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Four Original Warm-Ups for Band. Bert Appermont. Grade 2.

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Vier Original Warm-ups vir Band. Bert Appermont. Graad 2.

Oorspronklik

Four Original Warm-Ups for Band composed by Bert Appermont. For Marching Band. Opening Music. Grade 2-3. Score and set of parts. Duration 0. 11. 35. Published by Beriato Music. BT.0605-2-329. From my experience as a conductor and a jury member, I know that many orchestras are faced with typical problems. lack of sound control, intonation difficulties, uncontrolled articulation and insufficient phrasing. Practising these aspects is very demanding of an orchestra and there is little material available that is also enjoyable to play. Four Original Warm-Ups is therefore intended to improve this situation. It consists of four enjoyable warm-up pieces. Each piece focuses on one of the said issues without the music being dull as a result of this. Part 1. Waves of Sound Long chords are played crescendo and diminuendo, thus practising breathing and sound control. These surging chords are reminiscent of the sound of waves, hence the title Waves of Sound. The tempo can be increased or decreased, depending on the skills of the orchestra. It can be decreased slightly every week, thus training the stamina of the musicians. Part 2. Tuning Tones At the start, several instruments take over the tone of the oboe. The aim is to correct the intonation immediately by comparing the two tones carefully. As they are in immediate succession, this is easier to hear. This is followed by a choral theme alternated with a flat chord that is developed repeatedly from the base. This section can be used to practise the tuning of chords. Part 3. Articulation Train All aspects of articulation are addressed in this hellish train journey. The gradual acceleration not only suggests a train that is driving faster and faster, but is also intended to practise staccato playing. For a concert performance, a child or a musician could be dressed up as an engine driver and sound the train departure whistle. A real train whistle can enhance the atmosphere in certain places that have been marked for this purpose. This part can also be used as an encore piece for a concert. Part 4. Cantilene The tuneful melody is played by several parts. instruments. The object is to play every phrase in one breath and to give the melody sufficient tension. This part develops towards a crescendo in which accurate phrasing is an absolute must. The changes in time give the piece a special character. These four pieces can but do not have to be played in succession. Each part can be used separately for a rehearsal or concert. I truly hope that these four parts will contribute to improving the standards of many orchestras without spoiling the fun of playing.

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Vier Original Opwarming vir Band saamgestel deur Bert Appermont. Vir Marching Band. Opening Musiek. Graad 2-3. Score en stel dele. Duur 0. 11. 35. Gepubliseer deur Beriato Music. BT.0605-2-329. Uit my ervaring as 'n dirigent en 'n jurie lid, ek weet dat baie orkeste gekonfronteer word met tipiese probleme. gebrek aan klank beheer, intonasie probleme, onbeheerde artikulasie en onvoldoende frasering. Die beoefening van hierdie aspekte is baie veeleisend van 'n orkes en daar is min materiaal beskikbaar wat is ook aangenaam om te speel. Vier Original Opwarming is dus bedoel om die situasie te verbeter. Dit bestaan ​​uit vier genotvolle warm-up stukke. Elke stuk fokus op een van die genoemde kwessies sonder die musiek, dof as gevolg van hierdie. Deel 1. Golwe van Sound Long akkoorde gespeel crescendo en diminuendo, dus oefen asemhaling en klank beheer. Hierdie klink akkoorde herinner aan die geluid van golwe, vandaar die titel Waves van klank. Die tempo kan verhoog of verlaag word, afhangende van die vaardighede van die orkes. Dit kan effens afgeneem word elke week, so die opleiding van die stamina van die musikante. Deel 2. Transaksies Tones Aan die begin het verskeie instrumente te neem oor die toon van die hobo. Die doel is om onmiddellik die intonasie te verbeter deur die twee tone noukeurig. As hulle in die onmiddellike opvolging, is dit makliker om te hoor. Dit word gevolg deur 'n koor-tema afgewissel met 'n plat koord wat herhaaldelik ontwikkel is uit die basis. Hierdie afdeling kan gebruik word om die stem van die akkoorde te oefen. Deel 3. Artikulasie Trein Alle aspekte van artikulasie word in hierdie helse treinrit. Die geleidelike versnelling dui nie net 'n trein wat vinniger en vinniger ry, maar is ook bedoel om staccato te speel om te oefen. Vir 'n konsert prestasie, kan 'n kind of 'n musikant geklee te wees as 'n enjin bestuurder en die geluid van die trein vertrek fluitjie. 'N regte trein fluit kan die atmosfeer te verbeter in sekere plekke wat gemerk is vir hierdie doel. Hierdie deel kan ook as 'n toegif stuk vir 'n konsert wat gebruik word. Deel 4. Cantilène Die goed in die gehoor melodie word gespeel deur verskeie dele. instrumente. Die doel is om elke frase om te speel in een asem en die melodie te gee voldoende spanning. Hierdie deel ontwikkel tot 'n hoogtepunt in wat akkurate bewoording is 'n absolute moet. Die veranderinge in die tyd gee die stuk 'n spesiale karakter. Hierdie vier stukke kan maar nie tot in die reeks gespeel moet word. Elke deel kan afsonderlik vir 'n repetisie of konsert gebruik word. Ek hoop werklik dat hierdie vier dele sal bydra tot die verbetering van die standaarde van baie orkeste sonder bederf die pret van speel.