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Bladmusiek $9.95

Oorspronklik

Sonate in D. Johann Georg Pisendel. Piano and Keyboard sheet music. Violin sheet music.

Vertaling

Sonate in D. Johann Georg Pisendel. Klavier en Keyboard bladmusiek. Viool bladmusiek.

Oorspronklik

Sonate in D composed by Johann Georg Pisendel. 1687-1755. For violin, basso continuo. D-Dur. D major. German title. Violinsonate in D. Violin part. Language. all languages. 12 pages. Duration 12 minutes. Published by Carus Verlag. CA.1530411. ISBN M-007-06786-1. With Language. all languages. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel's own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closing movements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751.

Vertaling

Sonate in D saamgestel deur Johann Georg Pisendel. 1687-1755. Vir viool, continuo. D-Dur. D-majeur. Duitse titel. Violinsonate in D. vioolparty. Taal. alle tale. 12 bladsye. Duur 12 minute. Gepubliseer deur Carus Verlag. CA.1530411. ISBN M-007-06786-1. Met taal. alle tale. Twee sonates deur Johann Georg Pisendel vir viool met basso continuo begeleiding is aan ons oorgedra en is nou vir die eerste keer gepubliseer deur Carus. Pisendel was die beroemde konsert meester van die Dresdner Hofkapelle, wat een van die voorste orkeste in die eerste helfte van die 18de eeu. Sedert hy die voorste violiste van sy tyd in Duitsland aan wie bekende komponiste soos Vivaldi, ALBI en Telemann Werke toegewy stukke, hierdie twee sonates, geskryf vir Pisdendel se eie gekose instrument, bied 'n uitdaging aan kunstenaars sowel as 'n waardevolle verryking in barok viool literatuur. Die D-majeur Sonata is gebaseer op die opening en sluiting bewegings van die solo dele van die D majeur Vioolkonsert, wat Pisendel op die geleentheid van die inwyding van die Rooms-Katolieke Kerk van die Hof in Dresden geskryf het, in 1751.