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Method for Trombone. Ernest Clarke. Trombone sheet music. Beginning.

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Metode vir die Trombone. Ernest Clarke. Tromboon bladmusiek. Begin.

Oorspronklik

Method for Trombone composed by Ernest Clarke. Arranged by Gordon Cherry. For trombone. Method Book. Beginner to intermediate. Coil bound booklet. Published by Cherry Classics. CY.CC2571. The Clarke Method for Trombone has some uncommon features not found in other method books. First, is the use of the key of "C" for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp. first. and flat keys through to six sharps and six flats by the end of exercise 155. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady "diet" of minor melody "built in" for him. her. Thirdly, Clarke uses no metronome markings. He explains. "each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. " His purpose is to avoid speeding through them. Clarke's exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it. For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to "relearn" the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing. without forcing. and relaxation. His phrase, "the breath is the life of the tone", is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, "the tongue is used merely as an aid in articulating – not as a necessity. the tone does not depend on the tongue. the tongue should not be made too important.

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Metode vir tromboon gekomponeer deur Ernest Clarke. Gereël deur Gordon Kers. Vir trombone. Metode Book. Beginner tot intermediêre. Spoel gebind boekie. Gepubliseer deur Cherry Classics. CY.CC2571. Die Clarke Metode vir Tromboon het 'n paar ongewone eienskappe nie gevind in ander metode boeke. Eerstens, is die gebruik van die sleutel van "C" vir die aanvanklike 33 oefeninge. Die skrywer vorder dan deur al die sleutels afwisselend die skerp. eerste. en plat sleutels tot ses kruise en ses woonstelle teen die einde van die oefening 155. Tweedens, is daar geen oefeninge uitsluitlik gewy aan klein sleutels. Maar Clarke in diens van die klein af in al sy oefeninge deur die gebruik van skale en arpeggio, so in die feit dat die performer ontvang 'n bestendige "dieet" van geringe melodie "gebou in" vir hom. haar. Derdens, Clarke gebruik geen metronoom merke. Hy verduidelik. "Elke oefening moet versigtig oor en oor geoefen word totdat weer elke probleem is deeglik oorkom - totdat die oefening kan deur middel van goed gespeel word - voor jy gaan na die volgende. "Sy doel is om te verhoed dat spoed deur hulle. Clarke se oefeninge is progressiewe regdeur die sleutels, maar elkeen begin maklik om die student gefokus op die nuwe sleutel en die nuwe vordering notas wat kom met dit te hou. Vir die gevorderde speler, hierdie boek is wonderlik om te gebruik as 'n manier om terug te kry in die vorm verlig na 'n res van die instrument, sodat die performer "relearn" die instrument versigtig en metodies. Ek gebruik dit ook vir tone gebou, frasering, en asembeheer. Dwarsdeur die boek, Clarke herinner die performer te produseer altyd 'n edele klank, wys natuurlike speel. sonder om te dwing. en ontspanning. Sy frase, "die asem van die lewe van die toon", is 'n term wat gebruik word regdeur Remington sy groot loopbaan sowel. Clarke praat oor tongslag, sê dat, "die tong is bloot gebruik as 'n hulpmiddel in die artikulering - nie as 'n noodsaaklikheid. die toon is nie afhanklik van die tong. die tong moet nie so belangrik gemaak word.