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Concept and Study for the Violinist. Violin sheet music.

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Konsep en Studieplan vir die violis. Viool bladmusiek.

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Concept and Study for the Violinist. The Lobko Method. Composed by Mikhail Lobko. For Violin. Spiral, Technic. All Styles. Multiple Levels. Book. 80 pages. Published by Mel Bay Publications, Inc. MB.20694. ISBN 9780786673452. All Styles. 8.5 x 11.75 inches. Whatever your skill level, if you are devoted to the noble art of playing the violin, this course is sure to enhance your technique. The Lobko Method will increase your understanding of playing throughout the fingerboard in the most rational and comfortable way, facilitating the discovery of technical solutions even while sight reading. The method's progressive approach, brief yet comprehensive, will enable you to examine and revise the very way you handle a violin and bow. The roots of great success or unexplainable failure often lie in simple technical errors that have become habits. To help you correct these habits, brilliant technical concepts gleaned from various books by the best violin teachers of the past are brought together here in simple, easy to follow formulas. About the Author. Preface. Desired Proficiencies. Introduction. Chapter One. Choosing a Violin. Chapter Two. Left-Hand Technique. Chapter Three. Placement of the Fingertips and the Shape of the Fingers. Chapter Four. The Repertoire. Chapter Five. Bowing. Part I. Preparatory Chromatic Moves - Frame I. Two-Octave Frame from First Finger. Exercise. Preliminary Exercises in Two-Octave Frames in Diatonic Transposition. Frame 1. Frame I for Arpeggios. Arpeggios in Frame I. Etudes in Transposition. Frame I. Part II. Preparatory Chromatic Exercises for the Second Finger Frame. Two-Octave Frame from Second Finger. Exercise. Preliminary Exercises for Two-Octave Scales in Frame 2. Major Scales in Two-Octave Frames in Diatonic Transposition. Frame 2. Frame 2 for Arpeggios. Arpeggios in Frame 2. Etudes in Transposition. Frame 2. Part III. Three-Octave Scales and Arpeggios in Transposition. Frame 1. Three-Octave Scales and Arpeggios in Transposition. Frame 2.

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Konsep en Studieplan vir die violis. Die Lobko Metode. Composed by Mikhail Lobko. Vir viool. Spiraal, Ingenieurswese. Alle Styles. Verskeie vlakke. Book. 80 bladsye. Gepubliseer deur Mel Bay Publications, Inc. MB.20694. ISBN 9780786673452. Alle Styles. 8.5 x 11,75 duim. Whatever your skill level, if you are devoted to the noble art of playing the violin, this course is sure to enhance your technique. Die Lobko Metode sal jou begrip van die speel van die hele vingerbord in die mees rasionele en gemaklike manier verhoog, die fasilitering van die ontdekking van tegniese oplossings, selfs terwyl bladlees. The method's progressive approach, brief yet comprehensive, will enable you to examine and revise the very way you handle a violin and bow. Die wortels van groot sukses of mislukking onverklaarbare lê dikwels in eenvoudige tegniese foute wat geword het gewoontes. To help you correct these habits, brilliant technical concepts gleaned from various books by the best violin teachers of the past are brought together here in simple, easy to follow formulas. Oor die outeur. Voorwoord. Desired Proficiencies. Inleiding. Hoofstuk Een. Choosing a Violin. Hoofstuk Twee. Linker-Ingenieurswese. Hoofstuk Drie. Placement of the Fingertips and the Shape of the Fingers. Hoofstuk Vier. The Repertoire. Hoofstuk Vyf. Buig. Deel I. Preparatory Chromatic Moves - Frame I. Two-Octave Frame from First Finger. Oefening. Preliminary Exercises in Two-Octave Frames in Diatonic Transposition. Raam 1. Frame I for Arpeggios. Arpeggios in Frame I. Studies in Transposisie. Frame I. Deel II. Preparatory Chromatic Exercises for the Second Finger Frame. Two-Octave Frame from Second Finger. Oefening. Preliminary Exercises for Two-Octave Scales in Frame 2. Major Scales in Two-Octave Frames in Diatonic Transposition. Raam 2. Frame 2 for Arpeggios. Arpeggios in Frame 2. Studies in Transposisie. Raam 2. Deel III. Drie-Octave toonlere en arpeggios in Transposisie. Raam 1. Drie-Octave toonlere en arpeggios in Transposisie. Raam 2.