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Symphony No. 4. War and Peace. 2001. for soprano voice and orchestra. Thomas Oboe Lee. Soprano Voice sheet music. Voice Solo sheet music. Advanced.

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Symphony No 4. Oorlog en Vrede. 2001. vir sopraan stem en orkes. Thomas Hobo Lee. Sopraanstem bladmusiek. Voice Solo bladmusiek. Gevorderde.

Oorspronklik

Symphony No. 4. War and Peace. 2001. for soprano voice and orchestra composed by Thomas Oboe Lee. For Soprano Voice,Full Orchestra. 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period. Advanced Intermediate. Score. Published by Thomas Oboe Lee. S0.41317. Program note. First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4. War and Peace is my fourth contribution and this work is dedicated to Max.A year ago, John Finney and the University Chorale of Boston College premiered my "Mass for the Holy Year 2000. " It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century. However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it "the Great War." The first poem by Rupert Brooke, "The Soldier," has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, "Dulce et decorum est," is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face. The third and last poem by Ivor Gurney, "To his love," reflects on the aftermath of war. peace, but at what cost. Rupert Brooke. 1887 - 1915. died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen. 1893 - 1918. was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney. 1890 - 1937. , a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war. And finally, I want to thank Peggo for singing so beautifully, to Kris Beckwith who keeps my spirit up, to Jennifer Stern who helped me track down publishers and the public domain issue, and to all the wonderful, present-day "Medici" who contributed to the "Sound Investment Commissioning Project. " Orchestral music is alive and well in the 21st century. Credits. All three poems can be found in the Dover Thrift Editions, "World War One British Poets. " Poems used in this musical setting are in the public domain. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Vertaling

Symphony No 4. Oorlog en Vrede. 2001. vir sopraan stem en orkes gekomponeer deur Thomas Hobo Lee. . 21ste eeu, die 20ste eeu, Romantiese periode, Klassieke tydperk, Baroktydperk. Gevorderde Intermediêre. Telling. Gepubliseer deur Thomas hobo Lee. S0.41317. Program noot. Eerste van alles, 'n groot omhels vir Max Hobart wat so baie ondersteunend deur die bevordering en premiering nuwe werke vir die orkes. Sedert 1991 het ek drie werke geskryf vir Max en die Civic Simfonie-orkes van Boston. Symphony No 4. Oorlog en Vrede is my vierde bydrae en hierdie werk word gewy aan Max.A jaar gelede, John Finney en die Universiteit Chorale van Boston College première my Mis vir die Heilige Jaar 2000. Dit was 'n duisendjarige kommissie deur die Jesuïete Instituut vir die gemeenskap van Boston College. Vir daardie geleentheid wat ek aanvanklik beplan 'n massa wie se tekste sou sluit beide die Latyns van die gewone van die massa te skryf - Kyrie, Gloria, Credo, Sanctus. Maar, soos dit blyk, het die gedigte het ek gekies beland wat die Latynse teks, wat is alles oor geloof en verlossing. Maar ek wou nog 'n anti-oorlog simfonie te skryf. Toe ek Max genader met die idee, was baie opgewonde hy. Aanvanklik was hy 'n bietjie bekommerd dat ek dalk die Tolstoy roman te gebruik as my inspirasie. Ek het hom verseker dat dit nie sou wees om 'n vier-uur simfonie. Ten einde 'n politieke boodskap oor te dra deur middel van 'n simfoniese werk, tekste stel as liedjies is die mees direkte manier. Vir hierdie simfonie, het ek my fokus vernou na gedigte geskryf deur veterane van die Eerste Wêreldoorlog - sommige eufemisties noem dit die Groot Oorlog. . Die tweede gedig deur Wilfred Owen, Dulce et decorum est, is 'n meer realistiese siening van oorlogvoering. Sterf vir 'n mens se eie land is nie so cool as die dood en die doodsnikke staar op jou gesig. Die derde en laaste gedig deur Ivor Gurney, Aan sy liefde, weerspieël die nadraai van die oorlog. vrede, maar teen watter koste. Rupert Brooke. 1887 - 1915. gesterf het op 'n vloot ekspedisie naby die Griekse eiland Gallipoli. Hy het gesterf van bloed vergiftiging. Wilfred Owen. 1893 - 1918. is in die lente van 1917 drie keer in Frankryk gewond en is terug na Engeland gestuur om te herstel. Hy het teruggekeer na die Front en vermoor is op 4 November 1918 net 'n paar dae voor die wapenstilstand onderteken. Ivor Gurney. 1890 - 1937. , 'N komponis asook, was deeglik sensitief vir die gruwels van die oorlog, en nadat hy gewond is en vergas in 1917, is hy terug huis toe na 'n geestelike hospitaal gestuur. Hy het gesterf twintig jaar later sonder om ooit te herstel van die trauma van die oorlog. En ten slotte, wil ek Peggo bedank vir sing so mooi om Kris Beckwith wat my gees up hou, om Jennifer Stern wat my gehelp spoor uitgewers en die openbare domein kwessie, en aan al die wonderlike, hedendaagse Medici wat na bygedra . Orkesmusiek is gesond en wel in die 21ste eeu. Krediete. Al drie gedigte kan gevind word in die Dover Thrift Editions, die Eerste Wêreldoorlog Britse Digters. Gedigte wat in hierdie musikale omgewing is in die openbare domein. Digitale Print is printable bladmusiek beskikbaar enige tyd, enige plek. Net aankoop, druk en speel. Kyk na jou aanlyn bladmusiek by die huis, skool, werk of waar jy 'n rekenaar wat aan die Internet. Gebruik ons ​​iPad app jou digitale bladmusiek te sien op die pad. Met Digitale Print, kan jy jou digitale bladmusiek druk onmiddellik na die aankoop, of wag totdat sy gerieflike. En ons sagteware installasie is maklik - ons sal jou lei deur die eenvoudige stappe om seker te maak jy het Adobe Flash Player, Adobe AIR en die bladmusiek Plus AIR aansoek.