutcheson. B-Flat Trumpet sheet music. Horn sheet music. Grade 4.

Vertaling

Sunrise, Sunset. Jere Hutcheson. B-Flat Trumpet bladmusiek. Horn bladmusiek. Graad 4.

Oorspronklik

Sunrise, Sunset composed by Jere Hutcheson. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Soprano Clarinet in Eb, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Horn in F 1, Horn in F. Band Music. Grade 4. Score only. Duration 8. 00. Published by C. Alan Publications. CN.11931. A piece with somewhat of a ritualistic quality in which 'drumming' provides the constant thread. The Samul-Nori is a performance practice based on ancient Korean folk music. The Samul-Nori is enjoying something of a rebirth in Korea as a popular entertainment performed on stage rather than in the fields. In the summer of 2005, one of my former doctoral students in composition, Soonmee Park, now a distinguished Professor of Composition in one of Seoul's finest universities, was visiting the United States. Dr. Park spent two weeks in East Lansing, and during our reunion she gave me DVD and CD performances of several forms of traditional Korean music. When I viewed the lavish Samul-Nori performance, I was immediately struck by the power unleashed by the four percussionists and the manner in which the music unfolds in a spiritual communal fashion not unlike that of the Indonesian gamelan orchestra performances. Dancers, running and leaping, long tassels flowing from their headpieces, join in from time to time. The moods of the Samul-Nori seem to range from the gentle to the most ferocious and convulsive, often passing through everything in between. I was inspired to write not an imitation of what I heard and saw, but a piece with somewhat of a ritualistic quality in which 'drumming' would provide the constant thread. Over this filament, melodies in the winds, one, two, and three at a time would dance to the beat. I would not, and should not, attempt to emulate true Korean folk practices. The similarity would lie simply in the fact that my ideas were spawned deep from within my imagination and that these ideas seemed to express the activities associated with some communal practices deigned to express both sadness and joy.

Vertaling

Sunrise, Sunset saamgestel deur Jere Hutcheson. Vir konsert orkes. Piccolo, fluit 1, fluit 2, hobo 1, hobo 2, Donna klarinet in Eb, klarinet in Bb 1, klarinet in Bb 2, Fagot 1, Fagot 2, altsaxofoon 1, altsaxofoon 2, saxofoon, die bariton saxofoon, trompet in Bb 1, trompet in Bb 2, Horn in F 1, Horn in F. Band Musiek. Graad 4. Telling net. Duur 8. 00. Gepubliseer deur C. Alan Publications. CN.11931. A piece with somewhat of a ritualistic quality in which 'drumming' provides the constant thread. Die Samul-Nori is 'n prestasie praktyk gebaseer op antieke Koreaanse volksmusiek. Die Samul-Nori geniet iets van 'n wedergeboorte in Korea as 'n gewilde vermaak op die verhoog, eerder as in die velde. In die somer van 2005, een van my voormalige doktorale studente in samestelling, Soonmee Park, nou 'n buitengewone professor van komposisie in een van Seoul se beste universiteite, was die besoek van die Verenigde State van Amerika. Dr Park het twee weke in East Lansing, en tydens ons reünie sy het my DVD en CD vertonings van verskeie vorme van tradisionele Koreaanse musiek. Toe ek die uitbundige Samul-Nori prestasie beskou, het ek dadelik getref deur die krag ontketen deur die vier perkussiespelers en die wyse waarop die musiek ontvou in 'n geestelike kommunale mode nie in teenstelling met dié van die Indonesiese gamelan-orkes optredes. Dansers, hardloop en spring, lang tossels vloei uit hul headpieces, sluit in van tyd tot tyd. Die buie van die Samul-Nori lyk wissel van die sagte na die mees verlate en konvulsiewe, dikwels wat deur alles in tussen. Ek was geïnspireer om nie 'n nabootsing van wat ek gehoor skryf en gesien het, maar 'n stuk, saam met 'n bietjie van 'n rituele gehalte in wat 'dromme' sou die konstante draad verskaf. Oor hierdie filament, melodieë in die winde, een, twee, en drie op 'n tyd sou dans op die maat. Ek wil nie, en moet nie, probeer ware Koreaanse folk praktyke na te boots. Die ooreenkoms sal eenvoudig lê in die feit dat my idees diep van binne my verbeelding en dat hierdie idees is produseer waarna die aktiwiteite wat verband hou met 'n paar gemeenskaplike praktyke uit te druk verwerdig beide hartseer en vreugde te druk.