Bladmusiek $60.00

Oorspronklik

Fantasy Triptych. Derek Bourgeois. B-Flat Trumpet sheet music. Cornet sheet music. Horn sheet music. Grade 5.

Vertaling

Fantasie Triptych. Derek Bourgeois. B-Flat Trumpet bladmusiek. Horing bladmusiek. Horn bladmusiek. Graad 5.

Oorspronklik

Fantasy Triptych composed by Derek Bourgeois. 1941-. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2. 3, Bb Trumpet 1. 2, Horn in F. Band Music. Grade 5.5. Score only. Duration 17. 40. Published by C. Alan Publications. CN.S11193. With inspiration taken from composers Maurice Ravel, Arthur Benjamin and Charles Ives, Bourgeois take s a tongue-in-cheek approach to this challenging 3-movement work. While the work is infused with humor throughout, it still showcases his mastery of the wind band idiom. In 1972, I wrote a Sonata for Two Pianos for two friends who were piano teachers at Wellington College. When in 1995 I was asked to write a work for wind band, I returned to this Sonata and have re-arranged and in the new version renamed it "Fantasy Triptych. " There are three movements. Le Tombeau d'Arthur Benjamin Ravel wrote 'Le Tombeau de Couperin,' Arthur Benjamin wrote 'Le Tombeau de Ravel' and so the temptation to write 'Le Tombeau d'Arthur Benjamin' was overwhelming. At the end of the movement there is an oblique reference to Benjamin's own 'Jamaican Rumba' which accompanies a quote from an old Spanish folk song 'Loro, enciende el hervidor de agua. ' 2. Mr. Bolt goes for a ride in his motor car, and Monsieur Ravel turns in his grave. The movement is dedicated to an old friend, Geoffrey Bolt, who adores the music of Ravel. but at the time of writing was learning to drive. He always described his vehicle as a motor car. To describe him as an impatient motorist would be a gross understatement. The refined suavity of Ravel's music was in complete contrast to these early manifestations of road rage, hence the central angry outburst. The War March of the Ostriches The music of Charles Ives was fascinating me at the time of writing this movement and some of the influence has rubbed off in this rondo-like march. At the end there is a quote from the very beginning of the first movement.

Vertaling

Fantasie Triptych saamgestel deur Derek Bourgeois. 1941 -. Vir konsert orkes. Piccolo, Fluit 1, 2 fluit, hobo 1. 2, Eb Klarinet, BB klarinet 1, BB klarinet 2, BB klarinet 3, Eb Alto klarinet, BB basklarinet, fagot 1. 2, saxofoon 1. 2, saxofoon, bariton saxofoon, BB Cornet 1, BB Cornet 2. 3, BB trompet 1. 2, Horn in F. Band Musiek. Graad 5,5. Telling net. Duur 17. 40. Gepubliseer deur C. Alan Publications. CN.S11193. Met inspirasie uit komponiste Maurice Ravel, Arthur Benjamin en Charles Ives, Bourgeois neem SA tong-in-die-kies benadering tot hierdie uitdagende 3-beweging werk. Terwyl die werk is verweef met humor regdeur, is dit nog steeds showcase sy bemeestering van die blaasorkes idioom. In 1972, het ek 'n Sonate vir twee klaviere vir twee vriende wat klavier onderwysers was by Wellington Kollege. Wanneer in 1995 was ek gevra om 'n werk vir blaasorkes te skryf, het ek teruggekeer na die Sonate en het weer gereël en in die nuwe weergawe hernoem dit "Fantasie Triptych. "Daar is drie bewegings. Le Tombeau d'Arthur Benjamin Ravel het 'Le Tombeau de Couperin, "Arthur Benjamin het' Le Tombeau de Ravel 'en so die versoeking om te skryf' Le Tombeau d'Arthur Benjamin was oorweldigend. Aan die einde van die beweging is daar 'n skuins verwysing na Benjamin se eie "Jamaican Rumba", wat saam met 'n aanhaling uit 'n ou Spaanse volksliedjie 'Loro, enciende el hervidor de agua. '2. Mnr Bolt gaan vir 'n rit in sy motor, en Monsieur Ravel draai in sy graf. Die beweging word gewy aan 'n ou vriend, Geoffrey Bolt, wat die musiek van Ravel aanbid. maar ten tyde van die skryf was om te leer om te ry. Hy het altyd sy voertuig beskryf as 'n motor. Om hom te beskryf as 'n ongeduldige motoris sal 'n bruto understatement. Die verfynde vriendelijkheid van Ravel se musiek is in 'n volledige kontras met hierdie vroeë manifestasies van padwoede, vandaar die sentrale kwaad uitbarsting. Die Oorlog Maart van die volstruise Die musiek van Charles Ives was fassinerend vir my in die tyd van die skryf van hierdie beweging en 'n paar van die invloed het afgevryf in hierdie rondo-agtige Maart. Aan die einde is daar 'n aanhaling uit die begin van die eerste beweging.