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Oorspronklik

Elegie, Op. 30. Henri Vieuxtemps. Euphonium sheet music. Piano Accompaniment sheet music.

Vertaling

Elegie, Op. 30. Henri Vieux Temps. Eufonium bladmusiek. Klavierbegeleiding bladmusiek.

Oorspronklik

Elegie, Op. 30 composed by Henri Vieuxtemps. 1820-1881. Arranged by Patrick Geren. For Euphonium and Piano. Chamber music, 20th century. Published by Potenza Music. P2.80032. Elegie, or elegy, refers to a song expressing sorrow or lamentation for someone deceased. More simply, a sad song. Vieuxtemp's Elegie, Op. 30 was composed in 1854 originally for viola and piano. Transcriptions by the composer for violin and cello followed. This arrangement is set for euphonium and piano. It allows the soloist to show off their beautiful tone and fluidity in expressive phrases throughout. While the piece as a whole is not technically challenging, there are moments of virtuosity that require skilled technique and delicacy for the soloist and accompanist. The cadenza and "a piacere" sections are purposefully left without directional phrasing for the soloist to develop their own interpretation. There is one brief opportunity of extending technique for the soloist to utilize multiphonics.

Vertaling

Elegie, Op. 30 saamgestel deur Henri Vieux Temps. 1820-1881. Gereël deur Patrick Geren. Vir Eufonium en Klavier. Kamermusiek, 20ste eeu. Gepubliseer deur Potenza Musiek. P2.80032. Elegie, of Elegie, verwys na 'n liedjie uitdrukking hartseer of klaaglied vir iemand oorlede. Meer eenvoudig, 'n hartseer liedjie. Vieuxtemp se Elegie, Op. 30 is gekomponeer in 1854 oorspronklik vir altviool en klavier. Transkripsies deur die komponis vir viool en tjello gevolg. Hierdie reëling is ingestel vir die euphonium en klavier. Dit laat die solis om te wys hul pragtige toon en vloeibaarheid in beeldende frases regdeur. Terwyl die stuk as 'n geheel is nie tegnies uitdagende, is daar oomblikke van virtuositeit wat vereis dat vaardige tegniek en lekkerny vir die solis en begeleier. Die cadenza en "'n piacere" afdelings is doelbewus gelaat sonder rigting bewoording vir die solis hul eie interpretasie te ontwikkel. There is one brief opportunity of extending technique for the soloist to utilize multiphonics.