Bladmusiek $75.00

Oorspronklik

Blues For Pablo. Alto Saxophone sheet music. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Trumpet Solo sheet music. Tuba sheet music. Advanced.

Vertaling

Blues Vir Pablo. Altsaxofoon bladmusiek. B-Flat Trumpet bladmusiek. Bastrombone bladmusiek. Dromme bladmusiek. Horn bladmusiek. Perkussie bladmusiek. Basuin Solo bladmusiek. Tuba bladmusiek. Gevorderde.

Oorspronklik

Blues For Pablo by Miles Davis With The Gil Evans Orchestra. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For orchestra. Solo Trumpet, Alto Saxophone, Flute, Alto Flute, Bass Clarinet, 5 Trumpets. 6 total trumpets. , 2 Horns in F, 3 Trombones, Bass Trombone, Tuba, Bass, Drums. Ballad. Difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8109. From this edition's notes by Jeffrey Sultanof. Blues for Pablo was originally written for Hal McKusick for inclusion on his Jazz Workshop LP recorded in 1956 for RCA Victor Records. this album also included Jambangle, which was later re-orchestrated and expanded for Evans' Big Stuff LP for Prestige Records. Evans mixes an idea in minor that has two influences. a theme from de Falla's ballet El Sombrero de Tres Picos and a Mexican folk song. with a blues in major, and the effect is pure Gil Evans. His treatment of this piece for Davis' album is identical in form to the McKusick version, but is in a different key, and of course is set for a larger ensemble. Despite a large brass ensemble of five trumpets, four trombones. including a bass trombone. and tuba, he used four reeds, of which only one was a saxophone. The other reeds are flutes and bass clarinet. Please note that there is no piano part for this arrangement, and none should be added. This edition hues closely to what Evans originally wrote as we have used the original score as the basis. the only changes are corrections of wrong notes. Don't let anyone tell you that maestro Evans did not make mistakes in his manuscripts. he most certainly did. So an editor must look carefully to make sure that what is finally published is in fact what the composer wanted. This is made easier because Evans' voicings are based on instrumental doublings, so checking say, the bass clarinet and bass trombone against each other usually solves any note questions, as well as listening to the recording. Obviously, consultation of the original parts would be helpful to aid in this pursuit. However, the original parts are currently unavailable. We did have access to the original score, however.

Vertaling

Blues Vir Pablo deur Miles Davis Met Die Gil Evans Orchestra. Geredigeer deur Jeffrey Sultanof. Gereël deur Gil Evans. Vir orkes. Solo trompet, saxofoon, fluit, altfluit, basklarinet, 5 Trompette. 6 totale trompette. , 2 Horings in F, 3 trombone, Bass tromboon, tuba, bas, tromme. Ballade. Moeilik. Volle telling en stel dele. Gepubliseer deur Jazz Lines Publications. JL.JLP-8109. Van hierdie uitgawe se notas deur Jeffrey Sultanof. Blues vir Pablo is oorspronklik geskryf vir Hal McKusick vir insluiting op sy Jazz Workshop LP aangeteken in 1956 vir die RCA Victor Records. hierdie album ook ingesluit Jambangle, wat later weer georkestreerde en uitgebrei vir Evans 'Big Stuff LP vir Prestige Records. Evans meng 'n idee in klein dat het twee invloede. 'n tema uit die Falla se ballet El Sombrero de Tres Picos en 'n Mexikaanse volksliedjie. met 'n blues in groot, en die effek is suiwer Gil Evans. Sy behandeling van hierdie stuk vir Davis se album is identies in vorm aan die McKusick weergawe, maar is in 'n ander sleutel, en natuurlik is vir 'n groter ensemble. Ten spyte van 'n groot koper ensemble van vyf trompette, vier trombone. insluitend 'n bastromboneconcert. en tuba, het hy vier riete, waarvan slegs een was 'n saksofoon. Die ander riete is fluit en basklarinet. Neem asseblief kennis dat daar geen klavier deel vir hierdie reëling, en niemand moet bygevoeg word. Hierdie uitgawe kleure na wat Evans oorspronklik geskryf as ons die oorspronklike telling gebruik as die basis. die enigste veranderinge is regstellings van verkeerde note. Moet nie toelaat dat iemand jou vertel dat maestro Evans het nie foute in sy manuskripte maak. Hy het baie beslis. So 'n redakteur moet noukeurig kyk om seker te maak dat wat uiteindelik gepubliseer is juis wat die komponis wou. Dit is makliker gemaak omdat Evans voicings is gebaseer op instrumentele verdubbelingen, so nagaan sê, die basklarinet en bastromboneconcert teen mekaar los gewoonlik 'n noot vrae, sowel as luister na die opname. Dit is duidelik dat, sou raadpleging van die oorspronklike dele nuttig wees om te help in hierdie strewe. Maar die oorspronklike dele is tans nie beskikbaar nie. Ons het toegang tot die oorspronklike telling egter.