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Piano, Vol. Ii. Piano Solo sheet music.

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Piano, Vol Ii. Piano Solo bladmusiek.

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Piano, Vol. Ii composed by Joaquim Malats. For piano. Published by Editorial de Musica Boileau. BO.B.3712. Malats' piano works are the most representative of his compositions for the obvious reason that the piano was his instrument. As an interpreter educated in the most thorough Romantic tradition, Malats represented the archetypical complete musician of the 19th Century. pianist, composer, interpreter of his own works, and teacher. The Suite Impresiones de Espana. Impressions of Spain. is not a suite. In reality it is a collection of four pieces for piano. Danza. Dance. , Serenata Espanola. Spanish Serenade, his most famous work. , Canto de Amor. Love Song, of which there is also a version for violin and piano. and Serenata Andaluza. Andalusian Serenade. The Suite para piano solo. Suite for Piano Solo. , is an unpublished work. Originally the suite contained four movements. Prelude, Berceuse, Lied and Serenade. The final movement has been lost. The suite is dedicated to the great composer and pianist from Lleida, Enrique Granados, close friend and colleague of Malats in Barcelona and Paris. An example of the way Malats combined his creative and interpretive activities are his two cadenzas written for the first and third movements of the Concerto for piano and orchestra, No. 15 in B Flat Major, K.V. 450 by W. A. Mozart. The cadenzas were composed in 1896 and 1897 in Madrid and Paris. Malats performed this concerto throughout his career. The preservation and first publication of two cadenzas for a Mozart Concerto -written by the most brilliant Spanish pianist of the 19th Century- is without precedent in Spanish musical history. This type of composition is hardly known in Spain much less preserved.

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Piano, Vol. Ii composed by Joaquim Malats. Vir klavier. Gepubliseer deur Redaksionele de Musica Boileau. BO.B.3712. Malats 'n klavier werke is die mees verteenwoordigend is van sy komposisies vir die ooglopende rede dat die klavier was sy instrument. As 'n tolk opgevoed in die mees deeglike romantiese tradisie, Malats verteenwoordig die argetipiese volledige musikant van die 19de eeu. pianis, komponis, tolk van sy eie werke en onderwyser. Die Suite Impressions Spanje. Indrukke van Spanje. is nie 'n suite. In werklikheid is dit 'n versameling van vier stukke vir klavier. Dans. Dans. , Serenata Espanola. Spanish Serenade, sy mees bekende werk. , Song of Love. Love Song, waarvan daar is ook 'n weergawe vir viool en klavier. en Serenata Andaluza. Andalusische Serenade. Die Suite para piano solo. Suite for Piano Solo. , Is 'n ongepubliseerde werk. Oorspronklik die suite vervat vier bewegings. Voorspel, Berceuse, Lied en Serenade. Die finale beweging is verlore. Die suite is toegewy aan die groot komponis en pianis van Lleida, Enrique Granados, goeie vriend en kollega van Malats in Barcelona en Parys. 'N voorbeeld van die manier waarop Malats gekombineer sy kreatiewe en interpretatiewe aktiwiteite word sy twee cadenzas geskryf vir die eerste en derde bewegings van die Concerto vir klavier en orkes, No 15 in B-mol majeur, KV 450 deur W. A. ​​Mozart. Die cadenzas saamgestel is in 1896 en 1897 in Madrid en Parys. Malats uitgevoer het hierdie konsert in sy loopbaan. Die bewaring en die eerste publikasie van twee cadenzas vir 'n Mozart Concerto-geskryf deur die mees briljante Spaanse pianis van die 19de eeu-is sonder weerga in Spaans musikale geskiedenis. This type of composition is hardly known in Spain much less preserved.