Bladmusiek $40.00

Oorspronklik

Turn the Page. Daniel McCarthy. B-Flat Trumpet sheet music. English Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music.

Vertaling

Draai die Page. Daniel McCarthy. B-Flat Trumpet bladmusiek. Engels Horn bladmusiek. Perkussie bladmusiek. Timpani bladmusiek. Tromboon bladmusiek. Tuba bladmusiek.

Oorspronklik

Turn the Page composed by Daniel McCarthy. For Full Orchestra. Piccolo, Flute, Oboe, English Horn, Bb Clarinet 1-2, Bass Clarinet, Bassoon, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone, Tuba, Timpani. , Percussion 1. suspended cymbal, 4 tom-toms, snare drum, rain stick, claves, bongos. , Percussion 2. suspended cymb. Orchestra Music. Score only. Duration 7. 30. Published by C. Alan Publications. CN.11301. The power of a full orchestra behind the excitement of a Led Zepplin guitar solo. You can't go wrong with this challenging and interesting work with the cultural context your audiences crave. The writing of "Turn the Page" was the result of my association with conductor and good friend Jung Ho Pak. New Haven Symphony and World Youth Symphony Orchestras. Maestro Pak and I met at The Interlochen Arts Camp where we are both faculty and we collaborate on the orchestra reading project with the student composers. Our conversations over the years have included the future of the orchestra and new orchestral music in our society. Audiences have lost a great deal of context with new music over the past 90 years, in my opinion, and new music has remained an anomaly for many listeners. So when I decided to write Jung Ho an orchestra piece, I knew it had to be music that meant something to listeners--something that would have cultural context to an audience and yet be challenging and interesting to play. And a piece that would be played more than just once. I seek a certain drama and excitement in my music. Perhaps that is why I am so attracted to composers like Mahler, Stravinky, and Daugherty. But I also have a diverse listening palate having played big band jazz as a lead trumpet player and funk as a synthesizer player. Often when I travel, especially on long driving trips, I will listen to old "art-rock" of bands such as "Yes," "Genesis," and "Led Zeppelin. " One of my favorite tunes is "Heartbreaker" from the album "Led Zeppelin II." It has a very unusual guitar solo in the middle of the song-- Unusual, because the band stops playing and Jimmy Page takes a motivically oriented solo, much like a cadenza in a concerto. It was the first time anything like that was ever done in that genre and was really the beginning of guitarists becoming virtuosos on their instruments. Actually, that solo had all the fire of a Tchaikovsky or Mendelssohn concerto cadenza. Hence, the idea came to be to combine the suggestion of this solo with orchestra and, later, to use an electric guitar or CD recording of the actual solo with the orchestra. It seemed to me that all the power of Led Zeppelin was certainly in good company with a full-sized symphony orchestra--Witness Stravinsky's "Rite of Spring. " Could any rock band create that much excitement.

Vertaling

Draai die Page saamgestel deur Daniel McCarthy. Vir volle orkes. Piccolo, fluit, hobo, Engels Horn, BB klarinet 1-2, basklarinet, fagot, BB trompet 1, 2, 3, F Horn 1, 2, 3, tromboon, tuba, Timpani. , Percussion 1. opgeskort simbaal, 4 Tom-toms, snaartrom, reën stok, ritmestokkies, bongos. , Percussion 2. opgeskort cymb. Orchestra Musiek. Telling net. Duur 7. 30. Gepubliseer deur C. Alan Publications. CN.11301. Die krag van 'n volle orkes agter die opwinding van 'n Led Zepplin kitaar solo. Jy kan nie verkeerd gaan met hierdie uitdagende en interessante werk met die kulturele konteks van jou gehore smag gaan. Die skryf van "Draai die Page" was die gevolg van my verbintenis met dirigent en 'n goeie vriend Jung Ho Pak. New Haven Simfonie en die Wêreld Jeug Simfonie-orkeste. Maestro Pak en ek ontmoet by die Interlochen Arts Camp waar ons is albei fakulteit en ons saam te werk op die orkes lees projek met die student komponiste. Ons gesprekke oor die jare het die toekoms van die orkes en nuwe orkestrale musiek in ons samelewing ingesluit. Gehore het 'n groot deel van die konteks van die nuwe musiek verloor het oor die afgelope 90 jaar, in my mening, en nuwe musiek het 'n anomalie gebly vir baie luisteraars. So toe ek besluit het Jung Ho te skryf 'n orkes stuk, ek het geweet dit moes musiek wat beteken dit iets vir luisteraars te wees - iets wat kulturele konteks moet 'n gehoor en nog uitdagend en interessant om te speel. En 'n stuk wat meer gespeel sal word as net een keer. Ek soek na 'n sekere drama en opwinding in my musiek. Miskien is dit waarom ek so aangetrokke tot komponiste soos Mahler, Stravinky, en Daugherty. Maar ek het ook 'n diverse luister verhemelte gespeel het big band jazz as 'n voorsprong trompet speler en funk as 'n sintetiseerder speler. Dikwels wanneer ek reis, veral op die lang ry reis, sal ek luister na die ou "kuns-rock" van groepe soos "Ja," "Genesis" en "Led Zeppelin. "Een van my gunsteling liedjies is" Heartbreaker "van die album" Led Zeppelin II "Dit het 'n baie ongewone kitaar solo in die middel van die lied -. Ongewone, want die band stop speel en Jimmy Page neem 'n motiefies georiënteerde solo, baie soos 'n cadenza in 'n concerto. Dit was die eerste keer dat so iets ooit gedoen in daardie genre en was regtig die begin van kitaarspelers steeds virtuose op hul instrumente. Eintlik is dit solo het al die vuur van 'n Tchaikovsky of Mendelssohn concerto cadenza. Vandaar die idee gekom het om die voorstel van die solo te kombineer met orkes en later 'n elektriese kitaar of CD-opname van die werklike solo te gebruik met die orkes. Dit lyk vir my dat al die krag van Led Zeppelin was beslis in goeie geselskap met 'n vol-grootte simfonieorkes - Witness Stravinsky se "Ritus van die Lente. "Kan 'n rock band skep dat baie opwinding.