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Sacred Marimbist, The, Volume 2. Nathan Daughtrey. Marimba sheet music. Percussion sheet music. Advanced.

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Heilige Marimbist, Die, Deel 2. Nathan Daughtrey. Marimba bladmusiek. Perkussie bladmusiek. Gevorderde.

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Sacred Marimbist, The, Volume 2 composed by Nathan Daughtrey. For Marimba. 4-mallet. 4.3-octave Marimba. low A. Medium to medium difficult. Duration 25. 00-30. 00. Published by C. Alan Publications. CN.18000. Daughtrey's lovely arrangements in this collection help to fill the void of hymns available for solo marimba. All are playable on a low A marimba, but optional lower notes are provided throughout if you have an extended range instrument. This is the second volume in the Sacred Marimbist collection - the first arranged by David Gillingham and this collection arranged by Nathan Daughtrey. All arrangements in this book are playable on a 4.3-octave. low A. marimba. Optional lower notes are indicated in parentheses throughout. Tenuto marks. appear in every hymn, which indicate notes that should be brought out of the texture, such as melodic lines or points of harmonic interest. Additionally, nearly every arrangement features a flexible duration, giving the performer the option to shorten or lengthen the piece as the performance venue may require. Enjoy. PERFORMANCE NOTES Prelude on 'All Creatures of Our God & King'. Lasst Uns Erfreuen. Ralph Vaughan Williams wrote perhaps the most famous setting of this hymn. I, personally, grew up with this hymn as our doxology in church. Great care has been taken with the beaming to indicate which hands. mallets should be playing which notes. Pay close attention to the tenuto. marks above and below the pitches, indicating the melody and harmony lines to receive more emphasis. Appropriate during any part of the liturgical calendar. Reflection on 'Let All Mortal Flesh Keep Silence'. Traditional French. This hymn, also known as 'Picardy,' is most appropriate during Advent. Be mindful of the fading echo effect throughout the first two pages of the arrangement. Note that only the left-hand accompaniment fades, while the right-hand melody remains constant. Offertory on 'Amazing Grace'. Traditional. Probably the most recognizable hymn in the collection, 'Amazing Grace' appears here in a more popular style with a great deal of syncopation and less traditional harmonies. This arrangement is perfect at any time of the year and during any part of the service. Meditation on 'What Wondrous Love Is This'. William Walker. This lovely hymn from 'Southern Harmony' has a feeling of Americana to it. This lush & solemn setting should be performed with a lot of give & take in tempo and dynamics. The melody throughout the chorale section should be played by the two inside mallets while the outer harmonies are played by the outside mallets. The 12. 8 section should be performed smoothly and connected so that it retains the sound of rolling. Postlude on 'Joyful, Joyful, We Adore Thee'. L.V. Beethoven. Also known as 'Ode to Joy' from Beethoven's 9th Symphony, this tune is appropriate during any point in the liturgical year. I recommend that you play this arrangement as the postlude, as the dance-like 7. 8 might not lend itself to quiet meditation during other parts of the service. An ossia has been provided on the last page of the book for one particularly tricky section. Prelude on 'For the Beauty of the Earth'. Conrad Kocher. This hymn tune known as 'Dix' should be performed rather quietly and with a bit of a lilt in both of the contrasting sections. I would recommend soft and heavier mallets in the left hand so the bass notes may be emphasized throughout the first section and from m. 25 to 46. Theme & Variations on 'Fillmore'. Jeremiah Ingalls. Used as the melody for several different hymns, it is presented here in a straightforward four-part chorale setting for the theme. The variations don't stray too far from the original theme, but great care should be taken to always bring out the theme. You should also choose mallets wisely, as you are required to perform both quick rhythmic figures in several ranges of the instrument as well as perform a soft, rolled chorale. Fantasy on 'This Is My Father's World'. Traditional English. This setting of the melody 'Terra Beata' presents some technical challenges involving mallet placement on the bars. Don't be afraid to use a more rubato tempo to help some of the awkward arm position shifts, but do not sacrifice the musical integrity of the arrangement. The sticking figuration in the second presentation of the hymn. 44. remains constant until the end of the piece. You might do well to incorporate this figuration. 4-3-1-2-3-4-1-2. into your daily warm-up so that you may manipulate every musical nuance available to you.

Vertaling

Heilige Marimbist, Die, Volume 2 gekomponeer deur Nathan Daughtrey. Vir Marimba. 4-hamer. 4.3-oktaaf ​​Marimba. lae. Medium tot medium moeilik. Duur 25. 00-30. 00. Gepubliseer deur C. Alan Publications. CN.18000. Daughtrey se pragtige reëlings in hierdie versameling help om die leemte van liedere beskikbaar vir solo marimba te vul. Almal is speelbaar op 'n lae marimba, maar opsioneel laer notas word in die hele as jy 'n uitgebreide reeks instrument. Dit is die tweede volume in die Heilige Marimbist Versameling - die eerste gereël deur David Gillingham en hierdie versameling gereël deur Nathan Daughtrey. Alle reëlings in hierdie boek is speelbaar op 'n 4,3-oktaaf. lae. marimba. Opsionele laer notas word in hakies aangedui in. Tenuto punte. verskyn in elke lied, wat notas wat uit die tekstuur gebring moet word, soos melodiese lyne of punte van harmoniese belangstelling toon. Verder, byna elke reëling het 'n buigsame duur, en gee die speler die opsie om te verkort of verleng die stuk as die prestasie venue kan vereis. Geniet. PRESTASIE AANTEKENINGE Prelude op 'Alle wesens van Ons God. Kom ons geniet. Ralph Vaughan Williams het miskien die mees bekende instelling van hierdie lied. Ek, persoonlik, het grootgeword met hierdie lied as ons doksologie in die kerk. Groot sorg is geneem met die waai om aan te dui wat hande. hamers moet speel wat daarop. Aandag skenk aan die tenuto. punte bo en onder die blaaie, wat die melodie en harmonie lyne meer klem te ontvang. Toepaslike tydens enige deel van die liturgiese kalender. Besinning oor 'Laat almal sterflike vlees swyg'. Traditional French. Hierdie lied, ook bekend as "Picardie," is die mees geskikte in Advent. Wees bedag op die vervaag eggo-effek in die eerste twee bladsye van die reëling. Let daarop dat slegs die linker-hand begeleiding vervaag, terwyl die regterkantste melodie konstant bly. Offerblok op 'Amazing Grace'. Tradisionele. Waarskynlik die mees herkenbare lied in die versameling, 'Amazing Grace' verskyn hier in 'n meer populêre styl met 'n groot deel van sinkopasie en minder tradisionele harmonie. Hierdie reëling is perfek op enige tyd van die jaar en gedurende enige deel van die diens. Meditasie oor "Wat wonders Love Is Hierdie". William Walker. Hierdie pragtige lied van 'Southern Harmony het 'n gevoel van Americana dit. Dit welige. Die melodie dwarsdeur die koraal artikel moet deur die twee binne-hamers gespeel word terwyl die buitenste harmonie gespeel word deur die buite hamers. Die 12. 8 artikel moet glad uitgevoer word en met mekaar verbind sodat dit behou die klank van rollende. Postlude op 'Joyful, Joyful, ons aanbid U'. L.V. Beethoven. Ook bekend as "Ode to Joy" van Beethoven se Simfonie 9, hierdie deuntjie is gepas in enige punt in die liturgiese jaar. Ek beveel aan dat jy hierdie reëling speel as die naspel, soos die dans-agtige 7. 8 kan nie leen om stil meditasie tydens ander dele van die diens. 'N ossia is op die laaste bladsy van die boek vir 'n besonder moeilike artikel. Voorspel op 'Vir die skoonheid van die aarde se. Conrad Kocher. Hierdie lied deuntjie bekend as 'Dix "moet eerder stil word uitgevoer en met 'n bietjie van 'n ritme in beide van die kontrasterende afdelings. Ek sou sag en swaarder hamers in die linkerhand beveel so die basnote kan regdeur die eerste artikel en van m beklemtoon word. 25-46. Tema. Jeremia Ingalls. Gebruik as die melodie vir verskillende liedere, is dit hier in 'n eenvoudige vierstemmige koraal omgewing vir die tema. Die variasies nie te ver dwaal nie van die oorspronklike tema, maar groot sorg moet geneem word om altyd bring die tema. Jy moet ook hamers kies verstandig, as jy nodig beide vinnige ritmiese figure uit te voer in verskeie reekse van die instrument sowel as voer 'n sagte, gerol koraal. Fantasie op 'Dit is my Vader se Wêreldbeker'. Traditional English. Hierdie instelling van die melodie "Terra Beata 'bied 'n paar tegniese uitdagings wat hamer plasing op die bars. Moenie bang om 'n meer rubato tempo te gebruik om sommige van die ongemaklike posisie arm skofte te help, maar nie die musikale integriteit van die reëling offer nie. Die steek figurasie in die tweede aanbieding van die lied. 44. konstant bly tot aan die einde van die stuk. Jy kan goed doen hierdie figurasie te neem. 4-3-1-2-3-4-1-2. in jou daaglikse warm-up so dat jy kan elke musikale nuanse aan u beskikbaar te manipuleer.