Bladmusiek $12.00

Oorspronklik

Circularity. Marimba sheet music.

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Sirkel. Marimba bladmusiek.

Oorspronklik

Circularity composed by Matthew Coley. Marimba solo. For marimba solo. marimba. 5 octave. Level 5. Book. Published by Innovative Percussion. IP.S-MC-CIR. Composer's notes. Circularity is the continuous and always rotating result of a conceptual creative process. The process began as an improvisation on marimba while having in mind the circular concept and techniques used in dance training. The original idea was to create a percussion keyboard trio that would be coupled with dancers. 2004. After the performance of this version the process continued and the platform was expanded with more dancers, cello, piano, and found glass instruments. ie. Bottles, vases, bowls, plate glass, and bowls and marbles used by the dancers. 2006. After performances of this, I felt the work wanted to come back to its original origin and complete the circle as a solo work. 2007. Another idea used in this work was the concept of one stable "circle" that is only altered by slight changes in layers and texture, while other smaller unstable "circles" connect this by expanding and altering their material more severely. "This is another addition to the growing body of intermediate to advanced level idiomatic marimba solos. The piece relies heavily on varied permutations, ostinatos and varied articulations, including one percussive notes 75 AUGUST. SEPTEMBER 2009 section played with the mallet shafts on the edges of the bars while the "circular" motive is played normally. Interestingly, the piece has gone through a number of versions and was conceived as music for dance. The original version had a mixed instrumentation that included found glass instruments, piano and cello. The composer states that the process for composing "began as an improvisation on marimba while having the circular concept and techniques used in dance training. " Because of the idiomatic nature of the piece, the fact that it began as an improvisation is not surprising. The idea of circular motion and layering are compositional techniques used throughout the piece. Many times the melodic motif or "circle" will surround an ostinato. The composer describes his process this way. "one stable "circle--is only altered by slight changes in layers and texture, while other smaller unstable "circles" connect this by expanding and altering their material more severely. " This piece would be an appropriate addition to an undergraduate recital, as an undergraduate study piece for learning advanced four-mallet techniques, or as a concert. study piece for an advanced high school student. " - John Lane Percussive Notes, August. September 2009.

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Sirkulariteit saamgestel deur Matthew Coley. Marimba solo. Vir marimba solo. marimba. 5 oktaaf. Vlak 5. Book. Gepubliseer deur Innoverende Percussion. IP.S-MC-CIR. Komponis se notas. Sirkel is die deurlopende en altyd roterende gevolg van 'n konseptuele kreatiewe proses. Die proses het begin as 'n improvisasie op marimba terwyl hulle in die lig van die omsendbrief konsep en tegnieke wat gebruik word in dans opleiding. Die oorspronklike idee was om 'n perkussie klawerbord trio wat gekoppel sal word met dansers te skep. 2004. Na afloop van die prestasie van hierdie weergawe van die proses voortgesit en die platform is uitgebrei met meer dansers, tjello, klavier, en gevind glas instrumente. di. Bottels, vase, rolbal, plaat glas, en bakke en marmer wat gebruik word deur die dansers. 2006. Na vertonings van hierdie, voel ek die werk wou om terug te kom na die oorspronklike oorsprong en voltooi die sirkel as 'n solo-werk. 2007. Nog 'n idee wat in hierdie werk was die konsep van 'n stabiele "sirkel" wat slegs verander word deur klein veranderinge in lae en tekstuur, terwyl ander kleiner onstabiele "kringe" sluit dit deur die uitbreiding en wysiging van hul materiaal meer ernstig. "Dit is nog 'n toevoeging tot die groeiende liggaam van intermediêre tot gevorderde vlak idiomatiese marimba solo's. Die stuk swaar op verskillende permutasies, ostinatos en gevarieerde artikulasies, insluitend een perkussie notas 75 Augustus. September 2009 artikel gespeel met die hamer skagte op die rand van die bars terwyl die "omsendbrief" motief word gewoonlik gespeel. Interessant genoeg, het die stuk deur 'n aantal weergawes gegaan en was bedoel as musiek vir dans. Die oorspronklike weergawe het 'n gemengde instrumentasie wat ingesluit gevind glas instrumente, klavier en tjello. Die komponis bepaal dat die proses vir die saamstel van "begin as 'n improvisasie op marimba terwyl hulle die omsendbrief konsep en tegnieke wat gebruik word in dans opleiding. "As gevolg van die idiomatiese aard van die stuk, die feit dat dit het begin as 'n improvisasie is nie verbasend. Die idee van die omsendbrief beweging en lae is komposisietegnieke wat dwarsdeur die stuk. Baie keer is die melodiese motief of "sirkel" sal 'n ostinato omring. Die komponis beskryf sy proses op hierdie manier. "Een stabiel" sirkel - slegs verander word deur klein veranderinge in lae en tekstuur, terwyl ander kleiner onstabiele "kringe" verbind dit deur die uitbreiding en wysiging van hul materiaal meer ernstig. "Hierdie stuk sal 'n gepaste toevoeging tot 'n voorgraadse oorweeg word, as 'n voorgraadse studie stuk vir leer gevorderde vier-hamer tegnieke, of as 'n konsert. studie stuk vir 'n gevorderde hoë skool student. "- John Lane perkussie Notes, Augustus. September 2009.