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Oorspronklik

Alexander's Feast K. 591. in the arrangement of Wolfgang Amadeus Mozart. George Frideric Handel. Choir sheet music. Piano Accompaniment sheet music.

Vertaling

Alexander se Fees K. 591. in die reëling van Wolfgang Amadeus Mozart. George Frideric Handel. Koor bladmusiek. Klavierbegeleiding bladmusiek.

Oorspronklik

Alexander's Feast K. 591. in the arrangement of Wolfgang Amadeus Mozart. Cantata in two parts. Composed by George Frideric Handel. 1685-1759. Edited by Andreas Holschneider. Arranged by Wolfgang Amadeus Mozart. Konrad Ameln. Antje Wissemann. For SATB choir and piano. This edition. Urtext edition. Paperback. Piano reduction. Language. German, Text Language. German. English. K. 591. Duration 1 hour, 20 minutes. Published by Baerenreiter Verlag. BA.BA4527-90. ISBN 9790006542949. With Language. German, Text Language. German. English. 27 x 19 cm inches. In 1736 Handel composed "Alexander's Feast" or "The Power of Musick", a two-part cantata based on John Dryden's poem of the same name. In 1790, at the suggestion of Baron Gottfried van Swieten, Mozart arranged this work using a German translation of the poem made by Karl Wilhelm Ramler in 1770. As in other arrangements of Handelian works, Mozart's re-instrumentation leads to a change in the sound character of the work, placing the composition in the tradition of the Viennese Classic.

Vertaling

Alexander se Fees K. 591. in die reëling van Wolfgang Amadeus Mozart. Kantate in twee dele. Saamgestel deur George Frideric Handel. 1685-1759. Geredigeer deur Andreas Holschneider. Gereël deur Wolfgang Amadeus Mozart. Konrad Ameln. Antje Know Man. Vir SATB koor en klavier. Hierdie uitgawe. Urtext uitgawe. Book. Piano vermindering. Taal. Duits, teks taal. Duitse. Engels. K. 591. Duur 1 uur, 20 minute. Gepubliseer deur Baerenreiter Verlag. BA.BA4527-90. ISBN 9790006542949. Met taal. Duits, teks taal. Duitse. Engels. 27 x 19 cm duim. In 1736 Handel saamgestel "Alexander se Fees" of "The Power musiekinstrumente", 'n twee-deel kantate gebaseer op John Dryden se gedig met dieselfde naam. In 1790, op voorstel van Baron Gottfried van Swieten, Mozart gereël hierdie werk deur 'n Duitse vertaling van die gedig gemaak deur Karl Wilhelm Ramler in 1770. Soos in ander reëlings van Handelian werke, Mozart se re-instrumentasie lei tot 'n verandering in die klank karakter van die werk, die plasing van die samestelling in die tradisie van die Weense Klassieke.