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Bladmusiek $7.95

Oorspronklik

Psalm 125. Jean-Philippe Rameau. Voice sheet music. Choir sheet music. Double Bass sheet music. Piano and Keyboard sheet music.

Vertaling

Psalm 125. Jean-Philippe Rameau. Voice bladmusiek. Koor bladmusiek. Double Bass bladmusiek. Klavier en Keyboard bladmusiek.

Oorspronklik

Psalm 125 composed by Jean-Philippe Rameau. 1683-1764. Edited by Jean-Paul C. Montagnier. For ST. BarB vocal soli, SST. TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello. contra bass, bassoon, basso continuo. French Sacred Music. Language. Latin. 12 pages. Duration 26 minutes. Published by Carus Verlag. CA.2100811. With Language. Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a "concert spirituel" in 1751, In Convertendo was poorly received. this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.

Vertaling

Psalm 125 gekomponeer deur Jean-Philippe Rameau. 1683-1764. Geredigeer deur Jean-Paul C. Montagnier. Vir ST. Barb vokale alleen, SST. TBarB koor, 2 fluit, 2 hobo, 2 viool, 2 altviool, tjello. kontra bass, fagot, continuo. Franse Geestelike Musiek. Taal. Latyns-. 12 bladsye. Duur 26 minute. Gepubliseer deur Carus Verlag. CA.2100811. Met taal. Latyns-. Die drie Grands motetten, Quam dilecta, In convertendo en Deus NOSTER Refugium, wat Jean-Philippe Rameau saamgestel 1713-1715 is nog relatief onbekende vandag. Uitgevoer word in 'n konsert spirituel in 1751, In Convertendo is swak ontvang. hierdie mislukking lank voortgegaan Rameau na te streef. Tog is hierdie meesterwerke is getuienis Rameau se groot kontrapuntale bemeestering en bevat pragtige liriese gedeeltes. Quam dilecta en Deus NOSTER Refugium oorleef net in later bronne wat ontstaan ​​het in ongeveer 1770, na Rameau se dood, en die werke is gelewer in 'n puntestelsel wat nie ooreenstem met sy bedoelings. Die huidige nuwe uitgawe poog om vir die eerste keer om hulle te herbou so na as moontlik aan die oorspronklike vorm. Die uitgawe van In convertendo is gebaseer op Rameau se handtekening telling van 1751.