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Bladmusiek $16.00

Oorspronklik

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Vertaling

Awatovi. Fagot bladmusiek. Klarinet Solo bladmusiek.

Oorspronklik

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Vertaling

Awatovi saamgestel deur Daniel Baldwin. Vir klarinet, fagot. Vlak 5. Gepubliseer deur Verbeel Musiek. IG.CMS126. Die Awatovi ruïnes, geleë in Arizona, was eens 'n vooruitstrewende Hopi dorp, bestaan ​​vir meer as 450 jaar voor hul eerste besoekers in 1540 aangekom. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, vir meer as 150 jaar, geniet 'n redelik vreedsame samelewing met die Spanjaarde daarna nie, maar teen 1700, het uiteindelik tot 'n botsing tussen tradisionele Hopi en die bekeerde Katolieke gekom. Die gevolg was dat die tradisionaliste vermoor die vat en dan die dorp vernietig. Simbolies, die val van die dorp was die einde van die Spaanse inmenging in Hopi lewe. Die opening van lyn deur die fagot verteenwoordig die gemengde bedoelings van diegene eerste ontdekkingsreisigers onder leiding van Coronado, en is bedoel om beide Spaans en Indiaanse stemme oor te dra. Dit is ook 'n visie van die toekoms te kom, 'n spook vooruitskouing van die pragtige nog onvrugbaar ruïnes te kom. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Terwyl Coronado se verkenning was nie sonder konflik, ek verkies om te fokus op die vreedsame natuur van sy sending. Daar is twee afdelings hier. albei is Spaans-gegeurde, maar die eerste is verteenwoordigend van die eksplorasie, terwyl die tweede gedeelte is bedoel om voor te stel 'n braaivleisvuur lied weerspieël wat die reis kan soos by nag gewees het as hulle gerus, gesels, en liedjies gesing. Dit lei in beweging twee. Kiva. The Kiva murals were discovered in theAwatovi ruins. Hulle is skilderye Hopi rituele en seremonies wat. I have used the style of NativeAmerican flute music to portray this. Volgende is die Bugle Call of El Deguello, verteenwoordig en gespeel deur die fagot. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. Die musiek verskuif die werklike aanval, wat uitgebeeld word deur 'n baie dissonante en dramatiese oorgang gang te verteenwoordig. Ten slotte, Kiva sirkels terug na die opening materiaal in 'n ander sleutel, simbolies van die verskuiwing in persepsie van die Spaanse Conquistador, te Hopi afstammeling. Awatovi is geskryf op die voorstel van my goeie vriend Ric Jones, en is deur Richard Ramey en 'n konsortium van hobo en fagot spelers. Dankie aan almal van julle vir jou visie en ondersteuning van hierdie projek. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. Die klarinet, fagot, en klavier weergawe première by die 2012 IDRS konferensie by Miami Universiteit van Ohio deur Robert en Mary Nan Jordan op 9 Julie 2012.