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Oorspronklik

Rocker. Guitar sheet music. Alto Saxophone sheet music. Cello sheet music. Drums sheet music. Harp sheet music. Oboe sheet music. Percussion sheet music. Piano sheet music. Viola sheet music. Violin sheet music. Advanced.

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Rocker. Guitar bladmusiek. Altsaxofoon bladmusiek. Tjello bladmusiek. Dromme bladmusiek. Harp bladmusiek. Hobo bladmusiek. Perkussie bladmusiek. Piano bladmusiek. Altviool bladmusiek. Viool bladmusiek. Gevorderde.

Oorspronklik

Rocker by Charlie Parker With Strings. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For studio ensemble featuring alto saxophone. Alto Saxophone, Oboe, 3 Violins, Viola, Cello, Harp, Guitar, Piano, Bass, Drums. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8011. Excerpted from the edition's notes by Jeffrey Sultanof. Background. Charlie Parker with Strings, an album arranged by Jimmy Carroll. Caruana. that Parker recorded in November, 1949 with a small string orchestra, oboe and rhythm section was a major success. A second album with arrangements by Joe Lipman was recorded in the summer of 1950, and soon after, Parker was performing these arrangements in public. Along with the arrangements recorded, additional pieces were written by Carroll, Lipman, legendary arranger Jimmy Mundy. veteran of the Goodman, Shaw, James, Basie and several other top big bands. and Gerry Mulligan. Parker first met Mulligan in Gerry's home town of Philadelphia when Mulligan was still a teen. Both participated in the same concert at the Academy of Music where Parker's group included Dizzy Gillespie and Sarah Vaughan. Mulligan was playing tenor sax at the time. Parker invited Gerry to join him at a post-concert jam session, the young musician believing that he was a guest. Parker handed Mulligan the tenor and told him to play. Scared to death, Mulligan did his best. Even though Mulligan's saxophone playing was not as developed as his arranging ability at the time, Parker was kind and encouraging. They next met at Gil Evans' 55th Street apartment, where musicians of all types were invited to crash anytime they wanted. Parker came to sleep and to listen to the concert music Evans was borrowing from the library. By that time, Mulligan was well established as a major compositional voice in the new jazz, and would be one of the main architects of the Miles Davis Nonet. By 1950, many musicians were scuffling, so the commission from Parker was most welcome. This was probably Mulligan's first experience writing for strings, oboe, harp and rhythm section. It is an adequate job given the nature of the tune, consisting of a rhythmic figure that is repeated throughout and then 'footballs'. half notes and whole notes. Mulligan was to write a second arrangement for the same ensemble, but it was never finished. The Music. Mulligan originally wrote Rock Salt in March of 1950 for the Miles Davis Nonet, scored it for Parker and strings, and for the Elliot Lawrence Orchestra. The nonet recording is well-known, coming from the last recording session of that ensemble. Lawrence recorded an album of Mulligan arrangements in 1954 that included Rock Salt when the saxophonist was on the west coast, but Mulligan was displeased with the tempo of that recording. The Parker with Strings version comes from a live performance of the ensemble at Carnegie Hall. The sources for this publication are the actual parts in Mulligan's hand, except for the bass part, which is in an unidentified hand. It is clear that these parts were copied quickly in that there were many shortcuts taken. We have included additional parts so that this arrangement can be played without strings. Here is a schedule of the alternate parts. OBOE. Guitar or Clarinet VIOLIN A. Alto Sax 2 VIOLIN B. Alto Sax 3 VIOLIN C. Tenor Sax 1 or Trumpet VIOLA. Tenor Sax 2 of Trumpet CELLO. Baritone Sax or Trombone Charlie Parker did a live performance at Carnegie Hall on September 17, 1950 with a similar group performing some of the tunes that he had previously recorded. The musicians that night included. Tommy Mace on Oboe. Ted Blume, Sam Caplan, and Stan Karpenia on violins. Dave Uchitel on Viola. unknown cello. Wallace McManus on harp. Al Haig on piano. Tommy Potter on bass. and Roy Haynes on drums. This is a great arrangement featuring interesting counterpoint and fresh-sounding harmonies clealy influenced by Tchaikovsky and Bartok. Gerry Mulligan, only 23 at the time, but already famous from his work with Claude Thornhill and Miles Davis. he did most of the arrangements for Birth of the Cool. , put together a hip-sounding string arrangement based on his original composition. We have used the original manuscript as a basis for this publication. Though, we did transcribe Charlie Parker's part and the beginning piano solo and they are presented here as-played. But, in a separate staff we also indicated what was written for him so that your alto player has a choice in what to play. We have marked this as difficult due to the demands of the alto part. assuming it is performed as Parker played it. But, other than that it is not a difficult arrangement. Chord changes have been supplied for the alto solo - the solo section is 'I Got Rhythm' changes in concert C. This publication features some of the most important bebop playing and influential arranging of the 20th century. NOTE. This is part of our Charlie Parker with Strings series of arrangements.

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Rocker deur Charlie Parker Met Strings. Geredigeer deur Jeffrey Sultanof. Gereël deur Gerry Mulligan. Vir studio ensemble met altsaxofoon. Altsaxofoon, hobo, 3 viole, altviool, tjello, harp, kitaar, klavier, bas, tromme. Swing. Moeilik. Volle telling en stel dele. Gepubliseer deur Jazz Lines Publications. JL.JLP-8011. Gedig van die uitgawe se notas deur Jeffrey Sultanof. Agtergrond. Charlie Parker met Strings, 'n album wat deur Jimmy Carroll. Caruana. dat Parker aangeteken in November 1949 met 'n klein strykorkes, hobo en ritme afdeling was 'n groot sukses. 'N tweede album met reëlings deur Joe Lipman is aangeteken in die somer van 1950, en kort daarna, is Parker uitvoering van hierdie reëlings in openbare. Saam met die reëlings aangeteken is bykomende stukke geskryf deur Carroll, Lipman, legendariese verwerker Jimmy Mundy. veteraan van die Goodman, Shaw, James, Basie en verskeie ander top big bands. en Gerry Mulligan. Parker eerste keer ontmoet Mulligan in Gerry se tuisdorp Philadelphia wanneer Mulligan was nog 'n tiener. Beide deelgeneem in dieselfde konsert by die Academy of Music waar Parker se groep ingesluit Dizzy Gillespie en Sarah Vaughan. Mulligan speel tenorsax in die tyd. Parker genooi Gerry hom aan te sluit by 'n post-konsert jam sessie, die jong musikant glo dat hy was 'n gas. Parker oorhandig Mulligan die tenoor en het vir hom gesê om te speel. Bang vir die dood, Mulligan het sy beste. Selfs al Mulligan se saksofoon speel was nie so ontwikkel as sy vermoë om te reël by die tyd, Parker was vriendelik en bemoedigend. Hulle volgende ontmoet by Gil Evans 55 Street woonstel, waar musikante van alle soorte is genooi om enige tyd wat hulle wou hê om te crash. Parker het om te slaap en te luister na die konsert Evans is uit die biblioteek leen. Teen daardie tyd, Mulligan was goed gevestig as 'n belangrike komposisionele stem in die nuwe jazz, en sal een van die belangrikste argitekte van die Miles Davis nonet wees. Teen 1950, is baie musikante geskuifel, sodat die kommissie van Parker was baie welkom. Dit was waarskynlik Mulligan se eerste skryfwerk vir strykers, hobo, harp en ritme afdeling ervaring. Dit is 'n voldoende werk, gegewe die aard van die stem, wat bestaan ​​uit 'n ritmiese figuur wat deurgaans herhaal en dan 'sokkerballe'. half notas en die hele notas. Mulligan was 'n tweede reëling vir dieselfde ensemble te skryf, maar dit is nooit voltooi. Die Musiek. Mulligan oorspronklik geskryf Rock Salt in Maart 1950 vir die Miles Davis nonet, behaal dit Parker en stringe, en vir die Elliot Lawrence Orkes. Die nonet opname is goed bekend, kom uit die laaste opname sessie van die ensemble. Lawrence 'n album opgeneem van Mulligan reëlings in 1954 wat ingesluit Rock Salt wanneer die saksofoonspeler was aan die Weskus, maar Mulligan was ontevrede met die tempo van die opname. Die Parker met Strings weergawe kom uit 'n live performance van die ensemble by Carnegie Hall. Die bronne vir hierdie publikasie is om die werklike dele in Mulligan se hand, behalwe vir die bas deel, wat in 'n onbekende hand. Dit is duidelik dat hierdie dele is vinnig kopieer in dat daar baie kortpaaie geneem. Ons het bykomende dele ingesluit sodat hierdie reëling kan sonder snare gespeel word. Hier is 'n lys van die alternatiewe dele. OBOE. Kitaar of klarinet VIOOL. Alto Sax 2 VIOOL B. Alto Sax 3 VIOOL C. Tenoorsax 1 of trompet VIOLA. Tenoorsax 2 van Trumpet CELLO. Bariton Sax of Trombone Charlie Parker het 'n lewendige vertoning by Carnegie Hall op 17 September 1950 'n soortgelyke groep wat 'n paar van die liedjies wat hy voorheen aangeteken. Die musikante wat die nag ingesluit. Tommy Mace op Hobo. Ted Blume, Sam Caplan, en Stan Karpenia op viole. Dave Uchitel altviool. onbekende tjello. Wallace McManus op harp. Al Haig op klavier. Tommy Potter op baskitaar. en Roy Haynes op tromme. Dit is 'n groot ooreenkoms met interessante kontrapunt en vars klinkende harmonieë clealy beïnvloed deur Tchaikovsky en Bartok. Gerry Mulligan, net 23 by die tyd, maar reeds bekende van sy werk met Claude Thornhill en Miles Davis. hy die meeste van die reëlings het vir geboorte van die Cool. , Het saam 'n hip-klinkende string reëling wat gebaseer is op sy oorspronklike samestelling. Ons het die oorspronklike manuskrip gebruik as 'n basis vir hierdie publikasie. Alhoewel, het ons skryf Charlie Parker se deel en die begin klavier solo en hulle is hier aangebied as-gespeel. Maar, in 'n aparte personeel het ons ook aangedui wat geskryf is vir hom so dat jou alto speler het 'n keuse in wat om te speel. Ons het dit so moeilik gemerk as gevolg van die eise van die alto deel. die veronderstelling dat dit uitgevoer word as Parker gespeel het. Maar, anders as wat dit is nie 'n moeilike reëling. Koord veranderinge is voorsien vir die alt solo - die solo-afdeling is "Ek het Rhythm 'veranderinge in die konsert C. Hierdie publikasie bevat 'n paar van die belangrikste bebop speel en invloedryke reël van die 20ste eeu. NOTA. Dit is deel van ons Charlie Parker met Strings reeks reëlings.