Bladmusiek $20.00

Oorspronklik

Gate to Heaven. percussion ensemble score. Marimba sheet music. Percussion sheet music. Violin sheet music. Xylophone sheet music. Advanced.

Vertaling

Poort na die Hemel. perkussie ensemble telling. Marimba bladmusiek. Perkussie bladmusiek. Viool bladmusiek. Xylophone bladmusiek. Gevorderde.

Oorspronklik

Gate to Heaven. percussion ensemble score. Concerto No. 1 for Marimba and Percussion Ensemble. Composed by David R. Gillingham. Arranged by Nathan Daughtrey. Solo with Percussion Ensemble. For Solo with Percussion Ensemble. Solo Marimba, Percussion 1. xylophone, bells, chimes. , Percussion 2. brake drum, cowbell, shaker, suspended cymbal, crash cymbals, temple blocks, triangle. , Percussion 3. 4 toms, crash cymbals, bass drum, suspended cymbal, tam tam, hi hat. , Violin I, Viol. String Music. Medium difficult. Percussion ensemble score. Duration 16. 25. Published by C. Alan Publications. CN.03281. Subtitled "A Journey of the Soul," each movement of this concertino for solo marimba and ensemble reflects the movement of the soul into the portal of heaven. From Remission to Reflection to Redemption, Gillingham paints a vivid picture of the afterlife that is full of color and life while showcasing the wide range capabilities of the marimba. Though "Gate to Heaven" is structured as a three-movement concerto for solo marimba, it has extramusical inspiration. Each movement of the work reflects the movement of the soul into the portal of heaven. The first movement, titled 'Remission,' is indicative of death and the consequences of the soul's former life. From the onset of the first movement, the introduction captures the hard blows of death and the mysterious passage into the unknown world beyond. The ensuing presto is representative of the tribulations of the former life fluctuating between evil and ecstasy. The second movement, 'Reflection,' is a solemn look into the past life of the soul and suggests mixed emotions about the former life of the soul as a human form and its present state as energy moving through the infinite universe. Mournful bowed passages in the marimba toward the end of this movement are followed by a passage that builds to a rather joyous resolve that perhaps suggests the golden light of the portal of heaven at the end of the tunnel of transition. The final solemn strains of the movement represent the soul's final reflection upon its former life. 'Redemption,' the final movement, hopefully invokes whatever image one has of 'heaven. ' It was the composer's intention to paint a musical image of golden light shining upon a rainbow-colored landscape. The movement is comprised of two alternating themes, the first energetic and full of sparkle and the second dramatic and full of splendor. Toward the end of the movement, a fragment of the reflective theme of the second movement is heard before the piece drives to a joyous conclusion.

Vertaling

Poort na die Hemel. perkussie ensemble telling. Concerto No 1 vir Marimba en Percussion Ensemble. Saamgestel deur David R. Gillingham. Gereël deur Nathan Daughtrey. Solo met Percussion Ensemble. Vir Solo met Percussion Ensemble. Solo Marimba, Percussion 1. xilofoon, klokke, chimes. , Percussion 2. rem drom, cowbell, shaker, opgeskort simbaal, crash simbale tempel blokke, driehoek. , Percussion 3. 4 toms, crash simbale, bastrom, opgeskort simbaal, tam tam, hi hoed. , Viool ek, harp. String Musiek. Medium moeilik. Perkussie ensemble telling. Duur 16. 25. Gepubliseer deur C. Alan Publications. CN.03281. Subtitel "'n reis van die siel," elke beweging van hierdie concertino vir solo marimba ensemble en weerspieël die beweging van die siel in die portaal van die hemel. Van remissie nadenke verlossing, Gillingham skilder 'n lewendige beeld van die hiernamaals wat vol kleur en lewe, terwyl die klem op die wye verskeidenheid vermoëns van die marimba. Alhoewel "Poort na die Hemel" is as 'n drie-beweging concerto vir solo marimba, dit het extramusical inspirasie. Elke beweging van die werk weerspieël die beweging van die siel in die portaal van die hemel. Die eerste beweging, getiteld "remissie, 'n aanduiding van die dood en die gevolge van die siel se voormalige lewe. Van die begin van die eerste beweging, die bekendstelling vang die harde houe van die dood en die geheimsinnige gedeelte in die onbekende wêreld buite. Die daaropvolgende presto is verteenwoordigend van die swaarkry van die vorige lewe wisselende tussen kwaad en ekstase. Die tweede beweging, 'Refleksie, "is 'n plegtige kyk in die verlede lewe van die siel en stel gemengde gevoelens oor die voormalige lewe van die siel as 'n menslike vorm en sy huidige toestand as energie beweeg deur die oneindige heelal. Rou gebuig gedeeltes in die marimba aan die einde van hierdie beweging word gevolg deur 'n gedeelte wat bou aan 'n vreugdevolle eerder los dat dit dalk dui op die goue lig van die portaal van die hemel aan die einde van die tonnel van oorgang. Die finale plegtige stamme van die beweging verteenwoordig die siel se finale weergawe op sy voormalige lewe. 'Verlossing, "het die finale beweging, hopelik beroep op watter beeld 'n mens van' hemel. "Dit was die komponis se voorneme om 'n musikale beeld van goue lig skyn op 'n reënboog-gekleurde landskap te verf. Die beweging bestaan ​​uit twee wisselende temas, die eerste energiek en vol vonkel en die tweede dramatiese en vol van prag. Teen die einde van die beweging, is 'n fragment van die reflektiewe tema van die tweede beweging gehoor voor die stuk dryf om 'n vreugdevolle gevolgtrekking.