Bladmusiek $23.00

Oorspronklik

Journey for Marimba & Piano. Marimba sheet music. Piano Accompaniment sheet music.

Vertaling

Reis vir Marimba. Marimba bladmusiek. Klavierbegeleiding bladmusiek.

Oorspronklik

Journey for Marimba & Piano composed by Matthew Coley. Marimba & Piano Duet. For marimba and piano duet. marimba. low c. , piano. Level 5. Score and set of parts. Duration 10 minutes, 30 seconds. Published by Innovative Percussion. IP.D-MC-JOU. Composer's notes. Journey for Solo Marimba, Piano, and Percussion Ensemble. Journey for Marimba and Piano, 2005. was composed in 2004 with several ideas in mind. First, I wanted a work of which a competent marimba player could be featured with ensembles of varietal skill levels. The work was written so that an advanced high school group could perform it with sufficient preparation time, and all college and professional groups could easily prepare the ensemble parts. The instrumentation is such that most high school groups would be able to gather everything needed, and the technical concerns in the work keep in mind that a high school will have a wide range of skill level in their players, so through the ensemble parts there should be enough variety to meet this range. Due to the instrumentation being chosen for practicality and limitations to the technical level of the ensemble parts the piano was added not only because it always gives a great color to the percussion ensemble, but to support the ensemble with lower voicing and sustain. Secondly, I had come up with two chord progressions that I wanted to base this work on. The first being the progression heard in the first four measures, and the second being the one that is spread throughout the B section. Thirdly, I was looking to expound on these non-traditional chord progressions in a more traditional way. Thinking closely in terms of a standard tertiary form. ABA. with typical concerto features, the work begins with an ensemble tutti that is then joined by the soloist. This does not occur in the duo version. , there is a short cadenza that leads back to the A section, and then the work closes with a rousing CODA. Both the chordal and structural elements of the piece were also important pedagogically, and I tried to keep them clear throughout the work for that reason. Finally, I am continually searching to write marimba music that would be more akin to what would be written for the piano. I try to steer clear of the main impetus of the marimba writing, i. chordal and thematic material, being sprung from idiomatic combinations. That is not to say that some of those idiomatic vignettes didn-t make their way into the work, they are just combated with polyphonic and "pianistic" type material. Journey is challenging for the soloist, but can provide an exciting voyage for all involved. "-Journey for Marimba and Piano" is an advanced duo for marimba. 5.0 octave required. and piano. Coley writes that he was "searching to write marimba music that would be more akin to what would be written for the piano," when generating ideas for this piece. Scored in an A B A" form, the A sections are characterized by flourishing, sixteenth-note arpeggiated figures alternating with octave figures in a 4. 3 polyrhythm. In the A sections, the pianist provides the majority of the melodic and rhythmic variety, a change of roles for the traditional piano part. The B section is more subdued in character than its surroundings. Here, the pianist provides long, cantabile phrases in dotted quarter notes while the marimbist plays an active hocket that requires the flow of an advanced performer. After a brief marimba cadenza, a da capo progresses to an aggressive ending that culminates in a unison, ascending sixteenth-note run. "Journey for Marimba and Piano" is a virtuosic composition for an advanced marimbist. While the marimba part is difficult, the writing is idiomatic and the combination of voices creates an inviting appeal to marimbists and pianists alike. " - Eric Willie, Percussive Notes September 2010.

Vertaling

Reis vir Marimba. Marimba. Vir marimba en klavierduet. marimba. lae c. Plan. Vlak 5. Score en stel dele. Duur 10 minute, 30 sekondes. Gepubliseer deur Innoverende Percussion. IP.D-MC-JOU. Komponis se notas. Reis vir Solo Marimba, Klavier, en perkussie Ensemble. Reis vir Marimba en klavier, 2005. is gekomponeer in 2004 met 'n paar idees in gedagte. Eerstens, ek 'n werk van wat 'n bevoegde marimba-speler kan verskyn met ensembles van kultivar vaardigheidsvlakke wou. Die werk is geskryf sodat 'n gevorderde hoë skool groep dit kon doen met voldoende voorbereiding tyd, en al die kollege en professionele groepe kan maklik berei die ensemble dele. Die instrumentasie is so dat die meeste hoërskool groepe sal in staat wees om in te samel alles wat nodig is, en die tegniese probleme in die werk in gedagte hou dat 'n hoë skool sal 'n wye verskeidenheid van vaardigheid in hul spelers het, so sal ook deur die ensemble dele daar sal genoeg verskeidenheid van hierdie reeks te ontmoet. As gevolg van die instrumentasie om gekies te word vir die praktiese en beperkings op die tegniese vlak van die ensemble dele van die klavier is nie net bygevoeg, want dit gee altyd 'n groot kleur aan die perkussie ensemble, maar die ensemble te ondersteun met 'n laer verwoording en onderhou. Tweedens, ek het met twee akkoordprogressies wat ek wou hierdie werk op te baseer kom. Die eerste is om die vordering gehoor in die eerste vier maatreëls, en die tweede om die een wat versprei is oor die hele B-afdeling. Derdens, ek was op soek om uit te brei op hierdie nie-tradisionele akkoordprogressies in 'n meer tradisionele manier. Dink nou in terme van 'n standaard tersiêre vorm. ABA. met 'n tipiese concerto funksies, die werk begin met 'n ensemble tutti wat dan saam met die solis. Dit beteken nie in die duo weergawe voorkom. Daar is 'n kort cadenza wat lei terug na die A-afdeling, en dan die werk sluit af met 'n opruiende CODA. Beide die akkoordtone en strukturele elemente van die stuk was ook belangrik pedagogies, en ek probeer om dit duidelik te hou deur die hele werk vir daardie rede. Ten slotte, ek voortdurend op soek marimba musiek te skryf dat meer soortgelyk aan wat vir die klavier sal geskryf word sou wees. Ek probeer om weg te bly van die belangrikste dryfkrag van die marimba skryf, het ek. akkoordtone en tematiese materiaal, wat opgeskiet van idiomatiese kombinasies. Dit is nie te sê dat sommige van die idiomatiese vignetten didn t-maak hul pad in die werk, hulle is net bestry met polyphonic en "piano" tipe materiaal. Journey is 'n uitdaging vir die solis, maar kan 'n opwindende reis vir almal wat betrokke is. "-Reis vir Marimba en Klavier" is 'n gevorderde duo vir marimba. 5.0 oktaaf ​​vereis. en klavier. Coley skryf dat hy "soek marimba musiek wat meer verwant is aan wat vir die klavier sal geskryf word, sou wees om te skryf" wanneer idees vir hierdie stuk te genereer. Behaal het in 'n "vorm ABA, is die A-afdelings wat gekenmerk word deur floreer, sestiende-note arpeggiated syfers afgewissel met oktaaf ​​figure in 'n 4. 3 poliritme. In die A-afdelings, die pianis bied die meerderheid van die melodiese en ritmiese verskeidenheid, 'n verandering van rolle vir die tradisionele klavier deel. Die B-afdeling is meer gedemp in karakter as sy omgewing. Hier is die pianis bied lang, cantabile frases in stippellyn kwartaal notas terwyl die marimbist speel 'n aktiewe hocket wat vereis dat die vloei van 'n gevorderde performer. Na 'n kort marimba cadenza, 'n DA Capo vorder tot 'n aggressiewe einde wat lei tot 'n eenheid, stygende sestiende-note run. "Journey vir Marimba en Klavier" is 'n virtuose samestelling vir 'n gevorderde marimbist. Terwyl die marimba deel is moeilik, die skrif is idiomatiese en die kombinasie van stemme skep 'n nooi 'n beroep op marimbists en pianiste gelyk. "- Eric Willie, perkussie Notes September 2010.