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Bladmusiek $15.75

Oorspronklik

GanJam. B-Flat Trumpet sheet music. Double Bass sheet music. Electric Guitar sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music.

Vertaling

GanJam. B-Flat Trumpet bladmusiek. Double Bass bladmusiek. Electric Guitar bladmusiek. Perkussie bladmusiek. Piano bladmusiek. Tromboon bladmusiek.

Oorspronklik

GanJam composed by Ferdinand "Jelly Roll" Morton. Edited by James Dapogny. Jazz Ensembles. For 2 Alto Saxophones, 2 Tenor Saxophones, 3 Trumpets, 2 Trombones, Piano, Guitar, Doublebass, Drum. Modern, Jazz. Full score. 27 pages. Duration circa 4-7 minutes. Published by Edition Peters. PE.P68279. ISBN 979-0-3007-5735-3. Modern, Jazz. As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style. The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord. ' Who knows what he would have achieved had he lived beyond his alleged 51 years. --Martin Litton, for JUST JAZZ. Feb 2011. Full Score. For the set of parts, please see EP68279A. "At the end of 1938, Jelly Roll Morton. 1890- 1941. returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist. Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. " -- James Dapogny. Editor.

Vertaling

GanJam saamgestel deur Ferdinand Jelly Roll Morton. Geredigeer deur James Dapogny. Jazz-ensembles. Vir 2 Alto saxofoons, 2 Tenor saxofoons, 3 blaas, 2 Trombones, klavier, kitaar, Contrabas, Drum. Moderne, Jazz. Volle telling. 27 bladsye. Duur ongeveer 4-7 minute. Gepubliseer deur Edition Peters. PE.P68279. ISBN 979-0-3007-5735-3. Moderne, Jazz. As 'n redakteur, Dapogny toon sy gebruiklike goeie musikale geleerdheid en diep kennis van Morton se styl. Die uitgewers moet geluk gewens word vir die totstandkoming van hierdie fassinerende werke in die publieke domein, wat gooi 'n heeltemal nuwe lig op "Mister Jelly Here. "Wie weet wat hy wil bereik het as hy geleef het buite sy beweerde 51 jaar. - Martin Litton, vir net JAZZ. Februarie 2011. Volle telling. Vir die stel van dele, kyk EP68279A. "Aan die einde van 1938, Jelly Roll Morton. 1890 - 1941. terug na New York uit sy jare in Washington, DC Onlangse publisiteit 'n terugkeer gemaak het moontlik lyk, en hy het gehoop die prominente plek in die jazz wêreld wat hy in die 1920's gehou het om te herwin. Nog goed bekend, maar hoofsaaklik as 'n New Orleans musiek pionier, hy verstaan ​​dat dit in orde om ernstig as 'n kontemporêre kunstenaar geneem het, het hy nodig om 'n big band soos dié van sy kompetisie, soos Duke Ellington te vorm, Count Basie, Bennie Goodman en Tommy en Jimmy Dorsey. In die 1920's Morton se opnames en toere featured 'n tien-stuk orkes na die eerste-generasie groot-orkes formaat. Maar in die laat 1930's, groter groepe was baie gewild, so Morton vergader om 'n konvensionele '30-band bestaan ​​uit vier saxofoon, ses koper, en vier ritme. Die band was oop te maak by die Golden Gate Ballroom in Harlem op 17 April 1939, maar op die opening van die nag Morton ineengestort voordat hulle op die verhoog. Tydens sy herstel van die asma en hart probleme wat hom geteister, die band gebreek het, nooit weer saam te stel. Slegs ses items wat geskryf is vir wat die band se toerusting is bekend om te bestaan. Morton se verwerkings van sy eie komposisies - Finger breker, GanJam, Good Old New York, Mister Joe, en stop en gaan - en 'n reëling, mamies 'Blues, deur 'n ander kunstenaar. "- James Dapogny. Redakteur.