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Oorspronklik

Gretchen am Spinnrade. Franz Schubert. Euphonium sheet music. Piano Accompaniment sheet music.

Vertaling

Gretchen am Spinnrade. Franz Schubert. Eufonium bladmusiek. Klavierbegeleiding bladmusiek.

Oorspronklik

Gretchen am Spinnrade composed by Franz Schubert. 1797-1828. Arranged by Gretchen Renshaw. For Euphonium and Piano. Chamber music. Published by Potenza Music. P2.80027. Written by Franz Schubert. 1797-1828. in 1814, Gretchen am Spinnrade. Gretchen at the Spinning Wheel. , D. 118, has become one of the most famous examples of German lieder from the Romantic era. This lied is a setting of text from Johann Wolfgang von Goethe's tragic play "Faust. " Gretchen, a principal character in the play, sits at her spinning wheel and daydreams about Faust, who has managed to seduce her. As Schubert so often did in his lieder, he used the piano accompaniment to depict an important element of the lied. In Greten am Spinnrade, the right hand plays an undulating legato line reminiscent of a spinning wheel while the left hand staccato notes represent the treadle, which is the foot pedal used to make the wheel spin. These accompanimental figures are present throughout the entire piece, except at the climax, where Gretchen becomes distracted by the thought of Faust's kiss and, without realizing it, stops spinning the wheel. A song filled with deep passion, Gretchen am Spinnrade presents an opportunity for the euphonium soloist to display intense musicality while conveying Gretchen's infatuation with Faust.

Vertaling

Gretchen am Spinnrade saamgestel deur Franz Schubert. 1797-1828. Gereël deur Gretchen Rensburg. Vir Eufonium en Klavier. Kamermusiek. Gepubliseer deur Potenza Musiek. P2.80027. Geskryf deur Franz Schubert. 1797-1828. in 1814, Gretchen am Spinnrade. Gretchen by die spinwiel. , D. 118, is een van die mees bekende voorbeelde van Duitse liedere uit die Romantiese era. Dit gelieg is 'n instelling van teks van Johann Wolfgang von Goethe se tragiese play "Faust. "Gretchen, 'n skoolhoof karakter in die drama, sit by haar spinwiel en Dagdroom oor Faust, wat daarin geslaag het om haar te verlei. As Schubert so dikwels gedoen het in sy liedere, het hy die klavierbegeleiding 'n belangrike element van die gelieg uit te beeld. In Greten is Spinnrade, die regterhand speel 'n golwende legatolyn herinner aan 'n spinwiel, terwyl die linkerhand staccato notas verteenwoordig die trap, wat die voet pedaal gebruik die wiel draai te maak. Hierdie accompanimental syfers is teenwoordig in die hele stuk, behalwe by die klimaks waar Gretchen raak afgelei deur die gedagte van Faust se soen en sonder dat hulle dit besef, stop spin die wiel. 'N lied gevul met diep passie, Gretchen am Spinnrade bied 'n geleentheid vir die euphonium solis intense musikaliteit te vertoon, terwyl die vervoer van Gretchen se verdwaasd met Faust.