Bladmusiek $45.00

Oorspronklik

Gate to Heaven. wind ensemble score. B-Flat Trumpet sheet music. Horn sheet music. Marimba sheet music. Grade 5.

Vertaling

Poort na die Hemel. wind ensemble telling. B-Flat Trumpet bladmusiek. Horn bladmusiek. Marimba bladmusiek. Graad 5.

Oorspronklik

Gate to Heaven. wind ensemble score. Concerto No. 1 for Marimba & Wind Ensemble. Composed by Gillingham. Arranged by M. Lasley. For Soloist. with Concert Band. Solo Marimba, Flute 1, Flute 2, Oboe 1. 2 , Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1,. Grade 5.5. Wind ensemble score. Duration 16. 30. Published by C. Alan Publications. CN.03286. Subtitled "A Journey of the Soul," each movement of this concertino for solo marimba and wind ensemble reflects the movement of the soul into the portal of heaven. From Remission to Reflection to Redemption, Gillingham paints a vivid picture of the afterlife that is full of color and life while showcasing the wide range capabilities of the marimba. Though "Gate to Heaven" is structured as a three-movement concerto. all movements attaca. for solo marimba and wind ensemble, it has extramusical inspiration. Each movement of the work reflects the movement of the soul into the portal of heaven. The first movement, titled 'Remission,' is indicative of death and the consequences of the soul's former life. From the onset of the first movement, the introduction captures the hard blows of death and the mysterious passage into the unknown world beyond. The ensuing presto is representative of the tribulations of the former life fluctuating between evil and ecstasy. The second movement, 'Reflection,' is a solemn look into the past life of the soul and suggests mixed emotion about former life of the soul as a human form and its present state as energy moving through the infinite universe. The use of the human voice in this movement is depictive of the dilemma. Mournful bowed passages in the marimba toward the end of this movement are followed by a passage that builds to a rather joyous resolve, perhaps suggesting the golden light of the portal of heaven at the end of the tunnel of transition. The final solemn strains of the movement represent the soul's final reflection upon its former life. 'Redemption,' the final movement, hopefully invokes whatever image one has of 'heaven. ' It was the composer's intention to paint a musical image of golden light shining upon a rainbow-colored landscape. The movement is comprised of two alternating themes, the first energetic and full of sparkle and the second dramatic and full of splendor. Toward the end of the movement, a fragment of the reflective theme of the second movement is heard before the movement drives to a joyous conclusion.

Vertaling

Poort na die Hemel. wind ensemble telling. Concerto No 1 vir Marimba. Saamgestel deur Gillingham. Gereël deur M. Lasley. Vir solis. Concert Band. Solo Marimba, fluit 1, 2 fluit, hobo 1. 2, klarinet in Bb 1, klarinet in Bb 2, klarinet in Bb 3, basklarinet, fagot 1, 2 fagot, saxofoon 1. 2, saxofoon, bariton saxofoon, trompet in Bb 1, trompet in Bb 2, trompet in Bb 3, Horn in F 1,. Graad 5,5. Wind ensemble telling. Duur 16. 30. Gepubliseer deur C. Alan Publications. CN.03286. Subtitel "'n reis van die siel," elke beweging van hierdie concertino vir solo marimba en wind ensemble weerspieël die beweging van die siel in die portaal van die hemel. Van remissie nadenke verlossing, Gillingham skilder 'n lewendige beeld van die hiernamaals wat vol kleur en lewe, terwyl die klem op die wye verskeidenheid vermoëns van die marimba. Alhoewel "Poort na die Hemel" is as 'n drie-beweging concerto. al die bewegings attaca. vir solo marimba en wind ensemble, dit het extramusical inspirasie. Elke beweging van die werk weerspieël die beweging van die siel in die portaal van die hemel. Die eerste beweging, getiteld "remissie, 'n aanduiding van die dood en die gevolge van die siel se voormalige lewe. Van die begin van die eerste beweging, die bekendstelling vang die harde houe van die dood en die geheimsinnige gedeelte in die onbekende wêreld buite. Die daaropvolgende presto is verteenwoordigend van die swaarkry van die vorige lewe wisselende tussen kwaad en ekstase. Die tweede beweging, 'Refleksie, "is 'n plegtige kyk in die verlede lewe van die siel en stel gemengde emosies oor die voormalige lewe van die siel as 'n menslike vorm en sy huidige toestand as energie beweeg deur die oneindige heelal. Die gebruik van die menslike stem in hierdie beweging is depictive van die dilemma. Rou gebuig gedeeltes in die marimba aan die einde van hierdie beweging word gevolg deur 'n gedeelte wat bou aan 'n vreugdevolle eerder los, miskien dui op die goue lig van die portaal van die hemel aan die einde van die tonnel van oorgang. Die finale plegtige stamme van die beweging verteenwoordig die siel se finale weergawe op sy voormalige lewe. 'Verlossing, "het die finale beweging, hopelik beroep op watter beeld 'n mens van' hemel. "Dit was die komponis se voorneme om 'n musikale beeld van goue lig skyn op 'n reënboog-gekleurde landskap te verf. Die beweging bestaan ​​uit twee wisselende temas, die eerste energiek en vol vonkel en die tweede dramatiese en vol van prag. Teen die einde van die beweging, is 'n fragment van die reflektiewe tema van die tweede beweging gehoor voordat die beweging dryf om 'n vreugdevolle gevolgtrekking.