Bladmusiek $29.98

Oorspronklik

Traditional Jazz Series. Chicago-Style Jam Session. 2 CD set. Trombone sheet music.

Vertaling

Tradisionele Jazz-reeks. Chicago-styl Jam Session. 2 CD set. Tromboon bladmusiek.

Oorspronklik

Traditional Jazz Series. Chicago-Style Jam Session. 2 CD set. for trombone. Instrumental Solo Part and 2 CDs. Published by Music Minus One. MO.MMOCD3921. ISBN 1596154799. This exciting MMO volume emphasizes collectively improvised ensembles and the succession of individual solos in the freewheeling "Chicago-Style" offshoot of New Orleans Jazz. The rhythmic texture is rooted in the swing feel of the late 1930s, and the instrumentation is typical of the New York groups of this genre. The songs are popular melodies from the 1900s to 1930s as well as multithematic compositions and blues-on this album you'll find such classics as "'Deed I Do," "Sugar," "The Darktown Strutters' Ball," "That's a Plenty" and more. Sometimes this style is referred to as the New York-Chicago style, sometimes as post-Chicago style. It has also been called "Nicksieland," a play on "Dixieland" that recognizes a Greenwich Village nightclub called "Nick's," where this music was showcased in the 1950s. Chicago-style jazz is named for the city where it first developed. In the 1920s, many New Orleans musicians, including Joe "King" Oliver, Jimmy Noone, Johnny and "Baby" Dodds, Freddie Keppard, "Jelly Roll" Morton, Louis Armstrong, the Original Dixieland Jazz Band, and the New Orleans Rhythm Kings actively performed and recorded in Chicago. There are also many younger musicians around Chicago who were profoundly influenced by their music, including Eddie Condon, Benny Goodman, Gene Krupa, Muggsy Spanier, Bud Freeman and many others. By the 1930s many of these same musicians moved on to New York. Some continued to perform in the New Orleans tradition and others became significant figures of the Swing era. As the Big Band era closed, improvising soloists still found work in New York clubs such as Nick's, Eddie Condon's and the Metropole. The texture was distinctly in the New Orleans tradition but the language was Swing and directly reflected the synthesis that took place in Chicago. The musicians chosen for this session are, in a way, exponents of this tradition. Their personal styles are amalgamations of the greatest stylists who preceded them. You can hear in Hal Smith aural glimpses of Dave Tough and George Wettling. You can hear in Jon-Erik shades of Muggsy Spanier and Wild Bill Davison. Brian Ogilvie's voice of choice is flavored by the sonorities of Bud Freeman and Eddie Miller, and Evan Christopher owes more than a little bit to Edmond Hall's style. The other musicians were chosen for these qualities as well, and as a result, this stylistically accurate recording demonstrates the inner workings of collective improvisation in a traditional jazz context. You'll be blown away by the quality of these jazz combos-and this album includes both printed solo part and a concert lead sheet, to give you a rare glimpse into the workings of the great bands of the past-and present. Also includes a slow-tempo version of the accompaniments to help you get up to speed. Includes a 32-page music book containing a solo chart for each song containing the melody line and chord changes for proper improvisational playing of each song. plus a concert lead sheet giving the overall "roadmap" for each piece, printed on high-quality ivory paper. and two compact discs containing the complete performance of these jazz combos in digitally mastered stereo. a digital stereo version of each piece minus the soloist. and a special -20% slow-tempo version of each accompaniment for practice purposes. For related items see the following item numbers. MMOCD3239, MMOCD3844, MMOCD4218. Rosetta. 'Deed I Do. Blues. My Naughty Sweetie Gives to Me. Sugar. That Sugar Baby o'Mine. The Darktown Strutters' Ball. The Royal Garden Blues. Poor Butterfly. That's A Plenty.

Vertaling

Tradisionele Jazz-reeks. Chicago-styl Jam Session. 2 CD set. vir trombone. Instrumentele Solo Deel 2 en CD's. Gepubliseer deur Music Minus One. MO.MMOCD3921. ISBN 1596154799. Hierdie opwindende MMO volume beklemtoon gesamentlik geïmproviseerde ensembles en die opvolging van die individuele solo's in die freewheeling "Chicago-styl" nasaat van New Orleans Jazz. Die ritmiese tekstuur is gewortel in die swing-gevoel van die laat 1930's, en die instrumentasie is tipies van die New York-groepe van hierdie genre. Die liedjies is gewild melodieë van die 1900's tot 1930's, sowel as multithematic komposisies en blues-op hierdie album sal jy so 'n klassieke as "'Akte ek doen," "Sugar", "Die Dark Town Strutters' Ball," "Dit is 'n vind Baie "en meer. Soms hierdie styl word na verwys as die New York-Chicago-styl, soms as post-Chicago-styl. Dit is ook bekend as "Nicksieland," 'n toneelstuk op die "Dixieland" wat erken 'n Greenwich Village nagklub genaamd "Nick's," waar hierdie musiek is ten toon gestel in die 1950's. Chicago-styl jazz is vernoem na die stad waar dit die eerste ontwikkel. In die 1920's, het baie New Orleans musikante, insluitende Joe "King" Oliver, Jimmy Niemand, Johnny en "Baby" Dodds, Freddie Keppard, "Jelly Roll" Morton, Louis Armstrong, die Original Dixieland Jazz Band, en die New Orleans Rhythm Kings aktief uitgevoer en aangeteken in Chicago. Daar is ook baie jonger musikante in Chicago wat diep beïnvloed deur hul musiek, insluitend Eddie Condon, Bennie Goodman, Gene Krupa, Muggsy Spanier, Bud Freeman en vele ander. Teen die 1930's baie van hierdie musikante verhuis na New York. Sommige het voortgegaan om uit te voer in die New Orleans tradisie en ander belangrike figure van die Swing era geword. As die Big Band era gesluit, improviseer soliste nog gevind werk in New York klubs soos Nick's, Eddie Condon se en die Metropool. Die tekstuur was duidelik in die New Orleans tradisie, maar die taal was Swing en direk weerspieël die sintese wat plaasgevind het in Chicago. Die musikante gekies vir hierdie sessie is, op 'n manier, eksponente van hierdie tradisie. Hul persoonlike style is amalgamasies van die grootste stiliste wat hulle voorafgegaan. Jy kan hoor in Hal Smith gehoor indrukke van Dave Taai en George Wettling. Jy kan hoor in Jon-Erik skakerings van Muggsy Spanier en Wild Bill Davison. Brian Ogilvie se stem van keuse is gegeurde deur die sonorities van Bud Freeman en Eddie Miller, en Evan Christopher skuld meer as 'n bietjie te Edmond Hall se styl. Die ander musikante is gekies vir hierdie eienskappe so goed, en as 'n resultaat, hierdie stilisties akkurate opname toon die innerlike werking van kollektiewe improvisasie in 'n tradisionele jazz konteks. Jy sal weg geblaas word deur die kwaliteit van hierdie jazz combo-en hierdie album sluit in beide gedrukte solo deel en 'n konsert lei vel, gee jou 'n rare kykie in die werking van die groot bands van die afgelope-en huidige. Sluit ook 'n stadige-tempo weergawe van die bykosse om jou te help kry tot spoed. Sluit in 'n 32-bladsy musiek boek met 'n solo-grafiek vir elke liedjie wat die melodie lyn en koord veranderinge vir 'n behoorlike improvisasie speel van elke lied. plus 'n konsert lei vel gee die algehele "padkaart" vir elke stuk, gedruk op hoë gehalte ivoor papier. en twee kompakskywe met die volledige prestasie van hierdie jazz combo in digitaal stereo bemeester. 'n digitale stereo-weergawe van elke stuk minus die solis. en 'n spesiale 20% stadig tempo weergawe van elke begeleiding vir oefendoeleindes. Vir verwante items sien die volgende item nommers. MMOCD3239, MMOCD3844, MMOCD4218. Rosetta. 'Akte Ek Doen. Blues. My stout sweetie Gee vir My. Sugar. Dit Sugar Baby o'Mine. Die Dark Town Strutters 'Ball. Die Royal Garden Blues. Swak Butterfly. Dit is 'n oorvloed.