Bladmusiek $12.50
Oorspronklik
Tuscan Serenade. Grade 4.
Vertaling
Toskaanse Serenade. Graad 4.
Oorspronklik
Tuscan Serenade. Euphonium Feature. Composed by P. Grainger. Arranged by Percy Aldridge Grainger. For Soloist. with Concert Band. Piccolo, Flutes, Oboes, Bassoon 1. 2, Eb Clarinet. optional. , Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet. optional. , Bb Bass Clarinet, Bb Soprano Saxophone. optional. , Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bass Saxopho. Band Music. Grade 4. Score only. Duration 3. 30. Published by C. Alan Publications. CN.S11155. Hauntingly beautiful, Grainger captures the essence of Faure's song. A lovely euphonium solo sings the melody before the full ensemble expresses the mood of Tuscany and the poem that the Faure song is based upon. Gabriel Faure. 1845-1924. reveals himself most fully in his songs, which number nearly 100. They include "Apres une Reve". 1865. and "Clair de Lune". 1887. "Tuscan Serenade," like "Apres une Reve," is a setting of an Italian poem, translated into French by Romain Bussine, himself a singer. It was published in 1879 and Faure set it at some point during the preceding ten years. Scholars differ as to the exact date. English Text. adaptation of anonymous Italian text. O you who are soothed by a delightful dream, Sleeping calmly in your lonely bed, Awake and look at your serenader, The slave of your eyes, in the moolight night. Awake, my soul, my thought, Hear my voice carried on the breeze, Hear my voice singing. Hear my voice weeping in the dew. Below your window my voice dies away in vain, And every night I repeat the tale of my suffering, With no other shelter than the starry vault. The wind cuts my voice and the night is frigid. My song ends on a final strain, My lips tremble as the murmur "I love you. " I can sing no more. Ah. condescend to show yourself. Condescend to appear. If I were sure that you refuse to appear I would go away and forget you, I would ask slumber To lull me until the redness of morning, To lull me until I no longer loved you. The poem is in 3 sections, but Faure sets the first two parts in strophic form, echoing the melody in the piano accompaniment. The last 4 lines, however, contain new material. something of a departure from a structural point of view. Grainger heightens the contrast between the verses. he scores the first as a Euphonium solo, but scores the second for Band. the Euphonium takes the accompaniment, returning to the fore for the last, crucial, four lines. His instrumental colour concept is as strong as ever in this score. who else but Grainger would have asked for "Harps, Pianos, Marimbas" playing "massed if possible," thus capturing the mood of Tuscany as well as the content.
Vertaling
Toskaanse Serenade. Eufonium Kenmerk. Saamgestel deur P. Grainger. Gereël deur Percy Grainger Aldridge. Vir solis. Concert Band. Piccolo, fluite, hobos, fagot 1. 2, Eb Klarinet. opsionele. , BB klarinet 1, BB klarinet 2, BB klarinet 3, Eb Alto klarinet. opsionele. , BB basklarinet, BB sopraansax. opsionele. , Saxofoon 1. 2, saxofoon, bariton saxofoon, Bass Saxopho. Band Musiek. Graad 4. Telling net. Duur 3. 30. Gepubliseer deur C. Alan Publications. CN.S11155. Hauntingly mooi, Grainger vang die essensie van Faure se liedjie. 'N pragtige euphonium solo sing die melodie voor die volle ensemble spreek die gemoed van Toskane en die gedig dat die Faure lied is gebaseer op. Gabriel Faure. 1845-1924. openbaar homself mees ten volle in sy liedjies, wat aantal byna 100. Dit sluit in "Apres une Reve". 1865. en "Clair de Lune". 1887. "Toskaanse Serenade," soos "Apres une Reve," is 'n instelling van 'n Italiaanse gedig deur Romain Bussine vertaal in Frans, self 'n sanger. Dit is in 1879 gepubliseer en Faure sit dit op 'n stadium gedurende die voorafgaande tien jaar. Geleerdes verskil oor die presiese datum. Engelse teks. aanpassing van anonieme Italiaanse teks. O julle wat versag word deur 'n pragtige droom, slaap rustig in jou eensame bed, Waak op en kyk na jou serenader, Die slaaf van jou oë, in die nag moolight. Waak op, my siel, my denke, my stem hoor wat op die wind, Hoor my stem sing. Hoor my stem gehuil in die dou. Onder jou venster my stem sterf weg in tevergeefs, en elke aand het ek herhaal die verhaal van my lyding, met geen ander skuiling as die sterrehemel kluis. Die wind sny my stem en die nag is koud. My liedjie eindig op 'n finale stam, My lippe bewe as die dreuning "Ek is lief vir jou. "Ek kan nie meer sing. Ag. verwerdig om jouself te wys. Verwerdig om te verskyn. As ek seker dat jy weier om te verskyn Ek wil weg te gaan en vergeet nie, sou ek slaap vra om my te sus totdat die rooi van die oggend, om my te sus totdat ek nie meer wat jy liefgehad het. Die gedig is in 3 dele, maar Faure stel die eerste twee dele in strofiese vorm, aansluit by die melodie in die klavierbegeleiding. Die laaste 4 reëls bevat egter nuwe materiaal. iets van 'n afwyking van 'n strukturele oogpunt. Grainger verhoog die kontras tussen die verse. Hy kry die eerste as 'n Eufonium solo, maar tellings die tweede vir Band. die Eufonium neem die begeleiding, terug te keer na vore vir die laaste, belangrike, vier lyne. Sy instrumentale kleur konsep is so sterk soos altyd in die telling. Wie anders as Grainger sou gevra het vir "harpe, Piano, Marimbas" speel "dik indien moontlik," het dus die opneem van die gemoed van Toskane, sowel as die inhoud.
