Bladmusiek $26.00

Oorspronklik

Marimba. Technique Through Music. Marimba sheet music.

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Marimba. Tegniek deur middel van musiek. Marimba bladmusiek.

Oorspronklik

Marimba. Technique Through Music composed by Mark Ford. For marimba. marimba. low A. 1 etude requires 5 octave. Level 3-5. Method book. Published by Innovative Percussion. IP.M-MF-MAR. Composer's notes. Marimba. Technique Through Music is a collection of 16 etudes that are designed to help the intermediate four-mallet marimbist focus on specific stroke techniques. Students have the best chance for building technique and musicality by working on short selections in a variety of different musical styles. This text guides the student through several etudes that focus on different musical applications of one specific technique. Each section of the book begins with a brief introduction to a specific stroke followed by graduated etudes that utilize that stroke. In this manner, the student will become confident with these basic strokes and their application to musical expression. The guidance of an experienced teacher will be invaluable to the student during the study of these etudes. Each of the 16 etudes in this superb collection is composed to assist the intermediate four-mallet marimbist in learning a specific pedagogical technique. The 16 marimba solos are varied in their musical style, and each focuses on a specific technique. After an introduction to this 64-page loose-bound collection, general comments by Mark Ford regarding stroke concepts, getting started, and chordal applications precede six sections that are named "Single Independent Strokes," "Single Alternating Strokes," Double Lateral Strokes," "Double Vertical Strokes," "Chorales" and "Combined Strokes. " The first two sections each have two etudes, while the remaining four sections have three etudes each. Of particular interest is Ford's concluding sections on "Chorales" and "Combined Strokes. " Both contain more difficult etudes-any one or a combination of which might be appropriate for the younger college-age recital. junior recital. or as potential contest. festival selections for intermediate to advanced high school marimbists. The titles of the tonal chorales are "Wellington," "Azalea" and "Coventry," and their tonalities are D-major, F-major and B-major, respectively. In the introductory remarks to "Chorales," Ford suggests several outside listening examples or the student to reference regarding appropriate chorale style considerations. The concluding section's titles are "Birchbrook," "West Oak" and "Stoneman. " These solos present multi-metered, contemporary-style compositional techniques. The final composition in this collection, "Stoneman," is dedicated to Ford's uncle, Bill McClintock, who lived next door to Ford when he was growing up. The sensitive "dolce" marking for this 3. 4, B-flat major etude provides a gentle musical tribute to an individual who obviously impacted Ford's life significantly. "Stoneman" would be appropriate for an undergraduate college percussion recital. Although this composition requires a fiveoctave marimba, the remaining solos in this collection can be performed on a low-A marimba. Congratulations to Mark Ford for providing 16 etudes that will permeate the teaching and performance pedagogy of marimba students for years to come. - Jim Lambert Percussive Notes, April 2006.

Vertaling

Marimba. Tegniek deur middel van musiek gekomponeer deur Mark Ford. Vir marimba. marimba. lae. 1 etude vereis 5 oktaaf. Vlak 3-5. Metode boek. Gepubliseer deur Innoverende Percussion. IP.M-MF-MAR. Komponis se notas. Marimba. Tegniek deur middel van musiek is 'n versameling van 16 etudes wat ontwerp is om die intermediêre vier-hamer marimbist fokus op spesifieke beroerte tegnieke om te help. Studente het die beste kans om vir die bou van tegniek en musikaliteit deur te werk op kort keuses in 'n verskeidenheid van verskillende musiekstyle. Hierdie teks lei die student deur verskeie etudes wat fokus op die verskillende musikale toepassing van een spesifieke tegniek. Elke afdeling van die boek begin met 'n kort inleiding tot 'n spesifieke beroerte gevolg deur gegradueer etudes wat gebruik maak van wat 'n beroerte. Op hierdie wyse sal die student vertroud is met hierdie basiese beroertes en die toepassing daarvan op musikale uitdrukking geword. Die leiding van 'n ervare onderwyser sal tydens die studie van hierdie etudes van onskatbare waarde vir die student. Elkeen van die 16 etudes in hierdie pragtige versameling is saamgestel om die intermediêre vier-hamer marimbist te help om te leer 'n spesifieke opvoedkundige tegniek. Die 16 marimba's is gewissel in hul musikale styl, en elke fokus op 'n spesifieke tegniek. Na 'n inleiding tot hierdie 64-bladsy los gebind versameling, algemene kommentaar deur Mark Ford oor beroerte konsepte, om aan die gang, en akkoordbasis aansoeke voorafgaan ses afdelings wat die naam "enkele onafhanklike beroertes," "Enkel Wisselstroom beroertes," Double Laterale Beroertes is, "" dubbele vertikale beroertes, "" Chorales "en" Gekombineerde Beroertes. "Die eerste twee afdelings het elk twee etudes, terwyl die oorblywende vier afdelings het drie etudes elke. Van besondere belang is Ford se afsluiting gedeeltes oor "Chorales" en "Gekombineerde Beroertes. "Albei bevat moeiliker etudes-enige een of 'n kombinasie van wat dalk gepas wees vir die jonger kollege-ouderdom oorweeg. junior oorweeg. of as 'n potensiële wedstryd. fees keuses vir intermediêre tot gevorderde hoë skool marimbists. Die titels van die tonale chorales is "Wellington", "Azalea" en "Coventry," en hul tonaliteit is D-majeur, F-majeur en B-majeur, onderskeidelik. In die inleidende opmerkings van "Chorales," Ford stel 'n paar buite luister om voorbeelde of die student met verwysing na die toepaslike koraal styl oorwegings. Die artikel word afgesluit se titels is "Birchbrook", "West Oak" en "Stoneman. "Hierdie solo huidige multi-meter-, kontemporêre styl komposisietegnieke. Die finale samestelling in hierdie versameling, "Stoneman," word gewy aan Ford se oom, Bill McClintock, wat langs geleef Ford toe hy grootgeword het,. Die sensitiewe "dolce" merk vir hierdie 3. 4, B-mol majeur etude bied 'n sagte musikale huldeblyk aan 'n individu wat natuurlik Ford se lewe beïnvloed aansienlik. "Stoneman" sou gepas vir 'n voorgraadse kollege perkussie-uitvoering wees. Alhoewel hierdie samestelling vereis 'n fiveoctave marimba, kan die oorblywende solo's in hierdie versameling op 'n lae-A marimba uitgevoer word. Baie geluk aan Mark Ford vir die verskaffing van 16 etudes wat die onderrig en prestasie pedagogie van marimba studente deurdring vir die komende jaar. - Jim Lambert perkussie Notes, April 2006.