Bladmusiek $5.95

Oorspronklik

Missa longa in C major. Wolfgang Amadeus Mozart. Voice sheet music. B-Flat Trumpet sheet music. Choir sheet music. Horn sheet music. Percussion sheet music. Piano and Keyboard sheet music. Timpani sheet music. Trombone sheet music.

Vertaling

Missa Longa in C majeur. Wolfgang Amadeus Mozart. Voice bladmusiek. B-Flat Trumpet bladmusiek. Koor bladmusiek. Horn bladmusiek. Perkussie bladmusiek. Klavier en Keyboard bladmusiek. Timpani bladmusiek. Tromboon bladmusiek.

Oorspronklik

Missa longa in C major composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Christine Martin. Arranged by Volker Blumenthaler. For SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos. trumpets, timpani, 2 violins, basso continuo,. 3 trombones. C-Dur. C major. Stuttgart Urtext Edition. Score available separately - see item CA.5126200. Latin Masses, Missa brevis in Latin. Basso continuo part. Language. Latin. Composed 1775. KV 262. 12 pages. Duration 25 minutes. Published by Carus Verlag. CA.5126213. With Language. Latin. Latin Masses, Missa brevis in Latin. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a "Missa longa". The prolixity of some of the movements and of concluding fugues in the "Gloria" and "Credo" is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass.

Vertaling

Missa Longa in C majeur saamgestel deur Wolfgang Amadeus Mozart. 1756-1791. Geredigeer deur Christine Martin. Gereël deur Volker Blumenthaler. Vir SATB vokale soli, SATB koor, 2 hobo's, 2 horings, 2 clarinos. trompette, timpani, 2 viole, continuo,. 3 trombone. C-Dur. C-majeur. Stuttgart Urtext Edition. Telling afsonderlik beskikbaar - sien item CA.5126200. Latyns-massas, Missa brevis in Latyns-. Basso continuo deel. Taal. Latyns-. Saamgestel 1775. KV 262. 12 bladsye. Duur 25 minute. Gepubliseer deur Carus Verlag. CA.5126213. Met taal. Latyns-. Latyns-massas, Missa brevis in Latyns-. Leopold Mozart KV 262 beskryf, in teenstelling met Mozart se heelwat korter massas van die dieselfde tydperk, as 'n "Missa Longa". Die uitvoerig van sommige van die bewegings en van die sluiting van fugas in die "Gloria" en "Credo" is inderdaad 'n verrassende. Die volle orkes telling beklemtoon ook die seremoniële karakter van hierdie Mass.