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Bladmusiek $49.95

Oorspronklik

Genesis 1.3-8. Harp sheet music. Piano sheet music. Vibraphone sheet music.

Vertaling

Genesis 1,3-8. Harp bladmusiek. Piano bladmusiek. Vibrafoon bladmusiek.

Oorspronklik

Genesis 1.3-8 composed by Cristiano Melli. For Harp, piano, celesta & vibraphone. Score & Parts. 32 pages. Duration 10'. Published by Periferia Music. PF.M-69216-323-7. GENESIS 1.3-8 was originaly conceived as a work for string quartet, in 2003. During the composition, however, I gradually left the strings to a more 'keyboard' formation. The sensation of lights and colours which came from the development of the work seemed perfect, to me, in a formation including instruments as the harp, the celesta, the piano and the vibraphone. It's from these general outlines that the work got its final shape. The structure of the work, which resembles the traditional four movements of western concert music, is built upon a twelve tone line, presented at the very begining. and developed in the first part. from it, I derived 12 chords. These chords were permutated, and they appear in these resulting sequences, until the second half of the last part of the work - from this point, until the end of the piece, the chords were used with freedom, which alowed then to form, from their interaction, new possibilities, new sounds, new colors - after the genesis, the Creation started to live independent from the Creator. The work is dedicated to the great pianist Carlos Yansen, a good friend and a musician of rare sensibility. and I was honored by Almeida Prado, the most important composer in Brazil, who wrote, when saw the score. 'It's a scandal of Lights and Waters.

Vertaling

Genesis 1,3-8 saamgestel deur Cristiano Melli. Harp, klavier, celesta. Telling. 32 bladsye. Duur 10 '. Gepubliseer deur Periferia Musiek. PF.M-69216-323-7. GENESIS 1,3-8 is originaly bedoel as 'n werk vir strykkwartet, in 2003. Tydens die samestelling, maar ek geleidelik het die snare van 'n meer "sleutelbord" vorming. Die sensasie van ligte en kleure wat uit die ontwikkeling van die werk lyk perfek, vir my, in 'n formasie insluitend instrumente as die harp, die celesta, klavier en die vibrafoon. Dit is uit hierdie algemene trekke dat die werk het sy finale vorm. Die struktuur van die werk, wat ooreenstem met die tradisionele vier bewegings van die Wes-konsert musiek, is gebou op 'n twaalf tone lyn, wat by die baie spelers is verlore. en ontwikkel in die eerste deel. van dit, ek afgelei 12 akkoorde. Hierdie akkoorde het permutated, en dit lyk asof hulle in hierdie gevolglike rye, tot die tweede helfte van die laaste deel van die werk - van hierdie punt, tot aan die einde van die stuk, is die akkoorde gebruik word met vryheid, wat dan alowed te vorm, van hul interaksie, nuwe geleenthede, nuwe klanke, nuwe kleure - na die ontstaan, die skepping begin om te leef onafhanklik van die Skepper. Die werk word gewy aan die groot pianis Carlos Yansen, 'n goeie vriend en 'n musikant van seldsame aanvoeling. en ek is vereer deur Almeida Prado, die belangrikste komponis in Brasilië, wat geskryf het, wanneer het die telling. "Dit is 'n skande van Lights en Waters.