Bladmusiek $40.00

Oorspronklik

Concerto for Vibraphone & Orchestra. score only. Nathan Daughtrey. Alto Saxophone sheet music. Baritone Saxophone sheet music. Soprano Saxophone sheet music. Tenor Saxophone sheet music. Vibraphone sheet music.

Vertaling

Concerto vir Vibrafoon. telling net. Nathan Daughtrey. Altsaxofoon bladmusiek. Bariton saxofoon bladmusiek. Sopraan saxofoon bladmusiek. Saxofoon bladmusiek. Vibrafoon bladmusiek.

Oorspronklik

Concerto for Vibraphone & Orchestra. score only. composed by Nathan Daughtrey. For Soloist. with Orchestra. one on a part. , piccolo, flute 1, flute 2, oboe, bassoon 1, bassoon 2, B-flat clarinet 1, B-flat clarinet 2, B-flat clarinet 3, B-flat bass clarinet, B-flat contrabass clarinet, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, B-fla. Level 5. Score. Duration 15. 00. Published by C. Alan Publications. CN.17226. Concerto for Vibraphone was commissioned by Dr. Lisa Rogers, Professor of Percussion at Texas Tech University. The two-movement work draws inspiration from two opposing poems by Pablo Neruda that depict night and day. The poems are full of rich & vivid imagery that I tried to capture in the music. Ode to Nighttime by Pablo Neruda. I. Night's Song â“ "El Canto de la Noche". For the first movement, Night's Song, I tried to depict this mysterious, starry night that gradually turns dark and rainy. The phrases that really spoke to me and shaped the music were "behind daylight," "you thrash around the sky," "you run wild over the savage flow of rivers," and rain and darkness are the blade of a singing sword while stars, or jasmine petals, gaze from blackened heights. " I love how Neruda describes daylight as being born nighttime, so I decided to make the movements attacca so that the second movement, Enchanted Light, bursts forth out of the first movement. Ode to Enchanted Light by Pablo Neruda. II. Enchanted Light â“ "La Luz Encantada". The second movement is much more sparkly and bright, depicting the "light dropping from the top of the sky. " The "cicada sending its sawing song high into the empty air" even makes an appearance when the ensemble vibraphone player places pennies on the bars and then bows those bars with optional help from a sizzle cymbal. Motives and themes from the first movement return in several spots throughout the second movement helping to unify the work. The soloist gets a workout as well in the tour-de-force second movement, unlike the much more introspective first movement.

Vertaling

Concerto vir Vibrafoon. telling net. saamgestel deur Nathan Daughtrey. Vir solis. met Orchestra. een op 'n deel. , Piccolo, fluit 1, fluit 2, hobo, fagot 1, fagot 2, B-mol klarinet 1, B-mol klarinet 2, B-mol klarinet 3, B-mol basklarinet, B-mol kontrabas klarinet, sopraan saxofoon, altsaxofoon, saxofoon, bariton saxofoon, B-fla. Vlak 5. Telling. Duur 15. 00. Gepubliseer deur C. Alan Publications. CN.17226. Concerto vir Vibrafoon is in opdrag van dr Lisa Rogers, professor perkussie by Texas Tech University. Die twee-beweging werk inspirasie put uit twee opponerende gedigte deur Pablo Neruda wat dag en nag uitbeeld. Die gedigte is vol van 'n ryk. Ode aan Nag deur Pablo Neruda. I. Night's Song â "" Lied van die nag ". Vir die eerste beweging, Night's Song, het ek probeer om hierdie geheimsinnige, sterrehemel nag wat geleidelik draai donker en reën uit te beeld. Die frases wat regtig met my gepraat en die vorm van die musiek is "agter daglig", "jy slaap loop die lug", "jy hardloop wild oor die wrede vloei van riviere," en reën en die duisternis is die lem van 'n sang swaard, terwyl sterre , of jasmyn blare, blik uit swart hoogtes. "Ek is lief vir hoe Neruda beskryf daglig as gebore nag, so ek besluit om die bewegings te attacca maak sodat die tweede beweging, betower Lig, bars uit van die eerste beweging. Ode aan betower Light deur Pablo Neruda. II. Betower Lig â "" La Lus Encantada ". Die tweede beweging is veel meer sparkly en helder is, wat die "lig val uit die top van die lug. "Die" sonbesie die stuur van sy saag lied hoog in die leë lug "maak selfs 'n verskyning wanneer die ensemble vibrafonist plaas pennies op die bars en dan buig die bars met 'n opsionele hulp van 'n braai simbaal. Motiewe en temas uit die eerste beweging terugkeer in verskeie plekke in die tweede beweging te help om die werk te verenig. Die solis kry 'n oefensessie sowel in die Tour-de-krag tweede beweging, in teenstelling met die meer introspektiewe eerste beweging.