Instrumente
Ensembles
Genres
Komponiste
Presteerders

Bladmusiek $22.00

Oorspronklik

Face of Honor. Robert W. Rumbelow. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 4.

Vertaling

Aangesig van eer. Robert W. Rumbelow. B-Flat Trumpet bladmusiek. Horn bladmusiek. Tromboon bladmusiek. Graad 4.

Oorspronklik

Face of Honor composed by Robert W. Rumbelow. For concert band. Flute 1, Flute 2, Oboe, Bassoon, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1, F Horn 2, Trombone 1,. Grade 4. Score only. Duration 10. 30. Published by C. Alan Publications. CN.16771. Based on the bugle call "Taps," this is a powerful composition honoring a young sergeant who lost his life in Iraq. The opening fanfare is reminiscent of Copland's "Fanfare for the Common Man" with the thunderous interjections by the battery percussion. A lovely lyrical melody emerges as the piece progresses that is filled with warmth and compassion giving the piece even more depth. Face of Honor was composed 'in honor of Sgt. Michael C. Hardegree and all the soldiers that have given the ultimate gift to their thankful nation' and was commissioned by the Harris County High School Band, Miranda Bass, director. Sgt. Hardegree, or Mikey as his family and friends called him, died in Iraq at the age of 21 on September 10, 2007. He was a member of the famed U.S. Army 82nd Airborne Division Paratroopers. In many ways this young man represented all our young soldiers serving in our military, hence the title. There are, however, elements in this work that represent direct ties to Sgt. Hardegree. Michael Hardegree was laid to rest in Arlington National Cemetery very near WW II veterans whom he revered. The composition is based on 'Taps,' the traditional bugle call played at military funerals. Although 'Taps' actually never appears in the work. aside from a short quote near the end. , practically every element of the work from the overall key structure to the actual thematic material is derived from this traditional bugle call. The work consists of five basic sections and includes brief quotes from the U.S. Army's official song. The Army Goes Rolling Along - also know as The Caisson Song. , and a full chorus of the official Army hymn. God of Our Fathers. reharmonized by the composer. The composition also includes two fanfare motives, one representing Sgt. Hardegree. strong and proud. , and the other representing all military men and women. Mikey loved music and was a percussionist in his high school band. The use of drums in the work is both personal and global, and although completely original, was inspired by traditional 'call and response' ceremonial drumming and by Copland's 'Fanfare for the Common Man.' The intent of this work is to touch the listener in a personal and optimistic way, and is balanced with celebration and sadness all the while retaining a single, steady tempo. The composition's tempo indication includes the stylistic directive 'Proud and Steadfast' which summarizes the overall impact of the work.

Vertaling

Aangesig van eer saamgestel deur Robert W. Rumbelow. Vir konsert orkes. Fluit 1, 2 fluit, hobo, fagot, BB klarinet 1, BB klarinet 2, BB klarinet 3, BB basklarinet, Eb saxofoon 1, Eb saxofoon 2, BB saxofoon, Eb bariton saxofoon, BB trompet 1, BB Trumpet 2, BB trompet 3, F Horn 1, F Horn 2, tromboon 1,. Graad 4. Telling net. Duur 10. 30. Gepubliseer deur C. Alan Publications. CN.16771. Gebaseer op die beuel oproep "krane," Dit is 'n kragtige samestelling ter ere van 'n jong sersant wat sy lewe in Irak verloor. Die opening fanfare herinner aan Copland se "Fanfare vir die gewone man" met die oorverdowende tussenwerpsels deur die battery perkussie. 'N pragtige liriese melodie na vore as die stuk vorder wat is gevul met warmte en deernis wat die stuk nog meer diepte. Aangesig van eer is ter ere van Sgt saamgestel. Michael C. Hardegree en al die soldate wat die grootste geskenk gegee het om hul dankbaar nasie 'en is in opdrag van die Harris County High School Band, Miranda Bass, direkteur. Sgt. Hardegree, of Mikey as sy familie en vriende hom genoem het, het gesterf in Irak op die ouderdom van 21 op September 10, 2007. Hy was 'n lid van die befaamde US Army 82 Airborne Division valskermsoldate. In baie maniere om hierdie jong man verteenwoordig al ons jong soldate wat in ons militêre, vandaar die titel. Daar is egter elemente in die werk wat verteenwoordig direkte bande met sers. Hardegree. Michael Hardegree ter ruste gelê in Arlington Nasionale Begraafplaas baie naby WW II veterane wie hy vereer. Die samestelling is gebaseer op 'krane, "het die tradisionele beuel oproep gespeel militêre begrafnisse. Hoewel 'krane' eintlik nooit verskyn in die werk. Afgesien van 'n kort aanhaling naby die einde. , Feitlik elke element van die werk van die algehele sleutel struktuur aan die werklike tematiese materiaal is afgelei van die tradisionele beuel oproep. Die werk bestaan ​​uit vyf basiese dele en sluit kort aanhalings uit die US Army se amptelike lied. Die Army gaan saam Rolling - ook bekend as Die Caisson Song. , En 'n volledige koor van die amptelike Army lied. God van ons vaders. reharmonized deur die komponis. Die samestelling sluit ook twee fanfare motiewe, waarvan die een Sgt. Hardegree. sterk en trots. , En die ander wat al militêre manne en vroue. Mikey lief was vir musiek en was 'n perkussiespeler in sy hoërskool-band. Die gebruik van dromme in die werk is beide persoonlike en globale, en hoewel heeltemal oorspronklike, is geïnspireer deur die tradisionele "roep en antwoord" seremoniële dromme en deur Copland se "Fanfare vir die gewone man." Die bedoeling van hierdie werk is om die luisteraar te raak in 'n persoonlike en optimisties manier, en is gebalanseer met die viering en hartseer al die terwyl die behoud van 'n enkele, bestendige tempo. Die samestelling se tempo-aanduiding sluit die stilistiese richtlijn Trotse en standvastig 'n opsomming van die algehele impak van die werk.