Bladmusiek $48.95

Oorspronklik

Parlor Music. Christos Hatzis. Cello sheet music. Clarinet sheet music. Vibraphone sheet music. Piano Accompaniment sheet music.

Vertaling

Parlor Musiek. Christos Hatzis. Tjello bladmusiek. Klarinet bladmusiek. Vibrafoon bladmusiek. Klavierbegeleiding bladmusiek.

Oorspronklik

Parlor Music composed by Christos Hatzis. 1953-. For vibraphone, clarinet, cello and piano. This edition. softcover. Score and 3 parts. 28 pages. Published by Promethean Editions. PO.PE105. ISBN 978-1-877564-05-5. Parlor Music is a dance piece with clear references to Astor Piazzola and mid-twentieth century jazz, among other things. There are two predominant moods in the piece. In the first half there is melancholy and introspection, like with the woman in the beautiful drawing by Louisa Varalta by the same title. Here the dance movement becomes at times almost completely internalized, particularly where the vibraphone with its evocative pitch bends and the accompanying music draw the listener inwards. At other times the soft dance rhythms, instead of drawing the dancer on her feet only help to add to the loneliness and stillness of the moment. In the second half, there is a very short musical 'invitation' and the dance suddenly begins. It is still driven by a manic energy rather than pleasure and it ends as abruptly as it began.

Vertaling

Parlor Musiek saamgestel deur Christos Hatzis. 1953 -. Vir vibrafoon, klarinet, tjello en klavier. Hierdie uitgawe. Sagteband. Score en 3 dele. 28 bladsye. Gepubliseer deur Promethean Editions. PO.PE105. ISBN 978-1-877564-05-5. Parlor Musiek is 'n dans stuk met duidelike verwysings na Astor Piazzola en middel van die twintigste eeu jazz, onder andere. Daar is twee oorheersende buie in die stuk. In die eerste helfte is daar melancholie en introspeksie, soos met 'n vrou in die pragtige tekening deur Louisa Varalta deur dieselfde titel. Hier is die dansbeweging raak by tye byna heeltemal geïnternaliseer, veral waar die vibrafoon met sy asemrowende plek draaie en die gepaardgaande musiek teken die luisteraar binnegoed. Op ander tye van die sagte dans ritmes, in plaas daarvan dat die danser op haar voete net help om by te voeg tot die eensaamheid en stilte van die oomblik. In die tweede helfte, daar is 'n baie kort musikale se uitnodiging 'en die dans begin skielik. Dit is nog steeds gedryf deur 'n maniese energie eerder as plesier en dit eindig as skielik soos dit begin.