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Bladmusiek $27.95

Oorspronklik

Tenebrae. Enjott Schneider. Soprano Voice sheet music. Voice Solo sheet music. Organ Accompaniment sheet music.

Vertaling

Tenebrae. Enjott Schneider. Sopraanstem bladmusiek. Voice Solo bladmusiek. Orrel Begeleiding bladmusiek.

Oorspronklik

Tenebrae. Tropus. Composed by Enjott Schneider. For soprano voice, violin and organ. This edition. ED 9668. Saddle-stitch. Vocal Music. Grade 4. Score and parts. Composed 1990. 56 pages. Duration 18 minutes. Published by Schott Music. SD.49013058. ISBN 9790001135658. In this composition Schneider uses the famous words from the liturgy for Good Friday. "Darkness fell, and on the ninth hour Jesus called out with a loud voice. My God, why hast Thou forsaken me. " Here he draws on the earlier form of the "trope", using what was a common device in composition in medieval times, inserted into already completed works as a sort of commentary. In this sense - making use of the post-modern principle of suggesting links across the ages - TENEBRAE makes reference to the motet "Tenebrae factae sunt". Schott, C 51305. by Davide Perez. 1711-1782. , from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece. A recording of this title is available on CD WER 62962. Organ plays from score.

Vertaling

Tenebrae. Tropus. Saamgestel deur Enjott Schneider. Vir sopraan stem, viool en orrel. Hierdie uitgawe. ED 9668. Saddle-steek. Vocal Music. Graad 4. Telling en dele. Saamgestel 1990. 56 bladsye. Duur 18 minute. Gepubliseer deur Schott Musiek. SD.49013058. ISBN 9790001135658. In this composition Schneider uses the famous words from the liturgy for Good Friday. "Darkness fell, and on the ninth hour Jesus called out with a loud voice. My God, waarom het U my verlaat. " Here he draws on the earlier form of the "trope", using what was a common device in composition in medieval times, inserted into already completed works as a sort of commentary. In this sense - making use of the post-modern principle of suggesting links across the ages - TENEBRAE makes reference to the motet "Tenebrae factae sunt". Schott, C 51305. by Davide Perez. 1711-1782. , from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece. A recording of this title is available on CD WER 62962. Organ plays from score.