Bladmusiek $6.00

Oorspronklik

Ave Verum Corpus. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Tuba sheet music. Intermediate.

Vertaling

Ave Verum Corpus. B-Flat Trumpet bladmusiek. Horn bladmusiek. Tromboon bladmusiek. Tuba bladmusiek. Intermediêre.

Oorspronklik

Ave Verum Corpus composed by Wolfgang Amadeus. Arranged by Dan Toomey. Brass Quintet. For 2 trumpets, horn in F, trombone, tuba. Classical Sacred. Intermediate. Full score & set of parts. Published by Cherry Classics. CY.CC2230. Dated within the last six months of the composer's life, the Ave Verum Corpus, K. 168 is a profound example of the unrivaled beauty, elegance and simplicity of Mozart's style. It is a stand-alone choral work based on a sacred Latin text, probably written for a Corpus Christi service in Baden, near Vienna. Often cited as one of Mozart's most "perfect" works, it's sublimity inspired the following remarks from Albert Einstein. "the perfection of modulation and part-writing, lightly introducing polyphony as a final intensification,. is. no longer perceived. Here. ecclesiastical and personal elements flow together. The problem of style is solved. Originally scored for four-part chorus. SATB. , organ and strings, this arrangement preserves the original key and markings. the only additions are the "molto cantabile" marking in the solo voice and the suggested metronome marking of q80.

Vertaling

Ave Verum Corpus saamgestel deur Wolfgang Amadeus. Gereël deur Dan Toomey. Brass Quintet. Vir 2 trompette, horing in F, tromboon, tuba. Klassieke Heilige. Intermediêre. Volle telling. Gepubliseer deur Cherry Classics. CY.CC2230. Gedateer in die laaste ses maande van die komponis se lewe, die Ave Verum Corpus, K. 168 is 'n groot voorbeeld van die ongeëwenaarde skoonheid, elegansie en eenvoud van Mozart se styl. Dit is 'n stand-alone koorwerk wat gebaseer is op 'n heilige Latynse teks, waarskynlik vir 'n Corpus Christi diens in Baden naby Wene geskryf. Dikwels aangehaal as een van Mozart se mees "ideale" werke, dit is verhewenheid geïnspireer om die volgende opmerkings van Albert Einstein. "Die perfeksie van modulasie en deel-skryf, liggies bekendstelling polifonie as 'n finale verdieping,. is. nie meer waargeneem. Hier. kerklike en persoonlike elemente saamvloei. Die probleem van die styl is opgelos. Oorspronklik aangeteken vir vierstemmige koor. SATB. , Orrel en strykers, hierdie reëling bewaar die oorspronklike sleutel en merke. die enigste toevoegings is die molto cantabile merk in die solo stem en die voorgestelde metronoom nasien van q80.