Bladmusiek $3.50

Oorspronklik

Amazing Grace Mass. Choral Score. Dale Jergenson. A Cappella sheet music. Bagpipe sheet music. Intermediate.

Vertaling

Amazing Grace Mass. Choral telling. Dale Jergenson. A Cappella bladmusiek. Doedelsak bladmusiek. Intermediêre.

Oorspronklik

Amazing Grace Mass. Choral Score. composed by Dale Jergenson. For SATB choir a cappella, bagpipe. General. Medium. Choral Score. Duration c. 15 minutes. Published by Laurendale Associates. MN.CH-1220. It was during a short, weekend vacation cruise to Ensenada. B.C.. from Los Angeles. with the St. Cyril Choir that the idea for an Amazing Grace Mass came about. The more I thought about it, the more I liked the idea of writing for chorus and bagpipes. The early draft used two bagpipes, but when we had a piper come to a rehearsal so that we could see how it would work, it became readily apparent that one piper would be more than enough. It was, in fact, just right. The final form of the piece was achieved by a process of progressive simplification, i. , the bagpipe part had to be simplified in order for it to be coherent and not just noise. The chorus, needed simplification in order to compete with the sheer volume of the bagpipe during performance. Thus, the piper basically plays the tune Amazing Grace throughout each movement of the Mass, while the chorus sometimes sings the same tune, and sometimes sings uncomplicated lines against the piper melody. The text is the full Proper of the Roman Catholic Mass in Latin. Duration c. 15 minutes.

Vertaling

Amazing Grace Mass. Choral telling. saamgestel deur Dale Jergenson. Vir SATB koor a cappella, doedelsak. Algemene. Medium. Choral telling. Duur c. 15 minute. Gepubliseer deur Laurendale Associates. MN.CH-1220. Dit was tydens 'n kort, naweek vakansie cruise te Ensenada. VC. van Los Angeles. met die St Cyril Choir dat die idee vir 'n Amazing Grace Mass het oor. Hoe meer ek daaroor gedink het, hoe meer het ek hou van die idee van die skrif vir koor en doedelsakke. Die vroeë konsep gebruik om twee doedelsakke, maar toe het ons 'n piper kom na 'n repetisie, sodat ons kan sien hoe dit sou werk, is dit geredelik dat een piper meer as genoeg sal wees geword. Dit was, in werklikheid, net reg. Die finale vorm van die stuk is behaal deur 'n proses van progressiewe vereenvoudiging, i. , Die doedelsak deel moes vereenvoudig word ten einde vir dit om samehangende en nie net lawaai. Die koor, wat nodig is vereenvoudig om te kompeteer met die blote volume van die doedelsak gedurende 'n opvoering. Dus, die gelag basies speel die wysie Amazing Grace regdeur elke beweging van die massa, terwyl die koor dieselfde deuntjie sing soms, en soms sing eenvoudige lyne teen die piper melodie. Die teks is die volle Behoorlike van die Rooms-Katolieke Mis in Latyns-. Duur c. 15 minute.